#1
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Annoying vibraphone in Charlie Christian music
I'm trying to get into some Jazz, so I created a "Charlie Christian" station on Pandora, and I'm liking it for the most part (although Pandora seems to be throwing a little too much Lester Young and Coleman Hawkins at me right now), but I find the Vibraphone to be annoying in some of the Charlie Christian songs, which I have otherwise enjoyed.
I didn't even know the "offending" instrument was a vibraphone; I thought it was a xylophone or glockenspiel until I googled it and found that it was the vibraphone, played by Lionel Hampton, in The Benny Goodman Sextet. I did a quick search on AGF to see if this has been discussed before, and I found an old thread started by someone who "hated" the sound of the vibraphone, and there was an almost unanimous response from those that actually liked the vibraphone, so there you go, but it's not for me. |
#2
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I’m not familiar with Pandora, but if it’s internet based transmission of audio material, I’ve found a lot of formerly great old music unlistenable using that media due to lack of “headroom” or sense of space around instruments, especially the vibraphone which requires room to “breathe” - internet audio is compressed and lacks dynamic range.
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#3
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Quote:
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#4
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Yeah, from the basic standards discussed and measured spec wise in audiophile stereo review magazines back in the 1980s, internet transmission is kind of like going back to listening to music on AM radio.
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#5
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Ahem...
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#6
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If the audio quality is so poor that listeners can't tell vibes from xylophone or glockenspiel than it's really not worth whatever you're paying for it (including if it's free!). Also, there's no such thing as "too much Lester Young".
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stai scherzando? |
#7
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Agfsteve, what was it that you didn't like? I'm curious... I played vibes for several years. I think it's a beautiful instrument. When I was playing, Lionel Hampton, Gary Burton and Milt Jackson were "The Big Three." Remarkable musicians.
I agree about the compressed sound of streaming music, but was that the only problem? Did the other instruments sound equally bad? |
#8
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For all the compromises in audio quality, that was amazing and worth the trade off for increased exposure to concert footage. Also appreciated the Jeff Beck clips you provided today.
I’m also with Frank - there’s never too much Lester Young (and Billie Holiday) Vibraphone is one of my very favourite instruments in jazz - I’m a big fan of Gary Burton, Milt Jackson and Bobby Hutcherson, and there are other younger bright lights following in the tradition of the “Vibe” |
#9
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Man, don't like the vibes? I can't help you there. One of my favorite instruments...and such a key part of those Goodman/Christian recordings.
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#10
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When I was a senior in HS, I got to go to a workshop and performance by Gary Burton. Wow, it was incredible! Lots of fun for a kid.
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#11
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That would be kind of a life changing event - I wonder about the state of jazz programs across America these days in the high schools and what not - I’m sure it’s still a blitzkrieg of spoken poetry (hip hop) at street level, but there’s something universal about purely instrumental music.
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#12
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#13
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Too much Lester Young, for me, is when there's too much of Lester Young's breath in his notes. I'm not sure what the terminology is, but I dislike it when you can hear too much of the saxophonist's actual breath at the start of each note or phrase. But I think I have liked (clicked the Pandora thumbs up sign) a few of Lester's tunes so far. |
#14
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One possibility is that with the vibraphone (and other percussive, melodic instruments) you can't bend a note or slide into a note, so maybe that has something to do with it. Also, for want of a better word, vibraphones sound "cheesy" or corny to me. At least with a piano (another percussive, melodic instrument) you don't have that "clunk" on every note, even though the piano still suffers from the lack of bending / sliding ability. I dunno, maybe vibraphone is just an acquired taste, like jazz in general is to a lot of people. |
#15
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