#16
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I recently saw a guy, The Northwoods Bassist. He only plays bass and everything else is backing tracks. Bass has always been my first instrument so I checked him out. He's developed a pretty cool show out of it but not really my thing. He plays many bars. |
#17
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Despite what you may be told by musicians on a music related forum, most audience members are pretty open minded about such things. Audiences are much more likely to make judgements based on style, choice of material, and personality. The more important concern, in my view, is making decisions that the whole group is comfortable with. Keeping 4 artists engaged and musically satisfied, while producing a product that’s well received can be a struggle. I wouldn’t rock a boat that’s sailing smoothly.
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1938 Gibson L-00 Martin 000-28 Custom Authentic 1937 Taylor K14ce Builders Edition National Polychrome Tricone National Model D Squareneck Weber Gallatin A Mandolin http://www.bandmix.com/jon-nilsen/ https://www.bandmix.com/limberlost/ Last edited by Rumblefish; 02-01-2024 at 05:23 PM. |
#18
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Keep it simple
My last group was two guitars, acoustic bass and male and female vocals. We decided early on to not add backing tracks...not even beats. It worked out pretty well.
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Happy Sunsets Taylor 514ce (1999) Taylor K22ce - all Koa (2001) Taylor 612ce (2001) Taylor T5-C2 Koa (2007) Ovation CS28P KOAB - Koa Burst (2017) Paul Reed Smith 305 - Sunburst (2012) Paul Reed Smith Custom 22 - Autumn Sky (2013) Fender Classic Player 60s Strat - Sonic Blue (2012) Roland Juno DS76 (2020) |
#19
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I highly recommend that EVERYONE see the James Brown biopic "Get On Up," with a brilliant rehearsal scene that's one of the greatest and most concise music lessons ever. "It's a drum, Mr. Brown?" That scene's on Youtube and googlable.
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#20
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I've been digging the looper on a few songs for ether a rhythym loop or just a basic beat banged out from my acoustic. For example, one of the singers(my wife) is singing "Fast Car". I find just a simple 4/4 beat looped fills out the sparse guitar nicely. Thank you for your opinion/advice. |
#21
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I went to hear Laurie Anderson play solo once. Turned out she had a gizmo to accompany her. Then the battery died. Which would've been fine if she'd just carried on. But no. The battery hunt was on. And on. And on. . . . Same thing happened when I went to hear Gaelic Storm. They started twenty minutes late because the guitarist couldn't figure out which of his pedals wasn't working. It was well worth the wait. But still. Last edited by Charlie Bernstein; 02-01-2024 at 11:24 AM. |
#22
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Have a link? |
#23
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#24
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I also agree with Rumblefish that the audience typically cares much less than other musicians do. That said, if I had a group with three vocalists, I'd be temped to do something other than backing tracks. Can any of them beatbox? |
#25
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I'm in a similar situation to the OP, two female singers and me on guitar and vocals. Lots of harmony. The girls provide percussion, (tambourines, shakers and assorted whatnot).
I do use a looper for three things: sound check, ie me walking the back of the room listening to the guitar from the stage, Wicked Game and the final solo of Sultans of Swing. And that's it. IMO, tracks are cheesy. They sound cheesy, the audience knows it ain't you providing the horns if you're sitting there with a dread, and you better be dead on with your timing. Oh, and make sure you're in tune. To me there is more artistry in figuring out how you can to the song that has an elaborate structure on your own rather than in paying for some downloaded studio hot shots to do it for you.
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Some Acoustic Videos |
#26
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Just as a lark, I looped a fairly funky drum beat on the guitar for "Higher Love" It actually worked pretty well and the singers were digging it. |
#27
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Unless, of course, you do something like this.
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#28
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You can do foot percussion live. Best to keep it simple in the beginning. Just a tap on one and three will give a song movement you pr looking for.
1st song Sara Smile. https://www.facebook.com/Davids105Li...4538004855330/ |
#29
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I am confident that is above and beyond me |
#30
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