#31
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So you'd pass on a laminate even if you thought the tone was excellent?
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#32
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I sometimes read in this forum that "the back and sides have little effect on the tone of a guitar. It is all from the size of the guitar and the top and the strings" I don't know if that is correct or not??? (Everything matters somewhat)
My laminated Guild D30 is one of my nicest sounding guitars. |
#33
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Really Blakey, any evidence to back that up? It's all very subjective and every instrument is different..
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Hofner Classic Steel CS-7 Dowina Puella Cedar Hofner Verithin Special Hofner Club 50 (currently for sale) Jose Rodriguez estudente classical Formerly owned: K. Yairi NY0021 Guild D25-NT Epiphone PR5E Heritage H-127 Godin SG Summit Ibanez TTR30 Talman Nylon Epiphone Telecaster copy Hofner 175 (II) Eko 'SG' short scale bass |
#34
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Owning something so "valuable" that I have to be overly tender and caring about it negates the fun I intend to have with it. I also realize nobody else knows or cares what I'm playing and to me personally the nuances of tone you can get from a solid wood guitar don't justify the additional expense and necessary maintenance and curating duties. Particularly considering my budget and the fact my skills have diminished due to health issues the past few years. That said, if money were no object, I would love to own a solid Lowden or Santa Cruz, or another vintage Gibson. But if that never happens, I'm fine and happy.
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"A ship in a harbor is safe, but that is not what ships are built for." - John Shedd |
#35
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#36
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People cite humidity and temperature resistance as a reason for getting a laminate but it's the top that gives like 90 percent of issues with both. Belly bridge, fretboard humps etc.
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#37
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Where did you get that idea?
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#38
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Fred |
#39
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Fred |
#40
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"With a lamninate - after 10 years or so, once the top has well and truly worn in, the guitar will become frozen in time and won't ever sound any better. In fact the tone will deteriorate if anything. An all solid wood guitar is more likely to be a lifetime of evolving tone." - Blakey
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#41
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You don't see many pro players nurturing their favourite laminate over the years. The price difference isn't a great leap anymore either.
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#42
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#43
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I think there is a problem understanding what you said and, re-reading it, I think you are saying the guitar with solid back and sides continues to change, whereas the laminate back and sides doesn't.
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#44
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#45
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"The top of a laminate (with a solid top) changes differently from the top of a solid wood guitar"
That's not what I'm saying at all. Let's get that straight. On both types the top will eventually stop moving, typically about 10 years or so as a generalisation. I.e at a molecular level the lattice of covalent bonds of the material are pretty stable. So that's it for a laminate, end of tonal journey. The body and sides for an all wood guitar may take longer. So it's still a subtlety evolving sound. I guess eventually even the back and sides stop moving. Ask yourself why some old vintage Martins sell for tens of thousands of bucks because of their jaw-dropping tone. Can you give me any examples of a revered and priceless vintage laminate acoustic? Probably not because it's game over after about 10 years and the fishpaste and plywood back & sides of the rest contributes nothing tonally. Last edited by blakey; 10-28-2018 at 04:42 PM. |