#16
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Is this a poll? Can I write in the HD-35?
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#17
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A Martin D-18 or a Martin HD-28 or both. These guitars are good for all kinds of music and can be played loudly or gently with wonderful tone.
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Martin HD-28 Sunburst/Trance M-VT Phantom Martin D-18/UltraTonic Adamas I 2087GT-8 Ovation Custom Legend LX Guild F-212XL STD Huss & Dalton TD-R Taylor 717e Taylor 618e Taylor 614ce Larrivee D-50M/HiFi Larrivee D-40R Blue Grass Special/HiFi Larrivee D-40R Sunburst Larrivee C-03R TE/Trance M-VT Phantom RainSong BI-DR1000N2 Emerald X20 Yamaha FGX5 Republic Duolian/Schatten NR-2 |
#18
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I suppose if the 000-18GE is not a choice (because that is what I chose), I would say D-18. D-35's have always sounded too muddy to me, and I don't like the 3 piece back.
But for me, the D-18 is the quintessential Martin. In an ideal world you would want a D-18 and D or HD-28, but if you could only have one the D-18 would fit all my needs. They are canons, and if you play any manner of bluegrass or country they are almost completely required. Lastly, the standard D-18 is a hell of a value. Any ideal guitar collection I can think of includes the D-18 and I will pick one up at some point. I thinking something along the lines of 000-18GE, D-18, J45, and a Santa Cruz 1929 00.
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My Therapy: Martin 000-18GE 1937 Sunburst MFG Martin 000-15 Kevin Enoch Tradesman Open Back Banjo Collings MT2-O Honey Amber Royce Burt #560 5-String Fiddle |
#19
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I’d go with the D-18. I just picked up a D-18 MD it’s a whole new world.
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2021 Martin 000-28 12F Custom Adirondack/EIR 2021 Martin OM-28 LSH Custom Adirondack/EIR SB 2006 Martin 000-18GE Adirondack/Mahogany SB 1968 Ovation 1111-4 RIP 1968-2021 |
#20
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I had these same questions... about 34 years ago. I went all over Seattle trying out every Martin I could find. I ended up with the HD-28. (also there was an oval soundhole MC36 at the store but I didn't try that one)
I tried quite a few D-18's and liked them all, except for the black binding. I tried a custom D-35 but I couldn't bond with that one. Later, I even had tried out (for a friend) a 1966 (or so) D-28 that had a miserable tone. I talked him into a new HD 28. I wonder what the 66 D-28 is worth now? I still have my HD 28 and I still love it. I also love the D-35 if they do the back wood right. |
#21
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How does the tone of the D-18 MD compare to the standard D-18?
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#22
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Best bang for the buck? Probably the HD 28 with the scalloped bracing IMO. My Reimagined 2017 D28 is not as loud as a HD28 but I put a K+K Pure Mini in it so it can be as loud as you want it to be. This probably won't go over too well with the purists in the crowd but I'm old and don't care.
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#23
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I'm inclined to an HD-35 because of the 1/4" scalloped bracing.
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#24
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Quote:
Essential equipment for bluegrass - which is what I was mostly doing then, of course we are talking about maunly '60s build, and no I can't remember what wach sounded like .... apart from one. So, in comparing with my current dreads (Collings) I'd say the D18 would be raw power, the D28 was more subltle and the D35 would be warmer, rounder and sweeter. For me D18s and D28s came and went but the one that stayed with my was the truly exceptional '73 D35 which I kept for 20 years. It now belongs to a friend and it still sounds amazing. I missed it and mentioned it to another paI bought a "shade" top D35 of similar vintage ... It just didn't sound right. Martin knock out so many and they simply cannot be consistent. A good'n ? keep it!
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#25
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D-35. Just more under the radar, original 3-piece back, and lighter bracing (at least at one point?).
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Taylor LKSM-12 - Larrivee B-19, L-11 - Brook Tavy Baritone, Torridge - McIlroy AS20 - Lowden BAR-50 FF - Yamaha LJ-56 |
#26
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+1. I'd also add HD-35 to that list which is an amazing guitar too for what I would want to do with it.
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#27
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I think everyone should have a D 18 and one of the rosewoods, but I think the D 18 does more things well. D 35s are too much of a good thing, except for my very special D 35 Custom.
Then we can get into which era guitar you want, so bring a pile of cash for that.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#28
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I would get the D28 because that's what I want. If I were you, I'd get what you want
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#29
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Back in 1983, I knew very little about Martin guitars.
I knew they were great guitars but I had never played one. While I was at a music shop with a friend who was there to buy a guitar, I strummer all the Martin guitars on the wall. out of all of them, the D-35 stood out to me. I went back the next day and bought it. Still love it today.
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Happiness Is A New Set Of Strings L-20A |
#30
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D-18. Always nice to have a guitar that will keep you warm.
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1 dreadnought, 1 auditorium, 1 concert, and 2 travel guitars. |