#1
|
|||
|
|||
Anyone using either the DPA 2028 or the Earthworks SR40V?
I'd like to get a high-end supercardioid stage mic. Anyone using either of these for vocals?
__________________
Website: http://www.buzzardwhiskey.com |
#2
|
|||
|
|||
As I understand it the 2028 is based on the 4018 d:facto song mic. We have four of those at work and they are awesome. The 2028 capsule is fixed to the body whereas the d:facto capsule can be removed and put on a wireless adapter for example.
I haven’t tried the Earthworks but the dpa - assuming it is similar to the d:facto sibling - will not disappoint. Frequency response is very even, and we sound engineers love them, they are VERY easy to work with on stage.
__________________
Gibson ES-335 Studio 2016; Furch OM34sr 2015; Fender MiJ Geddy Lee Jazz bass, 2009; Taylor 414CE 2005; Guild D35 NT 1976; Fender MIM Classic 60s Tele 2008; Fender US Standard Strat 1992; G&L ASAT classic hollowbody 2005; Ibanez RG350MDX 2010(?); Ibanez Musician fretless, 1980s; Seymour Duncan Tube 84-40; Vox AC4TV; Ex-pat Brit in Sweden
|
#3
|
|||
|
|||
I tried both recently (2028, SR40V) and didn't care for either. I'm a huge fan of the Heil PR35, but I just discovered the Earthworks SR314, wow! Blows away every mic I've tried to date (over 20), including the Neumann KMS 104/105, Shure KSM8/9, etc. The SR314 is something special for sure.
|