#1
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What headstock designs do people like.
I really like the headstock on the Yamaha SA2200. It's a bit Gisonish, and while I really like the Gibson headstock, I think the SA2200 is nicer. Sometimes I like to imagine that Yamaha will build an LJ16 with a 1 7/8 nut and the SA headstock. Anyway, what headstock designs do other people like?
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#2
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I like traditional headstocks. I have a Seagull and although I play it often and don't normally think about it, the headstock on it is not my favorite.
Here you can find the true definition of ugly... http://www.edroman.com/guitars/abstract/headstocks.htm
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Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#3
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I happen to like the Seagull headstock. It is designed that way to achieve straight string pull fron the tuning pegs.
Otherwise my criteria are basic, tasteful, and symmetrical. I don't really give it much thought beyond that. Not a fan of wild and symmetrical headstock designs. The only Ovation we own (a resonator prototype) has a really thick slot head configuration. It is tricky to find a spot for a Snark tuner to clamp on. |
#4
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I love Gibson and Guild headstocks - classy! Martin looks great and iconic, for sure. I have a Seagull as well, and that is not a good looking thing - works well, though. I didn't like the headstock on the Taylor I had, either. I'm also a big fan of the Epiphone Masterbilt headstocks.
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Taylor GS Mini Mahogany La Michoacana Classical (my Dad's guitar) Beat to heck Seagull S6 Ovation Celebrity 12 string Fender CD 60 dread that lives in Greece Harmonicas in a Farmer rack |
#5
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Sooner or later I find myself wanting to lean a guitar up against a wall, if even for a moment, usually because there is no other open spot to put it at the time. Some head stocks allow so little contact or such precarious contact that I either can't or won't even try it. Not to call out any one manufacturer but a good example of a poor shape is Takamine. So for me I don't like head stock shapes that make the guitar unstable when trying to do this common feat. It doesn't mean that I would reject a guitar because of it but I notice the deficiency.
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#6
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To me the coolest headstock ever designed is the Ovation headstock. I don't really think too much about headstocks although I used to hate the Seagull headstock until I had a Seagull and got used to it. I like it now.
But at the end of the day I prefer simple so I like the Martin style best.
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Some Martins |
#7
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I like Gibson's style (especially the banner) and Collings clean lines. Huss and Dalton's slot heads are beautiful as well and i really like the majority of Atkin headstocks.
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Huss & Dalton DS-12 Custom (Italian/Mahogany) Collings 000-2H (Sitka/Rosewood) Dave King L-00 (Adi/Mahogany) Gibson J-45 JT project "1942 Banner" (Adi/Mahogany) Eastman E20P (Adi/Rosewood) Sigma-SDR-28MLE (Adi/Madagascan Rosewood) Sigma SDR-45 (Sitka/Rosewood) Sigma SDM-18 (European/Flamed Mahogany) Freshman FA400D (Engelmann/Rosewood) Freshman FA300 (Cedar/Hog) Voyage Air VAD-06 |
#8
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Quote:
Dude! Hahaha seems like they had a lot of spare time in their hands Sent from my iPhone using Tapatalk |
#9
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For me it's more like which headstocks do I NOT like. There are far more that I appreciate for what they are than otherwise. I wouldn't call out any manufacturer/brand with a headstock that I don't like, but there are only a few that are so aesthetically displeasing, to me, that I wouldn't buy that brand again for any reason.
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#10
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#11
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This is my 1966 D12-20. Now that's a headstock.
........Mike |
#12
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I love slotted headstocks but have never owned a guitar with one... Until about a week ago when I got a new guitar with a slotted headstock
Come to think of it, it might have been a pretty big reason for buying it in my mind |
#13
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Quote:
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A couple of Halcyons and a Canadian made Larrivee "Wish I had more time to hear your reasons, but I have to go get a beer." 00-28 |
#14
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The only guitar I have that gets more playing time than my Seagull folk is my Gibson. I still don't like the headstock though.
__________________
Barry Youtube! Please subscribe! My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#15
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The Ovation headstock ESPECIALLY in the slotted form is a thing of great beauty.
Thankfully Parker changed the headstock on their acoustic guitars to the more conservative... ...having said that, the CLASSIC Parker headstock has a certain 'je ne sais quoi'
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________________________________ Carvin SH 575, AE185-12 Faith Eclipse 12 string Fender RK Tele Godin ACS SA, 5th Ave Gretsch G7593, G9240 Martin JC-16ME Aura, J12-16GT, 000C Nylon Ovation: Adamas U681T, Elite 5868, Elite DS778TX, Elite Collectors '98 Custom Legend, Legend LX 12 string, Balladeer, Classical Parker MIDIfly, P10E Steinberger Synapse Taylor 320, NS34 Yamaha SA503 |
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Tags |
1 7/8 nut, head stock designs, lj16, sa2200, yamaha |
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