#1
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Things are about to get serious in the studio...
New arrival for spring 2021!
A big brother for my fearless little DSL40CR.. I have literally always wanted a Marshall setup like this. This thing roars..
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#2
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Sounds like fun!
Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#3
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Nice! Hope you have some distance from the neighbors!
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#4
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JVM210H - Congrats! I bought mine used 5-6 years ago and it's the amp I use most (although the past few weeks I've been playing my Vintage Modern). Way too many options for me though.
BTW, love that Les Paul hanging up on the wall. I'm a sucker for zebra pickups. |
#5
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That's some serious volume right there. I love the Marshall tone, although I don't have a Marshall amp. (well, I have an acoustic Marshall, but that ain't the same, is it? ) Maybe I'll wait until my hearing declines a bit, and I actually need that kind of volume.
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#6
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Look for a suitable outdoor location where you can - however briefly - open it up to its full potential... Buddy of mine and I did just that about 40 years ago... At SPL's where a 100-watter is beginning to get into the tone zone, this puppy wasn't even breaking a sweat - a 50-watt would've been a mere fart in the wind by comparison - and in the interest of preserving my hearing I decided to back off the throttle at that point... Truth be told I've never really been a Marshall fan, but this one was/is in a separate universe - IME shared only by the equally iconic (and even more powerful) Ampeg SVT; classic, old-school four-input/non-master volume design and WYSIWYG tone stack - and unless you've been behind the wheel of a dragster, there's nothing else that compares to the feeling of raw, unbridled power...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#7
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I will never be in a situation where 50 watts wont do the job.
There is something about a les paul, and a marshall like this. I'm loving that matchup. The amp sounds incredible. trying to now sort out the foot switch programming.
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#8
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As far as the footswitch goes, I forget how to program it but I set it once and I've never changed it. |
#9
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then just press the #1 ~ #4. to reset, unplug the cable, press switch #4 and plug it back in. Press 1 or 2 to save, or 3 to wipe out your settings and go back to preset mode. The DSL has a dedicated footswitch on/off which I think is a bit better setup for the Footswitch operation. The JVMs have a dedicated button for the reverb, which I would have thought would have been wiser to assign the footswitch b/c the reverb is often always on. But that quirk aside, man,,, I am in love with this amp.
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#10
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I agree with the reverb - I'd prefer to have that on the footswitch. Enjoy your JVM! |
#11
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This is probably what would work for me. The only pedals I plan on are a compressor, in line.. and a delay. Might add chorus at some point but I don't really use a lot of modulation kind of effects I am digging this rig 100%.. Should have done this years ago.
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Ray Gibson SJ200 Taylor Grand Symphony Taylor 514CE-NY Taylor 814CE Deluxe V-Class Guild F1512 Alvarez DY74 Snowflake ('78) |
#12
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