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#1
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I have an almost 20 year old Eastman AR804ce; oval sound hole archtop; maple and spruce, all carved. It has a Kent Armstrong floater but I rarely plug it in. Any suggestions for strings for an acoustic archtop that will focus on the acoustic qualities rather than on the amplified sound?
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Martin: HD-35, M-36; Gibson: J-200 Rosewood Limited Edition; McIlroy: AD-30; Guild: Orpheum D 12-fret; Yamaha: NXT-1200R; Eastman: AR804CE (with floater), DM-1; Eastwood: MRG Resonator; Journey Overhead carbon fibre; . . numerous electrics. |
#2
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I use Thomastik-Infeld George Benson GR112 (roundwound) on my custom Holst archtop. Like yours, mine has a Kent Armstrong pickup, but I mostly play it unplugged. It's my dream guitar and it sounds and plays just awesomely.
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I own 40 guitars. Most are made of wood. Some are not. |
#3
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I have a carved Eastman with F holes. I always use 13's on it. I've used Newtone, Martin Retro monel, Ernie Ball aluminum bronze (I do like their twanginess) and Curt Mangan roundcore monels.
I also have a Kent Armstrong floating neck pickup, and a twin head JJB passive piezo under the soundboard. Wired to a TRS jack I run a short TRS cable to a Baggs Mixpro. I blend the two pickups or go all piezo or mag, but I usually play unplugged too. They're all pretty good, but overall I favor the Mangan strings. Monel is good with the magnetic pickup when I do plug in. |
#4
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Another vote for Martin monels...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#5
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For pure acoustic tones: Martin Retro monels (but allow for some break in - they sound tinny and harsh for the first couple of hours - but after that they last forever). Unfortunately, they sound rather unbalanced through a magnetic pickup, high E and B will be way too loud.
If you do want to plug in occasionally, I recommend GHS White Bronze strings - a good compromise between acoustic tone and balanced volume through the pickup. |
#6
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Thank you all for your thoughts on this. I have been using Curt M monels for years; I find the Benson strings a bit too heavy and am not a fan of Martin strings. I will give the GHS strings a whirl.
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Martin: HD-35, M-36; Gibson: J-200 Rosewood Limited Edition; McIlroy: AD-30; Guild: Orpheum D 12-fret; Yamaha: NXT-1200R; Eastman: AR804CE (with floater), DM-1; Eastwood: MRG Resonator; Journey Overhead carbon fibre; . . numerous electrics. |
#7
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For purely acoustic, I like 80/20's on an archtop.
They'll be unbearably bright at first, but once they break in...yeah. |
#8
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On my Kalamazoo KG21 I like either Martin monel or 80/20, both mediums. The 80/20 seem a little more versatile and balanced sounding, but the monels have a dry, punchy character that really works with how this guitar sounds. Phosphor bronze I never quite warmed to on this guitar.
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Kalamazoo KG-21 1936 Eastman E1OM 2021 Cedar/Rosewood Parlour 2003 (an early build by my luthier brother) Also double bass, electric bass, cittern, mandolin... |
#9
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agreed! probably the best archtop strings out there, imo as well.
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Don 1929 SS Stewart Pro Archtop George Rizsanyi Custom Maple 2017 James Malejczuk Custom OM Black Limba Norman B-20 Recording King single 0 1996 Tak 1994 Seagull Plus Spruce 1967 Yam G-130 Melvina 1979 Classical Que luth 1980s Seagull S6 Cedar (2) 2003 Briarwood 1970s Eko Maple 2003 A&L 1972 Yam 1982 Ovation 2020 Fender Tele Yam THR5A Sienna 35 Kustom 1965 Ampeg Gem II |
#10
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I mostly have been using 80/20s on my acoustic archtops. Has anyone tried GHS Vintage Bronze(85/15) on theirs?
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#11
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Hi, I have a 2007 Eastman AR805 (no "e") a '34 Gibson L-4 and a Harmony H1325.
I've been using D'addario NIckel Bronze mediums. I don't use my archtops much but these strings just go on forever, so I don't change them much at all. Nice feel, nice tone.
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Silly Moustache, Elderly singer, guitarist, dobrolist and mandolinist. I'm here to help and advise only By request, I offer one to one lessons/meetings/mentoring via Zoom! See: https://youtu.be/Pd5Lcd6MLSI https://www.youtube.com/user/SillyMoustache/videos |
#12
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I have flatwounds on a couple archtops and I think they sound good and more importantly play easy. They sound like well worn in monels, maybe a little muted. My archtops are all laminate so they may be why I like them.
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Martin GPC-15ME, Model America 1 1957 Gretsch New Yorker Recording King RO-T16 and RO-06 Huss and Dalton Road Series 000 '57 LG1 Eastman AC222CE |