#106
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As you probably well know, this happens to many musicians, pros and amateurs alike. I can't tell you how many times someone came up to me on my break asking me about my guitars, and I'm more than happy to talk with them. Additionally, as I've mentioned before, it's my job as a performer to not try to shake them off, but to give them my time whenever I'm at a performance.
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Fingerpicking Acoustic Blues/Rag/Folk/Slide Lessons https://www.tobywalkerslessons.com/ |
#107
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2015 Martin D-18 1982 Martin HD-28 2013 Taylor 314ce 2004 Fender Telecaster MIM 2010 Martin DCX1RE 1984 Sigma DM3 Fender Mustang III v2 |
#108
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Why would you be reading a signature when there's so much V-Brace stuff to talk about? |
#109
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My thought exactly. That said, from personal experience I know there are some $1,500.00 guitars that sound great.
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#110
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Yep...I put that one aside as well!
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Jim Dogs Welcome......People Tolerated! |
#111
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Roy Ibanez, Recording King, Gretsch, Martin G&L, Squier, Orange (x 2), Bugera, JBL, Soundcraft Our duo website - UPDATED 7/26/19 |
#112
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Mister Professional has one $1500 guitar?
Big deal. Does his definition of "professional" LITERALLY mean that he eats/pays bills/lives on what he makes, or nothing? I've played streets with a $50 guitar and had ONLY what people tipped to show for it. I've paid my rent with the money I earned playing and had not one cent else to my name. I could slay his audience with my $40 guitar (I bought a fixer-upper for $40, then traded it for the one I have now) and my SoundTech PA that I paid $60 for used. $1500 guitar... I hate to bash other musicians, but that guy is all hat and no cattle. He's pissed because the pay stinks at the gigs he gets. Poor baby... he wants to be a REAL musician like the big boys. People like that piss me off... unlike so many others who have the choice to go play for fun or go play for little bread, I have very few work options because of my physical issues. I have a wife, children and a dog to feed. I play wherever I can and gladly/gratefully accept whatever I make. I'm more than humbled every time I am complimented on my singing, playing and/or writing. I can't believe someone who is privileged to get paid to play and can afford a $1500 guitar would be such a jerk. /rant. Last edited by Kerbie; 07-23-2017 at 07:25 AM. Reason: Removed masked profanity, adjusted accordingly |
#113
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One guitar for a real, touring pro musician? Really? That's hard to believe....
All the "Real" pro musicians I know and have heard of tend to have equipment a few levels deep... Because it never breaks out on tour you know... Never heard of something weird happening and breaking a guitar... That's like a mechanic with 1 wrench or a carpenter with 1 hammer... I would wonder a lot about a supposed "touring professional guitarist" if he showed up with ONE guitar... What happens if you break a string of it falls off the stage and the headstock breaks off.... Or God forbid, the tour bus runs it over... Never heard of that... |
#114
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And not ONE 12 string in the bunch... (sigh...)
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2017 Taylor T5z Classic 2016 Taylor 812ceN 2016 Taylor K62ce 12 String 12 Fret LTD Koa S.E. 2015 Taylor 914ce First Edition 2014 Taylor 812ce 12 fret First Edition 2014 Taylor 324ce FLTD Koa 2009 Taylor 954ce 12 string 1966 Gretsch Country Gentleman |
#115
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I don't think so, but I'll go XXX out the names right after this. It's not slander if it's true, for one. And besides, I basically said she was complicated. She tends to reflect her audience in short.
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#116
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Let me agree with the crowd-sense here: the OP's performer in his story was rude. Humans do that sometimes. Usually it's better if they don't.
But let me also say that I can understand it a bit. Not every performer is an extrovert. More than many might guess are deeply introverted. They're not good at small talk. They sometimes focus in on the thing they think they should be doing, and ignore the people around them. Might help them when composing, but that same "ignore distractions" mode can obviously can hurt them elsewhere in their personal and professional life. They may try to fake it and make that important small talk, and then fail so miserably at it that they conclude "what's the use." As an introvert, I understand that. I try not to hurt people and yet fail at that attempt sometimes. Extroverts often don't. They assume the small talk is easy for everyone. I doubt this was the root cause of the performer's actions in the OP's story, but I can't rule it out. A second cause is something I see all the time, and it's not just musicians. I used to call it the "Joe Friday" syndrome. The demographic here may well remember the long running "Dragnet" series on radio and TV. The show's gimmick throughout its run was just how little the general public understood what it was like to be a cop. It's creator Jack Webb would use his minimal acting style to raise an eyebrow as someone prattled on either about nothing that was germane to his police case. Sometimes he would use the same understatement when some non-cop would tell him how to do his job, other times he'd resort to a curt rejoinder about how the outsider didn't understand. In either case, the audience was supposed to understand and sympathize with Joe Friday. In that show's day I think a good size audience did, after all it had a very long run. I don't recall exactly if Joe Friday ever ran into someone who thought of themselves as a person akin to Joe Friday, despite not being a cop, despite not living Joe Friday's life. Given the number of episodes it had to have come up, and Jack Webb's/Joe Friday's eyebrow would have had to have gone up at hearing this. Being a musician at anything but the top-paying levels is not an easy gig. So is being a cop. So is being a nurse. So is being an author. So is being a teacher. So is being a soldier. So is being a mother. And so on. Ironically, a certain percentage of folks in any of these professional roles are going to get their back up when someone suggests they share that particular experience and significantly understands it. The OPs presumably benign question/comment about tone and equipment may have been read by the ornery performer as an overture to just that. I'm an introvert who enjoys composing and making music at whatever level I can achieve. I own an unreasonable number of guitars. I perform sporadically. But my rent money and the musicians I play with's rent money doesn't rely on my efforts. It's a different life when they do. I'm not excusing rudeness. Rudeness is what it was. Self-defeating? Quite possibly. Just saying that that sometimes these seemingly trivial interactions we have with others have a richer history than the moment in which they occur.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#117
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I'd like to point Professional speaks as much to conduct as it does to pay status.
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Martin 000-28EC, Taylor 12fret Cedar/Mahogany, Taylor GC8, Carvin AC275, Takamine TC135SC, Yamaha APX5na |
#118
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#119
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You can tell a lot about someone by the way they treat a person they assume has nothing to offer them.
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-Steve 1927 Martin 00-21 1986 Fender Strat 1987 Ibanez RG560 1988 Fender Fretless J Bass 1991 Washburn HB-35s 1995 Taylor 812ce 1996 Taylor 510c (custom) 1996 Taylor 422-R (Limited Edition) 1997 Taylor 810-WMB (Limited Edition) 1998 Taylor 912c (Custom) 2019 Fender Tele |
#120
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Very...very true!
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Jim Dogs Welcome......People Tolerated! |