#1
|
|||
|
|||
Lowden Old Lady
So who has experience with the new Lowden Old Lady?
I would be interested in any feedback as to build quality vs early Downpatrick quality, and tonal observations. Also what is the actual string spacing? It seems Lowden provides the neck width at the 14th fret, but not the actual spacing at the saddle, unless I missed it.
__________________
Sobell Model 1 Sobell six string archtop Gibson ES-165 Herb Ellis Eastman John Pisano Gibson Johnny A Franklin Prairie State Collings D1A |
#2
|
|||
|
|||
I assume the spacing is the wider one like on the Bensusan model.
|
#3
|
|||
|
|||
I believe it's Lowden's 'Fingerstyle' string layout 45/60.
I tried a bunch of Lowdens recently and it felt real nice too me being a finger picker. Sound wise, u'd have to try one yourself. Surprisingly an F35 40th Anniversary Edition Koa with Alpine Spruce was too me the best sounding of all. I like usually a denser Rosewood sound and the spruce was very 'alive' for a new guitar. |
#4
|
|||
|
|||
Brief experience
I played one briefly at Slyvan Music. It has the wider saddle spacing which will be the same width as the fretboard at the 14th fret.
Very easy to play, lots of volume. Can't say how it compared to older versions. |
#5
|
|||
|
|||
Late to the party, but...
Definitely 45 mm nut, 60mm string spacing at saddle (and 60mm at 14th) - same as the standard fingerstyle neck, though slightly shallower. (I have the full depth dimensions somewhere...) Build quality was excellent - some of Lowden's best. (I'm not so keen on the new bridge, but the Old Lady ought to come with the old style.) Can't comment on it tonally as I've only played it in a noisy environment; but if my ears can be trusted in those really sub-optimal conditions, it was a bit brighter than other cedar/hog Os I've played.
__________________
danburne.com Bown OMX Lutz/Braz Eastman AR405E & T486 Kostal MDC German/claro and OM Euro/Madrose Larrivee L-05MT Lowden O35cx cedar/EIR, New Lady, Baritone, O12 and O12-12 McIlroy A25c custom Cedar/Kew black walnut Montgomery fan fret parlour Euro/ebony Sands Baritone Swiss/Ovangkol (another due 2022) Wingert Model E German/Braz Yairi 1960s Soloists |
#6
|
|||
|
|||
I've never heard of the "Old Lady". Is it a specific model or a series?
|
#7
|
||||
|
||||
Quote:
I assume that Lowden is using this for the latest Bensusan Signature model.
__________________
Larry Pattis on Spotify and Pandora LarryPattis.com American Guitar Masters 100 Greatest Acoustic Guitarists Steel-string guitars by Rebecca Urlacher and Simon Fay Classical guitars by Anders Sterner |
#8
|
|||
|
|||
Yes, exactly this. It's a faithful recreation of Pierre's original 'Old Lady' O Lowden (as subsequently modified with the wider neck and string spacing and cutaway) - down to the Cuban mahogany and differently voiced bracing. Some even had the fretboard extension. Departs in that there is an option for an arm bevel.
The New Lady - Pierre's other signature Lowden - is an altogether different beast.
__________________
danburne.com Bown OMX Lutz/Braz Eastman AR405E & T486 Kostal MDC German/claro and OM Euro/Madrose Larrivee L-05MT Lowden O35cx cedar/EIR, New Lady, Baritone, O12 and O12-12 McIlroy A25c custom Cedar/Kew black walnut Montgomery fan fret parlour Euro/ebony Sands Baritone Swiss/Ovangkol (another due 2022) Wingert Model E German/Braz Yairi 1960s Soloists |
#9
|
|||
|
|||
Thanks Larry, I didn't know that but it makes sense.
|