#16
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Peter |
#17
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I can appreciate a classic... but I don't live in the past.
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Some CF, some wood. |
#18
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They don't currently make an OM with wood veneer, like their Vintage and Nashville guitars, but if those become popular, it might be just a matter of time... |
#19
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#20
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Larrivee OM-03RE; O-01 Martin D-35; Guild F-212; Tacoma Roadking Breedlove American Series C20/SR Rainsong SFTA-FLE; WS3000; CH-PA Taylor GA3-12, Guild F-212 https://markhorning.bandcamp.com/music |
#21
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How about hair pulling, Scott???
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Emerald X20 Emerald X20-12 Fender Robert Cray Stratocaster Martin D18 Ambertone Martin 000-15sm |
#22
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YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#23
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Ha! Actually had a band called Champion Hairpuller...hence, the handle. Scott |
#24
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Scott;
Are you sure that wasn't Champion Leg Pullers? As you can see, I'm amazed you apparently have not perused the beautiful Emerald carbon fiber/woody hybrids. |
#25
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That's how it starts.
You have an interest, maybe make a comment. Enablers show a bunch of pics of what can be done/had with the material. Then you buy one because you need a camping guitar or "beater". Then you have 2, then 3, then..... Yeah, come for the impervious nature of CF and stay for the comfort and tone. It's not better, just gloriously different.
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Don't chase tone. Make tone. |
#26
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CF: Emerald X-30 Royal Ebony, Rainsong H-WS1000N2, Journey OF660 Martins: 000-Nylon, All Mahogany custom, 000-15SM, D16-GT (resto mod in progress), D15-M, Stinger SSL electric.... And a Kobza, Bouzouki, Hurdy Gurdy and something medieval looking..... www.woodenshoe.blog |
#27
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And you end up with a bunch of those lagniappes !
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John |
#28
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I haven’t simply because I never found one I liked visually or tone-wise close to my 000. Plus living where I do, I don’t have much in the oof humidity issues. |
#29
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I took the CF plunge half a dozen years ago because of willful children and my peripatetic lifestyle. Originally meant it to be a robust stopgap until I could keep my nice woods from getting damaged. Needed a beater that I didn't have to worry about. Now I haven't bothered to get that nice Taylor I had my eye on and somehow have ended up with three carbon fiber guitars that all play great. They are the only guitars I play these days. One's about a dread size and is my goto guitar for any flattop needs. Another is about the size and has similar vibes to the old Gibson L-1 (think Johnson style blues guitar) and my last is a jazz box that is similar to an L-5 or Eastman in sound and deliverance. It's a beast and from what I can tell so far is ideal for jazz from dixie to django. The two flattops both have exposed carbon, but I went with all the bells and whistles on the archtop. It's got a veneer and can fool the casual observer into thinking it's a wood guitar. Not sure I am happy about that or not because I like the weaves too. Here's a picture for you to consider. https://photos.app.goo.gl/mdgzt2cq8xb6EuKz5
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Cheers, Tom PS If you don't want to invest in yourself, why should anyone else even bother to try? Last edited by mot; 12-14-2019 at 07:47 AM. |
#30
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I imagine Ted at LAGS has already discussed with RainSong about expanding the spruce topped vintage line to the other body shapes. It might take some practice for them to get the black glossy back and side finish to work along the tight curves of a cutaway without getting overspray on the top and achieve that black binding like result I see on my V-DR.
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jf45ir Free DIY Acoustic Guitar IR Generator .wav file, 30 seconds, pickup left, mic right, open position strumming best...send to direct email below I'll send you 100/0, 75/25, 50/50 & 0/100 IR/Bypass IRs IR Demo, read the description too: https://youtu.be/SELEE4yugjE My duo's website and my email... [email protected] Jon Fields |