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Osthoff Guitars, shots from the shop 2021
Per usual, I will start this thread, saying I haven't posted in a while. I have been busy in the shop, working on many projects (some not guitar related)
Here are a couple guitars that are in process destined for Guitar Gallery later this year. I am calling them the twins, an OM and a 000-12. Reminder these are in process photos, so they are a little rough. Here are the backs, cut from the same log. Both have Italian Spruce Tops [/IMG] Still have a lot to do on these. I am working on a totally overbuilt binding router jig. I have never been happy with the repeatability and adjustability of the my routers. Run-out has also been a issue. More on that later in the thread. |
#2
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Good to hear from you John. They look great! Are the backs BRW?
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PS. I love guitars! |
#3
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HEY!!! Good to see you back, John. Been missing seeing your guitars. And, apologies to all the other builders, your build threads are just better than everybody else's ....Robert
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Martin OM-42SB MJ Franks 000-12 Brazilian/Carpathian J Kinnaird 000-12 Birdseye/Sitka Flammang SEL SCGC 00-12 EIR/Sitka SCGC OM Mahogany/Moon Last edited by roberts; 03-17-2021 at 09:43 AM. |
#4
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This will be fun
I will be watching these beauties come together with pleasure!
Thanks for the updates! Salud Paul
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3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#5
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That's some gorgeous Brazilian rosewood! I will certainly be following this thread.
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John Tucson, AZ 2020 Kraut 00, Swiss/Brazilian, build 2018 Eady EG Pro Electric, Redwood/Mahogany 2013 Baranik Meridian, Blue Spruce/Cocobolo, build 2008 Baranik CX, Blue Spruce/African Blackwood 2008 Breedlove A20 Masterclass 12-string, Adi/IRW 2003 Thames classical, Euro/Brazilian Fodera Standard 4 Fretless bass, figured walnut |
#6
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John, those are beautiful. Good to see your work again, thanks for posting!
Steve |
#7
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Thanks guys for the nice comments.
Here is a couple more process shots. Last edited by John Osthoff; 03-17-2021 at 12:35 PM. |
#8
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Beautiful back and side sets and beautiful work, as usual.
Nice to see you again on the forum and hope to see you this Fall, all the best to you John.
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http://www.krausguitars.com |
#9
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Glad to you posting again JO. I hope to see you in October at WILS...
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#10
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Hey Bill and Bob, it is nice to hear from you two. I hope things are a little more "settled" and we can get together this fall.
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#11
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I once heard that a true craftsman is one who can cover up their mistakes. Well I make plenty mistakes but hopefully they are minor enough that they can be fixed. I suppose it is probably better from a marketing standpoint, not to admit this but what the heck.
I was admiring a beautiful guitar with a Florentine cutaway from a well renowned builder. He confessed that he it was supposed to be a Venetian cutaway but when bending the sides, they broke. There was enough material to cut off the break, and make it into a Florentine. Brilliant! As I was working on the twins, I slipped with the router on one of the headstocks as I was cutting the inlay cavities on the headstock. While the front veneer of the headstock is made out of African Blackwood a flaw could quite easily be filled, but would it be invisible enough. Rather than worrying about that, I decided to add a little more inlay, near the nut. The original inlay was going to stop at the first single dot working your way from the top. These guitars (as all my guitars) use what I call my stealth truss rod cover. I usually just try to match the cover as closely as possible to the overlay most often using leftover pieces from the overlay material. In this case I had to inlay the trussrod cover too. Here is a shot with one of the trussrod covers removed. I feel it worked out. Of course keeping with the twin theme, I choose to add the "extra" inlay to both headstocks even the one without the slip. |
#12
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One more shot for now, here I branded the back of the headstock with my seldom used branding iron.
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#13
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Beautiful work John. Good to see you back!
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Kinnaird Guitars |
#14
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Very Pretty!!!
Beautiful inlay and Abalone! Wow. And no one would have noticed if you had not fessed up... hahaha
John K, you need one of these cool branding irons! I like that a LOT. A lot less work than inlay, and nice understated look. Go, J O Paul
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3 John Kinnaird SS 12c CUSTOMS: Big Maple/Cedar Dread Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |
#15
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Another brilliant headstock!!!
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Martin OM-42SB MJ Franks 000-12 Brazilian/Carpathian J Kinnaird 000-12 Birdseye/Sitka Flammang SEL SCGC 00-12 EIR/Sitka SCGC OM Mahogany/Moon |