#16
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Question for Wade
Your analysis is very helpful. One more question: do you feel the material quality between the two is identical? Can the price differential be explained by the cost of the burst?
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Husband of Doxy, Martin D-35 50th Anniversary Limited Edition Taylor 814 Taylor DN5--Engelman top, tropical mahogany Taylor 412ce—LTD maple Giannini Classical 1960s vintage Taylor GS Mini |
#17
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When the Jackson Browne's came out I tried two in different shops: build quality, presentation and set up were all issues that put me off....also the L-00 types of guitar which I've been looking for lately - I'd love a Gibson re-issue but they just don't cut it. I'm probably spoilt by my Collings, and Santa Cruz instruments and by my one remaining Martin - a D12-20 rebuilt by Martins with most of the issues resolved. However, I don't think that Gibson can currently compete on quality and presentation standards with most other makers ...including Far Eastern competitors. Your standards may well be different to mine.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#18
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Thanks everyone! It was awesome to wake up this morning and see so many helpful replies. I think I will need to just keep playing as many as I can get my hands on in order to find one that speaks to me. They pop up used for great prices but I am always hesitant to go that route. I am just not good with meeting up with a seller off of kijiji, trying a guitar and knowing if it's the one after such a short visit.
In terms of the bright tone that some of you have mentioned; do you find it's the same type of hi-fi tone that you would expect from a Taylor? I find with Taylor guitars, the high end tends to dominate the tone, which ultimately hides some of the bass and warmth. I guess my worry is that I will have the same struggles that I have with my Taylor 310 (koa back and sides). I always want it to have more bottom end and warmth. In my experience, I have found that bone saddles actually increase the high end. Is bone a good match for the J-35? I assume the J-35 comes with Tusq? The intonation issues worry me a bit. I can tolerate cosmetic issues but I do worry about the life span of the J-35. |
#19
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Have owned one for a few weeks now so its still settling in. I have been looking at them for a year or so now and at GC's most recent sale, I picked up what I think is a great example. As others have said its brighter, but for me that a good thing. You can tame a bright guitar with string choice but its harder to brighten up a dark/woody guitar if you are looking for more treble.
The projection, and more so, the RESPONSE is fantastic. I feel like it almost gives out more than you put in, if that makes sense. Loud and punchy but still sounds like a Gibson acoustic. Love the look and as others have mentioned, the neck is to die for perfect. Mine set up very easily with NO build or quality issues at all. I chose it over a J45 because I liked he tone and feel better.
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Rainsong CH-PA |
#20
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Probably due to the bracing on the J-35 and AJ, but like you I do prefer the warmer, engulfing tone of the J-45.
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The Big Fat Lady 02' Gibson J-150 The Squares 11' Hummingbird TV, 08' Dove The Slopeys 11' Gibson SJ (Aaron Lewis) The Pickers 43' Gibson LG-2, 09' Furch OM 32SM (custom) , 02' Martin J-40 The Beater 99' Cort Earth 100 What we do on weekends: http://www.reverbnation.com/doubleshotprague |
#21
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#22
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I love my J-35, but lately I've been thinking about trading it and my Taylor 712e in for a Martin HD-28v... I'm fighting the GAS so hard... but i love my J-35!
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2013 Gibson J-35 2014 Taylor 712e 12-fret 2006 HWY 1 Stratocaster |
#23
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I appreciate your perspective on the subject
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Rainsong CH-PA |
#24
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Not at all. It's very much of a Gibson, through-and-through. Still has that dry tone, fast decay, and midrange growl. It just has more pronounced trebles than the J-45s I've played and owned.
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#25
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That's good to hear! I actually like a brighter tone if it still has that warmth and bass. Taylor guitars are very nice but I find that single note lines don't sound all that full. I like when I dig in and there's more bass/warmth behind the notes. I think the big selling feature is the projection though. I love a guitar that has a ton of volume and doesn't need an aggressive touch to make some noise.
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#26
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I own a Fuller's reissue 1939 J-35,which is absolutely fabulous.....but....the newer version J-35's are quite fine guitars.....I've played a bunch of them.I,too,prefer them to the newer J-45's.
Imo,the J-35 is a very well made and quality instrument.It is a bit bright,but really nice! |
#27
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But part of the lower cost of the J-35 is almost certainly marketing, as well. So it's both, so far as I can tell. As for the actual fit and finish and build quality, yes, I think the modern J-35 is every bit the equal of the J-45, absence of the sunburst aside. The same workers on the same assembly line make both guitars. whm |
#28
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I like the few J-35s I've played a lot, but to my ear they don't have as pleasing a sound as the J-45 or the Songwriter series of instruments (Hummingbird Pro, Songwriter Deluxe, etc.). My favorite sounding Gibson by far and away is the J-15 - the cheapest acoustic Gibby there is lol. Sometimes I think about trading in my Hummingbird Pro for one o' them J-15s, but then I pull it out of the case and play it -- no trades, ever.
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#29
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The Big Fat Lady 02' Gibson J-150 The Squares 11' Hummingbird TV, 08' Dove The Slopeys 11' Gibson SJ (Aaron Lewis) The Pickers 43' Gibson LG-2, 09' Furch OM 32SM (custom) , 02' Martin J-40 The Beater 99' Cort Earth 100 What we do on weekends: http://www.reverbnation.com/doubleshotprague |
#30
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good history on the J35
Heres is a link to a page I found after hearing an early J35 ('37 to '39) and deciding it was the sound I wanted. Had John Greven build me one that will never be leaving.
http://www.guitarhq.com/j35.html Hope it works, has a lot of good info and history.
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Rick "Reputation is made in a moment:Character is built in a lifetime." |