#16
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I agree with the first sentence. However, if his builds were selling for 2K, he wouldn't be selling this one for under $800. At that price I would buy it with the knowledge that it's likely a decent enough guitar to be a gigging or amplified guitar and could be a gem.
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#17
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Quote:
His builds are new. |
#18
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He also lists why he wants to sell it,
'Selling to improve my shop and upgrade some tools. Thanks for looking and have a great day.' Sounds perfectly reasonable for any builder at the beginning of their career.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#19
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Keep in mind that as luthiers gain experience, they get better. My rule of thumb is to avoid those with less than 10-120 of their own builds, but that's me. Once they have 50 under their belt, they should have it nailed pretty good. But, like anyone else, a good luthier never stops learning.
That said, I once very nearly bought an OM by an unknown hobbiest (who wanted serious money for it too). But I got to play it ahead of time and was impressed enough to make a good offer. Only he wanted even more and I did not want to pay more (my offer was $3000, made in 2005) for a completely unknown maker's efforts. For that kind of money I could get as good guitars then from well-known makers.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Goodman J45 Lutz/fiddleback Mahogany Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#20
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I like getting a good value, and have taken risks in some guitars I've purchased, but I wouldn't be interested in this guitar. I'd want better odds that the guitar would have the tone, responsiveness, and longevity I'd want. It may be worth the price, or maybe more, but it really depends on what your expectations are.
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Chuck 2012 Carruth 12-fret 000 in Pernambuco and Adi 2010 Poling Sierra in Cuban Mahogany and Lutz 2015 Posch 13-fret 00 in Indian Rosewood and Adi |
#21
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Nice, but why would a luthier say it has a spruce top? I'd instantly question the integrity when someone doesnt know what spruce they used
Last edited by thingthatisdone; 11-19-2019 at 11:00 PM. |
#22
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The saddle is completely uncompensated. For a finger style guitar that you'll be playing up the neck that would worry me a lot. The crack right across the bridge through the pin holes would worry me even more. This would be a 'no' for me.
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Gibson Customshop Hummingbird (Review) Last edited by RalphH; 11-20-2019 at 02:43 AM. |
#23
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I can see some compensation on the saddle but yes, there is a crack between pin holes.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#24
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Never judge a musical instrument by its looks. If you can't play it first, don't buy it. That's just my take after learning from experience.
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#25
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Quote:
It's LONG way from what i'd consider to be a 'normal' amount of compensation, with the saddle mounted at an angle, and using the very front and back edges of it for high and low E's. I'd be very surprised if it intonates properly.
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Gibson Customshop Hummingbird (Review) |
#26
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It's now listed as ..SOLD.
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Brucebubs 1972 - Takamine D-70 2014 - Alvarez ABT60 Baritone 2015 - Kittis RBJ-195 Jumbo 2012 - Dan Dubowski#61 2018 - Rickenbacker 4003 Fireglo 2020 - Gibson Custom Shop Historic 1957 SJ-200 2021 - Epiphone 'IBG' Hummingbird |
#27
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How can anyone possibly know what the work of an unknown luthier is worth? If I want beautiful carpentry I'd commission a piece of furniture. If I want to buy a guitar (of any description) I want to know what it sounds like.
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#28
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Man, I’m glad that’s over...tough crowd.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster Last edited by rokdog49; 11-20-2019 at 05:52 AM. |
#29
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Even the prettiest guitar can sound like crap.
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1955 Gibson ES-125 1956 Fender Champ lap steel 1964 Guild Starfire III 1984 Rickenbacker 330 1990s Mosrite (Kurokumo) Ventures 2002/2005 Fender Japan '60s Tele [TL-62-66US] 2008 Hallmark 60 Custom 2018 Martin Custom Shop 00-18 slot-head 1963 Fender Bandmaster (blonde blackface) 1965 Ampeg Gemini I 2020 Mojotone tweed Champ kit build |