#61
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You're a funny guy Kramster. I'm already bad enough once I get an idea in my head.
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#62
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Why keep both then? The blue is just so..... doggone sexy!
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Emerald X30 Padauk Custom Emerald X20 Koa 1998 Gibson J200 Elite 1972 Martin D-28 McPherson Sable Breedlove Masterclass Taylor PS16ce Macassar Last edited by byudzai; 11-21-2018 at 11:13 PM. Reason: Edited language |
#63
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Enjoy all those fine guitars! -Ray |
#64
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Bad as in the good bad?
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#65
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I probably would not have gone for a woody myself (I like the CF weave) but having Alice's bubinga woody X7 in the house and seeing all these awesome new veneers may make me change my mind.
There seems to be a gap in the X30 department around here...... |
#66
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Yes… yes, it is!
Which reminds me… it's been a while since I've annoyed the old-timers around here by bragging about Emerald Cobalt Blue being in the lineup by my request. Yes, blue was not offered when I was ready to order my X-20, and we might still not have it if it weren't for me stepping up to request it. (Well, Alistair agreeing to do it probably helped a bit.) Thank you, thank you very much. . |
#67
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I'll call it the "good bad" my wife will call it the "bad bad". I'm already getting "I thought you said you would never sell that guitar" from her. And I already had another look at the veneers. I'm doomed now or the Gibson is I should say!
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#68
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Emerald X30 Padauk Custom Emerald X20 Koa 1998 Gibson J200 Elite 1972 Martin D-28 McPherson Sable Breedlove Masterclass Taylor PS16ce Macassar |
#69
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That blue is real sexy
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#70
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#71
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It's kind of funny because one of my dream/grail guitars was a Gibson J200, and when I first place my order for the X 20 - 12 I wanted to ask Alistair if they would ever do a jumbo size guitar but I never did ask. Fast forward to 2018, lo and behold the new x30 was born. My initial thought for the project was to see if a very vintage looking x30 could be created replicating the classic look of the Gibson J 200 but without the worrisome properties of owning such an expensive wooden guitar. It turns out there were certain things that we could not overcome without spending way more than I wanted to, because I'm quite certain that if the money is there Alistair can probably do it; just take a look at some of the real crazy custom builds. Excited to share the new build with this group in 2019. By the way, this video is incredibly good in my humble opinion. Cheers... Todd in Chicago |
#72
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Very kind words about the review, thank you. My dad lives near Chicago, we should do a beer/guitar night sometime when I'm up there.
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Emerald X30 Padauk Custom Emerald X20 Koa 1998 Gibson J200 Elite 1972 Martin D-28 McPherson Sable Breedlove Masterclass Taylor PS16ce Macassar |
#73
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As far as "Operation Celtic Nightfire".....hmmmm....for now I'll simply go with the name says it all. [emoji2] Cheers... Todd in Chicago P.S. Again....super job on the vid... like everyone else I did not feel it was too long at all. |
#74
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All emerald reviews I have found have the guitarist sitting. How do these feel when standing up? I typically play Breedlove concert body (standing) and am looking for a similar feel in CF. Also any issue or risk with using a percussive guitar style on these things (body slaps, etc). I would expect not seeing as wood isn't having an issue. Thanks.
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#75
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Great questions. I log 2-3 hours a day playing standing up and the only adjustment I’ve made is to keep my right forearm free, not covered by a sleeve, so the skin contact with the body edge contour let’s me fine control where the guitar sits so my strumming hand falls in the right spot. With a sleeve on it tends to slip to my right and I lose that sweet spot for palm muting. I don’t use slaps but I am heavy-handed with my percussive strumming and both like the acoustic response and enjoy what a tank the CF build is.
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Emerald X30 Padauk Custom Emerald X20 Koa 1998 Gibson J200 Elite 1972 Martin D-28 McPherson Sable Breedlove Masterclass Taylor PS16ce Macassar |