#1
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(first post) Seeking Fingerstyle Advice
Hi Everyone, first post here! I've been playing fingerstyle guitar since I was a teenager, and now in my 20s realize how much I've missed out on learning and why I always felt like something was missing. To put it simply, I did not learn correctly. I "learned" by memorizing challenging songs from all my favorite artists (Andy McKee, Eddie van der Meer, Sungha Jung). Did this mostly through tab and, when those were not available, watching/copying live performances.
I can physically play guitar, but I have no idea what I'm actually doing. I can't "decode" any song I've learned - which keys are being used or how to transition to others, which chords are best suited and available, why the artist made the decisions they did, etc. Similar issues for writing my own fingerstyle arrangements, wouldn't know how to use theory to help build on ideas and riffs. It's a bit painful to come to terms with this given all the time I've put in, but don't want to fool myself anymore. My goals are to:
Any book recommendations for guitar theory, modern fingerstyle (like artists I mentioned), or advice for my situation in general would be greatly appreciated. |
#2
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We just had a recent discussion on what people use to compose. The general consensus was that composing comes from interaction with the guitar, not theory.
https://www.acousticguitarforum.com/...d.php?t=578153
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#3
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Quote:
A perfect way to learn IMO. You get a good workout on your technical skills (learning those that the pieces require) and on developing a good ear. A little bit like McKee does: https://www.ernieball.com/stringtheory/andy-mckee That's about all you need to play stuff. If you are going to compose stuff you have your ear training already. However awareness of the elements of how good pieces are usually put together would be important. Analyzing the structure of the music you already play and some reading on the subject would be helpful.
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#4
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While you are at it, take a basic music theory class. Community colleges offer them on line. The class is only one unit of work, so nothing intense. And it is a great complement to the guitar theory you study.
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#5
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"Modern Fingerstyle" is how And McKey described his style for "Andy McKey's Musicarium" event I attended last summer.
There were a few "Ah Ha" moments for me when they described their writing process with alternate tunings. please don't blow me up for the massive oversimplification I am about to be guilty of... Mostly they were tuned their guitars to a chord, and picked out melodies that fit within that chord framework. If they wanted a note, and that note was our of reach, they just turned a tuning key until it was within reach. It is cool in that it blows up the frameworks and conventions and allows unfettered creativity. It is a challenge in that it blows up the frameworks and conventions and hinders replication. So what I would do if I were you, pull up a lesson online about beginner bass guitar. Learn where the roots are in standard tuning. Your ear will recognize fitment of notes and harmonies. |