#196
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very true but taking a hit on gear affect people differently. in my case, i wouldn't want to take a financial hit if i can but i ain't holding my breath for it, and to tell you the truth, it doesn't worry me. it might matter to some, but everyone has variation in situation. to me, they're tools and they go through wear and tear so recouping cost isn't a huge worry for me as long as they help me get the music done. i can say that i've never really bought an instrument with the words "investment" and "financial hit" in my head. if it does the job and i dig it, i buy the thing.
Last edited by sehnsucht77; 12-14-2011 at 10:10 AM. |
#197
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You're a KingsX fan? i love their work.
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#198
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Yes, Back when Ty was using the old school solid state pre amps (Lab 5) I built one for him to mount in a rack. We used to hang with those guys back in that time peroid. Ty is the king of drop D. I almost ended up with one of his strats on a trade for a lap steel I had which he had borrowed for some recording.
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#199
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#200
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yes, he is THE king of dropped D. I toured with Helmet for a few shows in the 90s and Kings X is a massive inspiration for the band. |
#201
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Yes is was a long time ago maybe 1990 or so. Those guys were loud in concert my ears are still ringing. My Wife used to do a newsletter for them.
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#202
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Last edited by sehnsucht77; 12-14-2011 at 10:39 AM. |
#203
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very nice.
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#204
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http://www.acousticguitarforum.com/f...ad.php?t=20656 |
#205
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Looks like about 35 people disagree with you... to each his own: FROM THE OTHER POST: I just checked the Luthiers' Gallery Website and they have about a dozen Olsens for sale, new and used. Now what does that tell you? __________________ GSnyde I JUST CHECKED TODAY, there are NONE. Hmmm... I guess alot has changed in 8 years LOL Last edited by dirt1966; 12-14-2011 at 01:51 PM. |
#206
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what does this tell you?
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this back and forth posting about Olsons and liking-Olsons reminds me of the dialogue between Dick and Barry in the movie "High Fidelity" pertaining to stating preference between 2 versions of a song. link: http://youtu.be/yVv5sIY57TA Last edited by sehnsucht77; 12-14-2011 at 02:47 PM. |
#207
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We all have freedom to make choices, prioritize purchasing decisions, buy cheap, buy expensive, buy Ryan, buy Martin, or whatever else you like... it's all good. I am just suggesting that one consider the financial aspects of any purchasing decision. You obviously have the freedom to consider it or ignore it... like I said, it's all good. It's America and we have the freedom to make a choice. |
#208
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i find it interesting how people put varying degrees of thought into buying guitars. when i started buying custom made stuff, it introduced me into a new bracket of cost as a factor but i never abandoned the main concern I ALWAYS had a guitar player and a musician: does the guitar feel good, sound good and speak to me well enough that I can't wait to gig and write songs with the thing? while for some guitars serve a means to an end to play music, others put lots of thought into it -investment concerns, prestige, aesthetics blah blah blah; its mind boggling. i just want to play music, period. Last edited by sehnsucht77; 12-14-2011 at 03:18 PM. |
#209
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I understand many of his buyers are repeat customers. But I am sure that is the case with Somogyi's, Ryans and Traugotts also... though I have not played one of each of these, am looking forward to it one day. Heard all three of these guys are great to work with... and some of the others that are local here: Klepper, Sexauer, McKnight, Cornerstone, Stehr, Greenfield are supposed to be great too.... There are obviously lots of great builders to choose from, some I have mentioned and some I have not....and some economic loss is expected I suppose. One just would hope there would not be much or at least keep it to the minimum. |
#210
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Mike Greenfield is an awesome guy and so is Joel Stehr. Both have a 2-ish year backlog right now, i think. Wonderful workmanship and guitars from those guys. |