#16
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I own both a John Pearse casein (1.14mm) and a Charmed Life flame casein (.75). I much prefer the CLP, but whether it's because of its appearance, or thickness, or the material it is made of, I can't say.
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2022 Yamaha Red Label FGX3 2022 Guild Westerly Collection OM-120 2016 Taylor 416ce-R 2010 Squier Vintage Modified Jazzmaster 1974 Rickenbacker 4001 Bass |
#17
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Maybe your answer was so informative that nobody else needed to comment?
I had a JP casein pick, and I absolutely hated it and wondered why anyone would ever use this on a guitar! For my taste, it sucked all the treble out and I didn't like the absolute inflexibility (even of the 1mm i had) for strumming. Then, I tried it on my mandolin...absolutely magical. It tames the screechiness in that soprano instrument. I broke it in half while fidgeting with it during a meeting. I've got my name on the list for the traveling pick sampler over on that mandolin forum, so will be buying another (or some other brand) once I get to try a few.
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enough instruments to be mediocre at all of them |
#18
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Jan |
#19
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Shifting to a tangential topic, how does casein work in thinner thicknesses? I have casein picks, but they tend to be thick (between 1.25 and 2mm), but am interested in picking up some thinner casein picks if they hold up. |
#20
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Quote:
-Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#21
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Dave F ************* Martins Guilds Gibsons A few others 2020 macbook pro i5 8GB Scarlett 18i20 Reaper 7 |
#22
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I have casein picks made for me in both tri’s and teardrops by Charmed Life and Nik (his D shape) from Apollo that are anywhere between .90mm and 1.2mm. They won’t replace them for breakage at these thicknesses but I have a fairly light to medium attack and haven’t lost any so far. I’ve played with some thicker ones but prefer the sound and feel of the ones that are .90. I have a couple of .75mm but they sound a bit thin to me. Best, Jayne |
#23
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I'm a total believer in Charmed Life picks. They are the only casein picks I've played. They feel great, and sound great on both guitar and mandolin. I won't be trying anything else, because when I like something, I tend to stick with it. Dazzo pickups and SunnAudio Preamps are some other products I like.
The very best products that I buy tend to be more expensive than cheaper offerings, and I keep buying them. I haven't worn out a CL nor have I lost one. My only problem is not needing more. Perhaps a pretty new color is in order.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#24
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I am a +1,000 for Charmed Life. They are literally life changing picks. Did not think it was possible, but it's true. I started with a pair of the Blem .75s, got addicted immediately and ordered another set, plus a 1.0 blue one so I could try a bit heavier pick on my new guitar. They are all really nice. I strum energetically but not "aggressively," so the .75s are perfect for me. They are beautiful and feel good. They are plenty sturdy. If someone has a very heavy strumming style, a thicker one would probably be better anyway.
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#25
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Have not had that experience myself. YMMV and all that. Was it a CLP that broke or a different brand? If it was a CLP, contact Scott. He really cares about his customers, and I'm sure he will help you out.
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#26
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Thin casein picks are the bomb, IMHO. I have a few that are about 0.75mm and thinner. They come from thicker casein picks that warped, and I sanded away the warp. At that thickness, they define “warm.” Nice and bright without harshness. They are loud - as loud as Wegen picks.
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------------------------------- Gibson J45 12 string Gibson J45 Studio Walnut 6 string Furch D24 SR 12 string Rickenbacker 330w 6 string |
#27
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-Ray
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"It's just honest human stuff that hadn't been near a dang metronome in its life" - Benmont Tench |
#28
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There are 3 aspects that define a pick's timbre:
Shape: particularly the shape of the part that strikes the strings. Thickness: this also affects the shape of the part that strikes the strings. Material: this impacts the timbre created by the shape of the part that strikes the strings. For me - the JP casein picks are the wrong shape and the wrong thickness but the right material. I have made a bunch of casein picks myself, and I really like the material It takes quite a lot of effort to make one pick and I am inconsistent when making my own picks, so I rarely use them now. I buy commercial picks instead of making them now because of their consistency - if I find something that I really like then I can buy it again. But from having been through the process of making my own picks I can see why boutique picks are the price that they are.
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I'm learning to flatpick and fingerpick guitar to accompany songs. I've played and studied traditional noter/drone mountain dulcimer for many years. And I used to play dobro in a bluegrass band. |
#29
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Thanks for the feedback on thinner casein picks. Looks like I need to buy a couple and try them out for myself.
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