#31
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Doesn't bother me a bit. I like having the control that those boxes offer. While I like an attractive guitar, they are still "instruments" to me, not art objects. If they play well, sound good, and are comfortable to hold and play, they make the cut.
I'm guessing the OP would be horrified with my Emerald X10 with a Krivo humbucking pickup on the top, piezo pickups on the individual/adjustable saddle, and knobs and a rocker switch on the side... great tone unplugged and plugged in with that guitar, btw. My favorite pickup is a barndoor B-Band in an Emerald X7. Life is short. I don't spend any time "hating" any particular instrument - pick what you like and enjoy the playing.
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Some CF, some wood. |
#32
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I think side mounts are much more accessible than soundhole mounted systems, and usually have better features. However, my issue with them is the scar left when the system craps out or becomes obsolete and you can't find anything to replace it that fits its specific size.
For instance, I was checking out one of the higher-end Walden guitars and they have the Fishman Presys Blend in it. I like Fishman stuff but no one likes the Sonitone or Presys Blend. I thought, "well, maybe I could replace it with one of the nicer Matrix Blend side mounts." Nope, doesn't fit. And you can def take the guts and just leave the shell but...who wants to do that? I know David Wilcox did that with one of his Rainsongs and just uses it to hold spare batteries now but that's not for me.
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Alvarez MC90 Guild GAD-50 w/Seymour Duncan Mag Mic Taylor 352ce Taylor 514ce Zoom AC3 https://linktr.ee/erikjmusic |
#33
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To each his own. I don’t get the hate. I prefer barn doors for guitars I gig plugged in. Don’t like them? Don’t buy them. I’ll take a Taylor with an Aura barn door over any ES and I have.
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#34
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I like looking at my guitars when I'm not playing them. And I just feel that the electronics mounted on the side of a guitar totally ruin the acoustic look.
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Taylor 814ce Gibson G-00 Epiphone J-200 Heritage Cherry Sweetwater Exclusive Gibson G-45 Studio Martin X1-DE Washburn WP21SNS Taylor 110 Mitchell D120 |
#35
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Huh! I was about to share my opinion on such things when an old friend rang my doorbell to show me his latest guitar.
This is an EXTREMELY talented fingerstyle guitarist. For some years now he has played his Collings OM3, but he decided he needed a "beater" guitar as well. Did he buy another Collings ? A Martin? an Eastman ? Nah - he bought a £400 Washburn with built in bar door electrics which he has passed to a luthier to set it up like his Collings. But ... the luthier tells him it will be 6-8 weeks and about £350 and he's left both new Washburn and Collings for that time, but he needs anther guitar, so he's bought a...Tanglewood! That OM3 of his is special - it is superb. I tend to feel that guitars with built in elctrics are effectively electric guitars that "look" like acoustics and i suspect that a £400 electo is actually a £200 guitar with £200 of elecs. I hope it works out for him!
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#36
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While some big hollow body electrics have a basic (sort of a less resonate) acoustic sound ,,,,the opposite in a blanket general statement is not really accurate Acoustics with pickups without very specific additional FX, and a lot of expertise , have very little to nothing in common sound wise, with solid body electrics..
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 Last edited by KevWind; 07-30-2021 at 07:36 AM. |
#37
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This. I love a beautiful looking guitar from a fine woodworking standpoint, but I'll gladly take a weird-looking 'piece of junk' if it has a beautiful sound every single time.
My issues with electronics in an acoustic guitar are around reliability, not looks. But I perform onstage, and reliability is required, while looks tend to be a luxury for many performers.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#38
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And honestly looks wise I guess I am a "progressive conservative" (ha talk about a contradiction in terms ) But I admit I do not care for relic'ed for the sake of "looking road worn" or pre aged for sake of looking old On electrics I do not care for headless or wild shapes or body horns or fluorescent colors etc. etc. At the same time a strict traditional look has never been not a prerequisite So things like a barn door or knobs on an acoustic are not a distraction or a detraction. As far as reliability ? in 20 years of gigging I did have to replace the Fishman Matrix one time, in my 97 Taylor 810 ce. Before that in 20 years of mic'ing acoustic I had one mic failure also, so kind of a wash reliability wise As far as becoming limited to strict tradition, I always found it entertaining to show up at a Blue Grass jam. with said 810 ce. and watch the squirming and gnashing of teeth................
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Enjoy the Journey.... Kev... KevWind at Soundcloud KevWind at YouYube https://www.youtube.com/playlist?lis...EZxkPKyieOTgRD System : Studio system Avid Carbon interface , PT Ultimate 2023.12 -Mid 2020 iMac 27" 3.8GHz 8-core i7 10th Gen ,, Ventura 13.2.1 Mobile MBP M1 Pro , PT Ultimate 2023.12 Sonoma 14.4 |
#39
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Not that much, to be sincere. As long as it sounds good plugged in or not, I'm fine.
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-2017 Gibson J-45 Standard -2019 Gibson J-15 -2019 Gibson Les Paul Junior -2020 Gibson Les Paul Special -2019 Gibson Les Paul Studio -2021 Fender Aerodyne Special Telecaster -2022 Fender Telecaster 50s (Vintera) -1994 Fender Telecaster Deluxe 70 (Vintera) -Sire V5 5-string |
#40
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I tend to agree with the OP, especially when it comes to nicer guitars. I typically dont make tone changes once set, and have never seen an on-board tuner half as good as a polytune clip-on. So I rarely use all that space.
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Dave F ************* Martins Guilds Gibsons A few others 2020 macbook pro i5 8GB Scarlett 18i20 Reaper 7 |
#41
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I am wondering if there may be room for a spin-off industry of curved plates intended to retro-fit on to the big hole cut into the sides of guitars -- to offer a replacement fill or mounting location once the original electronics die? |
#42
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If I wanted an Acoustic Guitar without electronics mounted on the side. I would not have bought an Acoustic/Electric. I have an Epiphone DR500MCE with Shadow Electronics which I know, is most likely considered a beginners piece of China Junk but it sounds great and makes me money. No I don't mind the electronics mounted were they are and if they crap out before I do ( I'm 73 ) I could most likely get a replacement. It is What It Is
Rick |
#43
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I have a few nice non gigging acoustics, but if I decided to start using a flattop for gigs I would buy one with easily accessible controls.
A Gibson J160E would likely do the trick. It worked for the Beatles, it should work for me. |
#44
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I also don't like barn door electronics, because:
1. I don't want a battery inside my instrument. 2. As previously stated they can fail or become obsolete, leaving a useless piece of plastic where wood should be. 3. They are often lower quality then external preamps like RedEye, Bags, K&K, etc. 4. They do look hideous. |
#45
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