#1
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Martin D18: Cutaway?
Hi everyone,
I have some newbie type questions. I have a Martin D16 GT which I bought in 2008. It is the only guitar I’ve ever owned and I’m now considering a step up to a D18. I am in Australia and I’m a lefty so I have to order the D18 from Martin as they don’t exist in store and hard to find pre-owned. Questions: 1. I’m considering a cutaway on the D18. Apart from the sacrilege in doing this to a D18, how will this impact the tone of a guitar like a D18? I do find myself wanting a cutaway when I’m playing. Would I be compromising on the tone of the guitar in order to achieve this? This is a very expensive venture for me so any advice would be much appreciated. Last edited by Kerbie; 12-03-2020 at 07:10 AM. Reason: Thread move and split |
#2
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I don't think you'd lose anything tone wise with the cutaway. Martin did recently build (now discontinued I believe?) a D-18 and HD-28 with a cutaway and electronics. Seems you can't get one without the other? Well...unless you go custom shop. A nice used version of the D-18 cutaway should be available used somewhere?
A fellow AGF'er, Gary Roberts, has both the 18 and 28 and is a fine player. Maybe he will chime in on this thread.
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Jim Dogs Welcome......People Tolerated! |
#3
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I have a Martin DC-18E (Cutaway D-18 w/Baggs Anthem) and Martin HDC-28E (Cutaway HD-28 with Baggs Anthem) Both guitars are great acoustically. I mostly play them at gigs when I am amplified and they are spectacular. I think its important to choose the right 'tool for the job'. I solo above the 14 fret on the fingerboard a lot and cutaways are simply the right tool for my needs. I've spoken with a few respected luthiers who say the area of the cutaway is the area that least affects the tone of the guitar. If there is a difference I don't know if you could attribute that to the cutaway or to variances from one guitar to the next. Absolutely get a Martin Cutaway ...it will be exceptional!
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#4
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If you have doubts watch and listen to Groberts videos. You won’t have doubts afterwards.
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#5
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Here is a video I made today. Maybe not my best tonal representation, but hopefully it is helpful.
Martin HDC-28E Cutaway Martin DC-18E Cutaway
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Martin DC-18E (Ambertone) Martin HDC-28E Martin D-18 (2015) Collings D1 Traditional Emerald X20 Fender CS '63 Telecaster Custom Collings I-35LCV Collings I-30LC Collings 290 www.heartsoulaz.com |
#6
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I'm sure lots of players here can relate to this question. Have you ever gone to a guitar store and tested a guitar and it was that good, it is stuck in your mind long after you played it?
That is the impression the DC-18E had on me. It was amazing. |
#7
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They are right that you should not have to give up much if anything in tone with a cutaway. Here's a simple experiment to demonstrate: with your knuckles, gently tap on different spots on your guitar. You will quickly see the upper bout is far less resonant than the rest of the body.
I don't like cutaways and won't have one. I don't need them either. And for years was convinced they just had to hurt the sound. It was only reasonable to expect this, so I thought. With time, I was forced to admit that it did not sound a bit different to me whether a guitar had one or not.
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#8
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This (cutaway) is one of those things that you can say “might” affect your tone. Like a number of other factors, I believe you would not be able to discern any loss at all.
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-Raf |
#9
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Thanks to you and everyone else for the advice. Much appreciated! I’m going to place an order with Martin this week. |
#10
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It’s funny...but I think maybe it’s more about aesthetics than tonality, especially after hearing Gary Roberts’ videos (great playing BTW) and hearing his two cutaway Martins. I do certainly understand how a cutaway would allow a player whose style of playing leads him into the upper frets to do that more easily & comfortably.
I prefer symmetrically shaped guitar bodies, personally. But it’s weird...I am so used to seeing cutaways on most Taylor guitars, that to my eyes one without a cutaway looks odd at first glance. In the same way, I’m so used to the symmetry of most Martin guitars, that to see one with a cutaway feature looks different to me. Nothing wrong with either...I guess its a matter of familiarity. |
#11
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I like cutaway guitars but do not like built-in electronics. For some reason it seems that with almost every maker, cutaway guitars and electronics go together, and I've often wondered why this is. I think Eastman builds one sans electronics in its lower-end PCH models, but that's about it as far as I can tell.
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Tags |
cutaway, lr baggs, martin d18 |
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