#91
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I have to agree with many others in this post. If the guitar is special, it'll inspire you to play more and work harder to get better. There's a part of me that wonders if these threads are sometimes done out of bitterness or envy(OP, I'm NOT saying this one is) because, it seemed like for awhile, there was a new, "My $200 Yamaha is just as good as a $6,000 Santa Cruz" comment all the time. I've said it before and I'll say it again, I think forums like this are about the only place it matters! I've been to a lot of bluegrass festivals and there's some guitar swapping, for trying out different guitars that goes on, but I've NEVER experienced any, "Mine's better than yours" incidents! It's always a mutual respect thing, EVEN if you don't like their guitar.
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Education is important! Guitar is importanter!! 2019 Bourgeois “Banjo Killer” Aged Tone Vintage Deluxe D 2018 Martin D41 Ambertone (2018 Reimagined) 2016 Taylor GS Mini Koa ES2 |
#92
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I can only imagine an art forum discussion where someone posits the claim that a high school art composition is as good as a nationally recognized artists gallery collection.
That would be laughable, wouldn’t it? And probably the only ones thinking the high school students work was as good as the artists work, would be the parents of the student. It’s yet another forum fallacy that resists all common sense. It’s in part driven by envy and lack of ability to differentiate good work from exceptional work. That has always, and will continue, to matter in subjects from art, wine, automobiles and guitars, despite opinions to the contrary.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#93
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When my father tossed me out at 18, he kept my Martin. Luckily I had friends that had guitars so I could play. After awhile I rented a room off a lady for 10 bucks a week. She had one of those guitars you win on the boardwalk for 25 cents. I played it for a few years till I got settled down. Now at 71 I’ve built up a sizable collection. So the guitar doesn’t matter. Make music.
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#94
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Sustain, quality intonation for getting those harmonics just right, that signature thump (if you're a Gibson lover), that signature balanced high-end (if you're a Taylor lover) or that signature clang (if you're a Martin lover). Less expensive guitars can deliver on these points as well, but you'll still pay $700-$1300 even for a all-solid wood import that gets you comparable dynamics at a bargain. You sub $400 entry level guitars can be great learning tools, but they lack some of the finer tonal qualities and again, it's about the inspiration that as your grow as a player those little details can make. There is an aspect of how much a guitar cost that's all about exotic materials and manual labor. There may also be an iconic legacy tax with some brands. Companies charge as much as the market allows them to for products, as long as they can stay competitive and make profits they actually have a responsibility to their investors and shareholders to make as high of margin as they possibly can. That's not being unethical that's just the nature of every mass produced product bought and sold. A small shop luthier who builds more by hand than by machine is going to charge you more for their product. Is it a better product just because you paid more for it? Not necessarily, but if you buy from one of the respected ones it will buy you their trademark tone and put you in an exclusive small club of owners of the boutique brand, which can lead back to inspiration every time you pick it up.
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Wayne J-45 song of the day archive https://www.youtube.com/playlist?lis..._Zmxz51NAwG1UJ My music https://soundcloud.com/waynedeats76 https://www.facebook.com/waynedeatsmusic My guitars Gibson, Martin, Blueridge, Alvarez, Takamine |
#95
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The guitar matters to the point of "does it allow you to access the sound you want and does it allow you to play it the way that you feel comfortable?"
Other than that, it doesn't really. But that's an important distinction. And that guitar can really exist at any price point these days...we do kind of live in the Golden Age of Affordable Guitars (trademark pending) I don't really buy into the whole "special guitar will inspire you to work harder" thing. That's probably true for some, but I know plenty of cats with "special" guitars that sit unplayed and other cats who spent thousands of hours honing their craft on a guitar that was all they could afford (that they happily ditched once they had the means!) |
#96
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It doesn’t require demeaning the experience and enjoyment you gained by the cheap instrument, to recognize how much a great instrument increases every aspect of playing guitar.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#97
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I view these threads more as a reminder that we don't NEED high dollar guitars to make great music.
