#16
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It's not the guitar that gets people's attention, it's the player, however I have two cutaways, and I wish my M-36 had one.
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Pura Vida 2011 Martin M-36 2016 Martin GPC-35E 2016 Martin D12X1 Custom Centennial 1992 Takamine EF-341C, great for campfires 85 Gibson Les Paul Custom 82 Gibson SG 96 Fender Clapton Stratocaster 91 Fender Deluxe Telecaster Plus 86 Fender MIJ E-series Stratocaster Last edited by jp2558; 05-09-2021 at 02:22 PM. |
#17
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Quote:
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#18
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I have a couple of cutaways that need to be finished, probably start on the neck of one today. What does the cutaway have to do with the sound of the guitar? Little acoustical energy is radiated by the upper bout. Some luthiers try to limit the sound from this area, some try to make it active. Generally this is not a major sound producer. The lack of volume in the box has minimal effect on the volume or the resonances produced.
Side by side comparisons between guitars? They all sound a little different from each other. Cutaway or not. Pick the guitar you like the sound of. I am going to build a cutaway guitar for myself just because I want to practice stuff that would be played on electrics and I want to noodle around without plugging in. If you have a reason to get to the upper frets then get a cutaway. If not, pick the guitar that you like the sound of.
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Fred |
#19
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I think Larry's post above answers the question pretty definitively.
Here on the AGF, it always seems cutaways get a raw deal, but really, it's down to what you hear that matters. All I will offer on the subject is this: if this guy used a cutaway, then cutaways are fine by me! |
#20
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hans
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1971 Papazian (swiss spruce/braz RW) 1987 Lowden L32p (sitka/ind RW) 1992 Froggy Bottom F (19th cent. german spruce/koa) 2000 Froggy Bottom H12c (adir/ind RW) 2016 Froggy Bottom K mod (adir/madrose; my son's) 2010 Voyage-Air VAOM-2C http://www.soundclick.com/hanstunes (recorded on Froggy H12c) |
#21
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Play them side-by side. Open your ears. The difference is not huge but it is obvious. If the upper bout that cutaways remove a large part of really didn't do anything for the sound, guitars would be shaped like banjos.
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Tacoma Thunderhawk baritone, spruce & maple. Maton SRS60C, cedar & Queensland Maple. Maton Messiah 808, spruce & rosewood. Cole Clark Angel 3, Huon Pine & silkwood. Cole Clark Fat Lady 2 12-string, Bunya & Blackwood. |
#22
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Last edited by SingingSparrow; 04-07-2023 at 06:37 PM. |
#23
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So acoustically, what does the cutaway change?
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Fred |
#24
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The best thing, Fred, is simply to play some otherwise identical ones side-by-side and see for yourself. Or watch those Youtube demos I provided earlier in the thread. It's pretty clear.
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Tacoma Thunderhawk baritone, spruce & maple. Maton SRS60C, cedar & Queensland Maple. Maton Messiah 808, spruce & rosewood. Cole Clark Angel 3, Huon Pine & silkwood. Cole Clark Fat Lady 2 12-string, Bunya & Blackwood. |
#25
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It really doesn't matter if it changes the sound of the guitar or not, but what does matter is whether you like it enough that you can make music without feeling shortchanged. I've been able to play and make money for years with my cutaway guitars.
If you never go high enough up the fretboard to make it matter, then go with what sounds best to you; and if you think you like the cutaway guitars then you don't need any justification for buying what you like.
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#26
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I’m not a fan of cutaway acoustics and wouldn’t have one. My friend though is just the opposite. He swears by cutaways, and wouldn’t own a non-cutaway. He has 5 high end acoustics all with cutaways, one or two of which had to specially ordered with the cutaways. And in the 26 years I’ve known him, I’ve never once seen him play beyond the 5th fret! |
#27
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Steve |
#28
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Well do not have access to a lot of guitars to find identical cutaway and non-cutaway guitars so I am taking your word for it. I would figure if it was a consistent thing that happens all guitars that have a section removed it would be easy to say what it 'missing' from a cutaway guitar from its similar full size model. Is it the bass, the midrange, the treble? Is it quieter? If it is clear this is something that should be easily describable and easy to pinpoint what is causing the difference. Is it the loss of volume in the body or the loss of the radiation from that section of the top?
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Fred |
#29
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Quote:
That's like claiming all season tires on any performance car takes away 15% of performance. Worthless comment
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#30
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I didn't think that I would like one until I got one. I think it was more aesthetics than anything. That it might not sound exactly like the non cutaway model was not a consideration. I didn't need to do a comparison study. Different guitars sound different. It is neither good nor bad. I like the sound of the cutaway fine.
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Please don't take me too seriously, I don't. Taylor GS Mini Mahogany. Guild D-20 Gretsch Streamliner Morgan Monroe MNB-1w https://www.minnesotabluegrass.org/ |