#136
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The significant value of ToneDexter is that you create a WaveMap of your own guitar, with your own mikes, just the way you like it. You are never stuck wishing that someone had created a model of your rare 1959 balsa wood top OM made by James Olson's great-uncle. Caveat: I believe it's still early days for this type of application of the technology, so I wouldn't record a solo instrumental guitar album using ToneDexter - yet. But for parts in a busier mix, I think we're getting close and some think we're already there.
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#137
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#138
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I never hear the Tonedexter Pro mentioned. It appears to have more knobs. Do they still make this one?
https://youtu.be/3Argxbq0vvM <= Link here, because it won't embed Last edited by The Kid!; 05-25-2018 at 03:41 PM. |
#139
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I keep wishing that ToneDexter came in a Trainer and Player configuration. Buy one Trainer and leave it at home or studio. Buy one or more Players and use the wavemaps created on the Trainer. The Players could possibly be even smaller especially without the tuner (I already have too many tuners).
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-Gordon 1978 Larrivee L-26 cutaway 1988 Larrivee L-28 cutaway 2006 Larrivee L03-R 2009 Larrivee LV03-R 2016 Irvin SJ cutaway 2020 Irvin SJ cutaway (build thread) K+K, Dazzo, Schatten/ToneDexter Notable Journey website Facebook page Where the spirit does not work with the hand, there is no art. - Leonardo Da Vinci |
#140
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I should add that the prototype did have a 3 band parametric EQ, but none of our beta testers ever used it. It was removed. The simpler bass and treble get the job done for the vast majority of users, once the unit is trained up.
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James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#141
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So if my Washburn and my J 45 both have the same pickup, and I do the wave map for the J 45, will I be able to make my Washburn sound like my J 45? Also: will the EQ controls on my pickup affect the tone of the wave map? |
#142
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Yes
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James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#143
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It’s scheduled to be here by the end of the day tomorrow! I’m so excited!
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#144
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Make sure to report back. I'm eager to read about your initial reactions.
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"Lift your head and smile at trouble. You'll find happiness someday." |
#145
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The Tonedexter has arrived! Going to try it out tomorrow.
I have a small Octava condener mic to use for now. Will I need studio headphones to do the wave mapping or can I use a PA speaker on low volume? |
#146
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Is the TD technology similar to a Kemper's ?
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#147
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I think the real magic in Tone Dextor is creating the FIR coefficients (convolution coefficients, impulse response, IR) that are used during performance. I took a stab at trying to describe IR vs. Tone Dextor for a non-engineer here:
https://www.acousticguitarforum.com/...8&postcount=21
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jf45ir Free DIY Acoustic Guitar IR Generator .wav file, 30 seconds, pickup left, mic right, open position strumming best...send to direct email below I'll send you 100/0, 75/25, 50/50 & 0/100 IR/Bypass IRs IR Demo, read the description too: https://youtu.be/SELEE4yugjE My duo's website and my email... [email protected] Jon Fields |
#148
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You know, I read your original post and it made no sense to me at all. I wonder if you could take another run at it in words a layman could understand, perhaps in a single paragraph or so. I find it fascinating, but you really left me in the fog in that one. Thanks
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#149
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The headphone out is your friend, but you can certainly train without monitoring at all. In that case you would then just audition the results after you store the WaveMap. Make a bunch of Maps from different mic positions, it's easy. Keep the ones you like, delete the ones you don't.
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James May Audio Sprockets maker of ToneDexter James May Engineering maker of the Ultra Tonic Pickup |
#150
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While what James says is certainly true, a good pair of headphones like the Sony MDR7506 Professional, only cost about $80 and are invaluable for recording and almost any monitoring situation. And they last forever. One of the genuinely exciting things about working with the Tonedexter is actually hearing the process take place, and then comparing wavemaps from different positions or different microphones. It may seem like a pain to pop for another 80 bucks, but good headphones are great tool, even if only to practice quietly. It is the best way to listen to yourself and really evaluate what your playing or singing sounds like.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |