#1
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Nut width comparison
Good morning on NGD -3 (and change),
I'm thinking about nut width on some of the guitars I've been playing and trying out. One of my "issues" (kind of a strong word for just a minor annoyance, really) with the PRS Tonare Parlor Guitar I've been renting is the neck feels very narrow. I didn't notice the neck on the Martin 000-18 feeling narrow or wide. It did not feel problematic in any way. I definitely felt like my fingers had more room on the neck of the Norman. I did a little research on the specs and found the following nut widths published: Norman 1.72" or 43.688 mm Martin 000-18 1 3/4" which I converted to 1.75" and then 44.45 mm PRS 1.6875" which I converted to 42.672 mm Generally speaking they are all "around" 1 3/4" but the mm conversion shows a bit of a difference. Is this something that I'm going to really notice when I am playing? The PRS neck definitely feels a bit cramped, but it's only 1 mm (possibly) smaller than the Norman and less than two smaller than the Martin. I guess my real question is can a millimeter or two actually feel that different when you play? Or is this something the mind is perceiving but not a material difference for the left hand? Please opine! |
#2
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I think yes a couple millimeters can make a big difference in nut width and string spacing. But the difference is usually most noticeable when switching between guitars. I can adapt and play a 1 11/16" but just fine but at first it feels narrow. Neck thickness and profile makes a difference too.
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#3
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Nut width comparison
I have much to say on this subject since an old injury flared up on my fretting hand about 10 years back, forcing me to take a deeper dive into all things that impact my fretting hand. For some folks, nut width is completely transparent, they can go from 1 and 7/8ths to 1 and 11/16ths and barely notice. Others are more sensitive to these small differences.
One thing to note is that the feel of the nut width can be affected by other specs such as neck shape, neck taper, scale length, string spacing, as well as posture and ergonomics. Even whether it is a 12 fret or a 14 fret can feel different due to geometry and the change in angle for your shoulder, arm, wrist and fingers. Over the past 18 years of owning and playing multiple guitars, I have learned the following on this topic - My ideal specs are a nut width of 1 and 23/32nds, 25” scale length, and a modified/asymmetrical low oval neck shape. - Having said that, I have also noticed that I cycle through playing my 3 main guitars that span from 1 and 11/16ths to 1 and 3/4ths one after another in one session that I can adjust over time to going from one to another pretty seamlessly. If I play a guitar that has the 1 and 11/16ths too long or too often, my old injury will flare. Same if I play a nut width of 1 and 13/16ths, especially if it is a longer scale length. - It is easier for me to play cleanly when the nut width and neck specs are in my ideal range. - I have been fortunate to have been able to sock away some money over time to have 2 different custom guitars made for me that have accommodated my personal neck spec preferences. Before that I depended upon dialing in my posture and the angle in which I held the guitar and where I could relieve any undue tension while playing. It’s a journey that can vary from person to person and guitar to guitar. I think that you will find the range of specs that will give your hands, arms and shoulders the best opportunity to relax and play. As you are discovering, it just takes some awareness and experimentation. I hope that this isn’t TMI and please ignore anything that doesn’t speak to you or is irrelevant to your situation. Best, Jayne |
#4
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#5
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I can't find a description of the Norman neck shape, but looking at the photos online, you can see there's more space between the strings than the PRS. I just measured the distance between the E & A strings on the PRS. It's between 6 and 7mm. On the Spanish guitar it's almost 9mm! Wow, no wonder that feels different. Can't wait to compare the Norman when I bring it home on Sunday. |
#6
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I often suspect that string width at the bridge can be equally as important as nut width.
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Keith Martin 000-42 Marquis Taylor Classical Alvarez 12 String Gibson ES345s Fender P-Bass Gibson tenor banjo |
#7
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Since I switch between acoustic, electric, and bass guitar, I've had to deal with drastic changes in string spacing and scale lengths. That said, I like my acoustic guitars to have similar specs and may thin the heard to limit my variables. At the end of the day, if you practice enough with different specs you likely can get comfortable on them, but that may not be the best use of one's time. Really is an individual thing.
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Beard Radio R Squareneck Hipshot | Martin 000-28 CA 1937 | Collings OM1 JL | Collings I-30 LC | Anderson Raven Rob Allen, Fodera, Fender basses 2022-2023-2024 albums | nostatic site “Sometimes science is more art than science…” - Rick Sanchez |
#8
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As arthritis continues to take its toll on my hands, I find myself less forgiving and as such less flexible than I once was when it comes to nut width, neck carve and string spacing at the bridge. At one point I could keep up with it by changing the way I approached a guitar. So, if one finger on my right hand did not work as well as another, I went with that one. Kind of like when you tell a doctor it hurts when I do this and he responds with just don't do that. But lately I find more room seems to be better all around. So yeah, I can feel it when moving between 1 3/4" and 1 13/16" nuts and maybe because I am a fingerpicker I can sure as heck feel a difference when going from a string spacing at the bridge of 2 5/16" or 2 3/8" to 2 1/3".
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard Last edited by zombywoof; 05-27-2022 at 12:14 PM. |
#9
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Your signature line is hilarious, Zombiewolf.
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#10
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Janine, we are all waiting eagerly for Norman to enter your life for real.
With regard to your nut-width question, I'd say the thing that matters most is that you played and played and played many guitars before Norman spoke to you. That papers over any spec nuance. I also agree that 1/16" (or even 1/32") makes for a discernible difference in the playing experience. Your Norman has the nut width of a J-45 (1.72" or 1-23/32"). The PRS, on the small side of your three examples, is 1-11/16", while the Martin is the Big Girl at 1-3/4". It's important to also take in neck profile and even scale length as well. But nothing beats the honest feel test you put your candidates through. So enjoy the Norman, whatever the nut width is, because it spoke to you. My three have these nut widths and scale lengths: 0-18: 1-22/32", 24.9" [note my 1952 has a narrower nut than the one in current production] J-45: 1-23/32", 24.75" Gurian: 1-19/32" (yes, that's right), 25.7" [kind of its own unique shape!] They provide three distinct playing experiences. Plus, starkly different tones, but don't get me started on that.
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1952 Martin 0-18 1977 Gurian S3R3H with Nashville strings 2018 Martin HD-28E, Fishman Aura VT Enhance 2019 Martin D-18, LR Baggs Element VTC 2021 Gibson 50s J-45 Original, LR Baggs Element VTC ___________ 1981 Ovation Magnum III bass 2012 Höfner Ignition violin ("Beatle") bass Last edited by b1j; 05-27-2022 at 01:15 PM. |
#11
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The nut width is a rough indicator of string spacing at nut.
For example, I am at ease with 1,75 in. for fingerstyle, but 1,725 in. (many Gibsons) need caution with my fretting hand. My Godin 5th Avenue nut was also at the lower limit for me, but I saw the neck could take a 1,75 in. nut strings spacing, so I carved one and it does the job. Now, be aware that nut width could change on a guitar model from years to years : It took me years to see a Guild F30 with 1,75 in. nut width. Today specs on the website may not match the specs of last year model you are looking at ! Some sellers translation from in. to mm may also be clearly false. When I look at guitar, I get my ruler out of my pocket whatever says a seller or website of any builder.
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Needed some nylons, a wide range of acoustics and some weirdos to be happy... |