#61
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#62
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Cutting boards
This, apparently, is how the Ebony cutting boards are being done. It is to me completely sustainable. Indeed, a "cut above" the average producer. And even if it weren't quite to this effort, I see no problem with growing a plant to then harvest it later for a product.
For anyone interested in more details, I encourage you to read the ebony story. When Bob and others went over to investigate the source, they found about 90% being discarded b/c it wasn't pure black (which the locals had been told was needed for fretboards). The topic of pure black vs. "marbled" fretboards has been discussed here (about a year ago it seems). The cutting boards are said to be another way to use material that did not "make the cut" for a guitar (I can't stop myself with the bad puns today. I have to blame Brucebubs and some coriolis effect ). From the Taylor website: https://blog.taylorguitars.com/bob-t...cutting-boards "Stella Falone, named for two of the women at the heart of the Crelicam operation, produces beautiful, professional-quality ebony cutting boards featuring the same wood we use in the fretboards and bridges of our guitars. Each reversible board is visually distinct, with both sides displaying a variation of ebony’s gorgeous striping and wood grain. No additional wood is cut to produce these boards; instead, pieces are selected that don’t quite fit the specifications for other instrument components. This allows the mill to create more value with existing wood, which helps support the livelihood of the mill’s employees and their families." John
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~~~~~Bird is the Word~~~~~ Martin D-41, Larrivee L-19; Gibson L-130; Taylor 614-ce-L30; R Taylor 2 H&D Custom OM; Bauman 000 Cervantes Crossover I; Kenny Hill 628S; Rainsong Shorty SGA; CA GX Player, Cargo; Alvarez AP70; Stella, 12-string; 2 Ukes; Gibson Mandola; Charango, couple electrics |
#63
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I like Bob and all, have seen the widely circulated video on his discussion on the harvest practices of ebony in Africa, but I’m continually amazed at the praise he has received as some kind of environmentalist. Seems to me that he has simply identified the high rate of waste and has made efforts to reduce waste to zero.
Coming from a once beautiful land of west coast Canada, whenever I walk my dog through the forest all I see in every direction in the undergrowth are massive stumps of cedar and fir, approaching 1,000 years old. Environmentalism = Don’t cut it down AT ALL. Diversify the local economy away from logging altogether. |
#64
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#65
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I only have my 717e Builder’s Edition to go buy, but that guitar tells me : ‘Andy Powers is a genius’.
Playing my 717, I don’t feel a need to go play another Taylor so Bob is probably saying to Andy: ‘Keep up the amazingly sensational work, Andy, but can you please make the Grand Pacific guitars a little less better so we can sell the others?’ BluesKing777. |
#66
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Right about now Audie has got to be saying, "Maybe posting this thread wasn't such a great idea?"
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#67
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Thanks for my chortle of the evening.....
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#68
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I am not regretting this thread. I cannot fathom why some are so critical of my opinion. I never said Taylor was a legacy. I like the company, I like the brand and I am not the only one concerned about some of their decisions. It is my prerogative to feel that way and yours to feel the way you do. To many read into things. I think the response to this thread was to have an intellectual conversation about what they are doing. Not bashing me for asking what are they doing. |
#69
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Walker Clark Fork (Adi/Honduran Rosewood) Edmonds OM-28RS - Sunburst (Adi/Old Growth Honduran) |
#70
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Last few posts said it all.
No regrets, Audie. Taylor is a company that came out of nowhere decades ago to redefine the worldwide acoustic guitar market. Although I'm a Martin and Eastman guy, Taylor gets huge props for all they've done. They'll get it right. They almost always do. On with the food fight..... scott memmer |
#71
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In Episode 23 (April 29, 2019) of From the Factory, a podcast by two Taylor employees, Crystal Lawrence, Taylor's Engineering Project Manager explains (at about 19:35) that Taylor has a weekly "product development meeting" at which she participates. https://www.taylorguitars.com/from-the-factory-podcast
The weekly meeting is led by Marketing. Crystal says Andy, Bob, and Kurt all attend (although she says Bob attends when he's in town). Lots of ideas get floated, but nothing gets the green light unless it can actually be built. Seems like a consensus-driven and robust process that keeps Bob involved with the creative direction of the company. |
#72
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#73
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I played a Grand Pacific and thought it was great. I wish they made it with a cutaway.
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Fender Stratocaster (1995, 2008, 2013), Gibson Les Paul (2010, 2010, 2016), Taylor 214ce (2011), Fender Telecaster (2014), Martin OMC-15ME (2019), Martin DJR-10e (2022) https://www.facebook.com/RichardsBluesBand https://www.facebook.com/RichardAbbuhlMusic Richard's Blue Band on Spotify Richard Abbuhl on Spotify RichardAbbuhl.com |
#74
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Audie, your thread is fine and you can express your opinion however you want, subject to forum rules. I happen to disagree with you based on EVERYTHING I’ve read, BT is thrilled with Andy. He desperately wanted to be free from day-to-day factory obligations to pursue his second love—reforestation.
Another example is the V-Class introduction. AP originally designed V bracing for the GP guitar which naturally is optimized for it. Instead, a management decision was made to go big and apply it to their largest, most popular line first. I have no doubt that both Bob and Kurt were intimately involved in driving this decision. Hard to imagine newbie AP designing it for one guitar then rolling the dice and installing it across the GA line. My speculation is that BT was so thrilled to find a workable bracing design that FINALLY freed his guitars from any vestige of Martin copycatism that he pushed the widespread use of the V. I can imagine the meeting with senior sales and marketing managers....”We are betting the future of the company and your jobs on this change—so go sell it.” Hence the all-hands-on-deck push last year. That’s MY opinion based on decades of senior management with a manufacturer.
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Consensus, by definition, is a lack of leadership. |
#75
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Any objective read of his post would quickly indicate he wasn't claiming to actually speak for Bob T., c'mon. That's another stretch that goes way beyond what Audie was positing. He was posting an opinion about what "Bob has got to be thinking". Twisting it onto his attempt to read bob's mind or as you claim, "speak for him", is simply wrong. And not very nice, IMHO.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |