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#46
05-20-2013, 10:08 AM
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Whichever one is being played by a great fingerstylist that I am fortunate enough to be watching and hearing. I am definitely not a fingerstyle guitarist, but I love experiencing a great one do their thing.
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Some Taylors and a Gibby. If you want to know more just ask. 
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#47
05-20-2013, 10:57 AM
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Quote:
__________________
I'm a lefty. ----------------- Sunday's on the phone to Monday, Tuesday's on the phone to me........ 
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#50
05-20-2013, 05:22 PM
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Quote:
No one ever told me I was crazy (ok... they did, but not in connection with the guitar)
__________________
L. Maggi 6 strings Custom Guild G-37B B. Dinsdale Custom Ibanez Ragtime 460 Daion L999 Kinkade 12Strings Custom L. Maggi 12Strings Custom P. Bernabe E8 H. Godvinez Fender Dobro HB Resonator Baton Rouge Tricone Ovation Celebrity Cort L900 Parlour Epiphone Emperor Epiphone Sheraton 2 Fender Tele
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#51
05-20-2013, 06:22 PM
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I've got a new favorite. Up until today, it was my Bourgeois JOM, but I think it's just been surpassed by my new to me Martin 000-17SM
 I played one at Sam Ash a couple of weeks ago, and was mightily impressed but left without it. I decided to go back the next day and buy it, and it was gone! They're not that easy to find anywhere else these days it seems, but I managed to run one down. 
__________________
Sandy Guilds '59 X175AB, '68 Starfire II Bass, '70 Guild/Henderson D50, '73 D50NT, '74 Mark V, '86 SB602P, '87 SB602M, '96 D25-12, '10 F512NT, '11 F50ce, '13 B54ce, '13 R30S, '13 Orpheum OM, '13 Orpheum Jumbo, '22 D40 Traditional Others '69 D28, '97 Bourgeois Slope D, '02 D18 David Crosby Signature, '01 Gibson WM45, '13 00017SM, '17 Lowden O22
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#53
05-20-2013, 06:36 PM
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Baranik Meridian. Huge voice, very articulate and very touch sensitive.
Nevermind that it's my only acoustic.
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad)
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#54
05-20-2013, 06:38 PM
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It depends...
I like my 1927 00-18 for most things that are pretty. 34 L-00 for blues or my B&S serenader if it needs that ladder braced thing. Kel Kroydon does some mighty fine stuff that falls in the middle of those two. Thats if its a little guitar sound. If I need more oomph I can use my slope dreads 39 j-35 and '34 jumbo. And last of all the D-18 if I want a really driving bass. That guitar is nuts on the low end, but still a blast to play. I just need to keep and ear on the beefy low E. Basically, I'm saying every guitar can thrive given its the right performance and the right genre. I really wouldn't have like blackbird any less if Paul did iron a 00-28. It would still have been awesome. J
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#55
05-20-2013, 07:41 PM
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Quote:
http://www.youtube.com/watch?v=ynu187cS5Wg
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#56
05-20-2013, 08:40 PM
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Quote:
__________________
http://www.soundclick.com/bands/defa...&content=music
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#57
05-20-2013, 09:28 PM
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Quote:
Claimed advantages: better intonation, easier play, better tone, others...
__________________
Ray For where your treasure is, there will your heart be also. 2006 Art & Lutherie Ami Parlor: Solid Cedar Top/Wild Cherry Lam B&S/Black Satin Lacquer 2006 Art & Lutherie Dreadnought: Solid Cedar Top/Wild Cherry Lam B&S/Natural Satin Lacquer You can't change the tide with an oar. ---Nick Bracco (Gary Ponzo)
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#58
05-20-2013, 09:34 PM
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best fingerstyle
Taylor custom 12 fret GC EI Rosewood/Sinker Redwood
Runner up 1997 Tacoma PK30 Parlor Koa/Sitka Also own 2005 Taylor 614CE 1930 Martin 2-17 1970 Yamaki Deluxe 1997 Alhambra C11 Etc
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#59
05-20-2013, 09:53 PM
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Quote:
 "Annie" Last edited by david57strat; 05-20-2013 at 10:09 PM.
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| fingerstyle guitar |
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