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Original music here: Spotify Artist Page Last edited by RedJoker; 01-21-2020 at 02:56 PM. |
#98
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I never liked playing a guitar that did not sound good to me. Price is price. I have found that most player's search for that sound the individual like's to hear for his style of play. I have two very special acoustics one is a 07 Martin d-35 i found used, only after playing many D-35's . Second is a Larrivee OM-09. I have many many hours of playing time on each. I have owned Taylors, other Martins's, Breedlove's, let a nice Gibson i found but was not quick enough to buy. All fine guitars in their in own right. Each have a different sound, but the sound is what i like hear. I have been blessed to be able to buy pretty much buy what ever i wanted. It has always been about the sound or what i like to call the emotion i can pull from the instrument.
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#99
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Oh, some are most certainly saying the cheap guitar is as good as the custom model. It's an ingrained belief I've read on this forum repeatedly. I understand you may not feel that way but some do and it's analogous to my art reference.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#100
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What does a "custom" model have to do with anything? A guitar needs to check all the boxes for a player -- has to exceed the required threshold and not be the limiting factor. "Cheap" vs "custom" is a meaningless dichotomy in terms of what a given player requires. |
#101
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I spent some time in Japan last year and I was full of the cold and really missing guitar. A guest house I stayed in had this old Morris - action high as hell, cheese wire strings that must have been on there for the best part of a decade. But just being able to play that night on the peaceful island of Miyajima was one of the nicest guitar experiences I have had. Making sure I wasn’t bugging the owner, I ended up playing until the sun set.
Any guitar can feel special given the right time, place and frame of mind. |
#102
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Sure i came here over a decade ago to the same topic.
I really beat on and enjoy Yamaha. But last year i sold my acoustic of 9 years happy ownership as i mainly play ukulele these days. I found little to compare as i tilted like a poker player at the guitar store. Luckily the guy had about 50k worth of guitars and let me buy mine back. Tone really matters to the player and that pro grade return from your fingers. In a band? Bring the Yamaha unless its a solo set obv. But making my Yamaha which i bring everywhere and just got a case for... (sorry) sing pleases me no end. Reaping the benefits of years of practice. Yes and no i guess. I'm more player is the star. Heck if tone was king we would all be playing hand made for the price of inflated price and not what they use to be American guitars.
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Yamaha - Custom - Ukulele |
#103
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When I was younger and didn’t have two nickels to rub together, but had all the free time in the world, I spent countless hours playing whatever I could get my hands on. I had no concept of high end guitars, and had no idea what I was missing. When I got older and realized I’d all but abandoned something I’d loved so much for so long, going down the guitar rabbit hole and finally getting my hands on some nicer guitars did in fact inspire me to start playing again with much of the same enthusiasm I had when I was younger. The prospect of learning about, appreciating, and acquiring quality guitars wasn’t the only thing that got me playing again, but it certainly helped. So, for me, more or less due to timing and means, special guitars inspired harder work. But I wouldn’t really call it work because it’s just about my favorite way to spend my free time these days.
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Martin HD-28, Eastman E10ss, Martin OM-21, Martin 000-28, Guild F-30, Santa Cruz 1929 00, Collings 02H, Rainsong CH Parlor, Fender Tele, Farida uke https://soundcloud.com/user-652759467 |
#104
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#105
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The OP's question has occurred to me over the years. In retrospect, despite the many guitars I've owned or wished I'd owned, deep down it remains valid. My dilemma is my own subjectivity invalidates it so it becomes a paradox.
The world of art is subjective, and only that, yet somehow the other side of the brain wants a say in the matter. It's like a nosy neighbor looking over your shoulder at everything you do and judging it through objective spectacles. So, you buy your guitar and then offset it by suddenly becoming dutiful to your chores to appease Mr Objectivity (and his betrothed), repeatedly. Getting right down to it, though, yes it does matter what kind of guitar I have no differently than what kind of shoes I wear. Both have to fit properly. If the fit should become uncomfortable at some point, the guitar gets replaced. Then, one day after I'm finally fully broken in and take a set in my guitar playing mannerisms, there will be that one final guitar that fits it best. |