#46
|
|||
|
|||
I started out with a Fender Blues Jr. When it died, I replaced it with two amps: Roland’s Blues Cube Hot (original voicing) and the Boss Katana 100 1x12.
I am a home player, and my favorite way of using these amps is to split the signal using an ABY splitter into both amps. I use the MS-1959 patch from Sneaky Amps on the Katana. Huge, articulate, rich sound by running both amps at the same time. Happy camper here.
__________________
- Res “There’s no end to what I don’t know” |
#47
|
|||
|
|||
You can pry my '72 Twin from my cold dead hands
I was tempted to buy one of those Katana's on my local Craig's List a few months ago, I wish I did now. |
#48
|
|||
|
|||
Be careful buying amps off of craigs...or anyplace else. Expensive to fix.
__________________
Free speech...its' not for everybody |
#49
|
|||
|
|||
Yeah I hear ya. Fortunately for me a friend of mine is an expert amp repair guy. But yeah ya gotta figure if they are selling it on CL then there is a reason why
|
#50
|
|||
|
|||
I'm a tube amp guy but I have owned two Peavey Bandits that were fabulous amps in their own right. Nothing wrong with SS if it is done correctly. The problem is that every time I play other amps nothing sounds as good as my 1969 Princeton Reverb with a 12" Red Fang. IMO the amp is way more important than the guitar in getting your tone dialed in.
__________________
1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |