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Last edited by catt; 11-27-2021 at 02:04 PM. |
#32
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I don’t want to go into a slam Yoko bit, but I always loved Chuck’s reaction at 2:00 when she started:
https://youtu.be/ZbGuxGGOIV0 I’m only half way through the first episode. It really is for the aficionados (me). The process is fascinating. On the first day, George briefly plays what looks like a Gibson full size hollow body - an ES-350 or L5 or something. There’s no clear shot of it. Or is that the J200? |
#33
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f- holed Gibson. He used the J200 throughout and someone above mentioned a Fender Redondo type acoustic George used. He was definitely the fabs gear head.
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-Joe Martin 000-1 Rainsong CH-OM Martin SC10e sapele My Band's Spotify page https://open.spotify.com/artist/2KKD...SVeZXf046SaPoQ |
#34
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Cordoba C10 Yamaha FG830 Epiphone Sheraton Pro II Squier Vintage Modified Telecaster |
#35
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I'm not busting on Yoko - she's part of the story.
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#36
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I remember my mom in 1969 who called the Beatles' music I was playing a bunch of noise. |
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Nothing like a bunch of old guys ripping on a woman because of the decisions and actions of a group of guys. Just delightful. BTW, when John and Yoko were doing their feedback and wailing jam, don't forget Paul was over on the drums, beating them senseless, having a total blast. She's not my favorite singer either, but neither was Ringo, and he sang on infinitely more Beatles tunes than Yoko did. She didn't do anything wrong - John fell in love with her. His heart, his actions. The guys in the band broke up - Yoko didn't break up...
-Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#38
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Cordoba C10 Yamaha FG830 Epiphone Sheraton Pro II Squier Vintage Modified Telecaster |
#39
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..........
Last edited by Acousticado; 11-29-2021 at 10:21 PM. Reason: Links removed due to a site with inappropriate content |
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#41
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IMHO, I’d even add (with hindsight vision always being 20/20) that by ‘69, the Beatles, Beach Boys, etc. were no longer on the cutting edge; the sound of the future was Bowie, the Velvets and the Stooges. And my takeaway from watching “Let it Be” is that perhaps that, deep down, the Beatles struggled with the idea that there wasn’t going to be another ‘Rubber Soul’, ‘Revolver’ or ‘Sgt. Pepper’. None of us know what those sessions were like but I highly doubt they had the tired, negative vibes I’ve observed in this film. It’s a a testament to their talent that ‘Let it Be’ and ‘Abbey Road’ are as good as they are. Feel free to disagree! |
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I'm not buying into any revisionism concerning Yoko Ono. She was a completely horrible influence on Lennon and it was disgraceful sitting on a chair in the middle interfering with the lads. She had zero positive attributes.
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1990 Martin D16-M Gibson J45 Eastman E8D-TC Pono 0000-30DC Yamaha FSX5, LS16, FG830, FSX700SC Epiphone EF500-RAN 2001 Gibson '58 Reissue LP 2005, 2007 Gibson '60 Reissue LP Special (Red&TV Yel) 1972 Yamaha SG1500, 1978 LP500 Tele's and Strats 1969,1978 Princeton Reverb 1972 Deluxe Reverb Epiphone Sheraton, Riviera DeArmond T400 Ibanez AS73 Quilter Superblock US[/I] |
#43
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I don’t think it’s revisionism at all. And I completely disagree with your opinion. But you are entitled to it
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#44
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#45
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-Ray
__________________
"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |