#46
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Not so much positive as one-dimensional. A positive review from a marketer is simply dismissed as shilling and worthless. A positive review from someone with nothing to gain from it is just an opinion.
No one reads negative reviews of any product because negativity does not sell, and it's disallowed on forums such as this one as a matter of the TOS boundaries. So, negativity is banned outright, and rightly so because it isn't constructive. Positivity, on the other hand, knows no limits and that includes the basis for them. By that I mean the person propping up a product may not have the skills necessary (privilege) to offer a positive opinion of a product to a community of players who have already seconded that product in the context of their experiences and advanced skills-developed opinions. All that aside, a positive review of one product paints an unspoken negative review of others sampled at the time the positive opinion was formulated. Implied negativity never occurs to anyone but it looms very large anytime a positive opinion is offered. |
#47
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It just goes to show how meaningless anyone’s (including mine) opinions can be. Generalizations are just exactly that. The Eastman comment you made is proof. I don’t doubt your experiences in the least, but how many have you played, how long ago and which models? Most of us base our opinions on very little experience and once we have a negative or positive one, we are often predisposed to go in that direction. That’s just how we are.
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Nothing bothers me unless I let it. Martin D18 Gibson J45 Gibson J15 Fender Copperburst Telecaster Squier CV 50 Stratocaster Squier CV 50 Telecaster |
#48
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And I would not agree that a positive review of any product implies that any competitors were not as good. To do that, it would need to be worded in ways that i have rarely encountered.
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The Bard Rocks Fay OM Sinker Redwood/Tiger Myrtle Sexauer L00 Adk/Magnolia For Sale Hatcher Jumbo Bearclaw/"Bacon" Padauk Goodall Jumbo POC/flamed Mahogany Appollonio 12 POC/Myrtle MJ Franks Resonator, all Australian Blackwood Goodman J45 Lutz/fiddleback Mahogany Blackbird "Lucky 13" - carbon fiber '31 National Duolian + many other stringed instruments. |
#49
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Tony
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“The guitar is a wonderful thing which is understood by few.” — Franz Schubert "Alexa, where's my stuff?" - Anxiously waiting... |
#50
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As a consumer, I value two kinds of criticism (reviews) in particular, and this would also apply to guitar reviews: 1. Where appropriate, championing the undervalued product that most people overlook 2. Where appropriate, exposing the faults of the unquestioned popular thing |
#51
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#52
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Makes me think of all the ravingly great reviews I’ve read about a guitar on this site, only to read the equally eloquent for sale ad just a few months later -
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#53
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Are all guitar review too positive?
Yes. But maybe they should be. Outside of shoddy workmanship, to include outright duds, liking a specific guitar really comes down to individual taste. However many reviews offer subtle negatives that are obvious when reading between the lines. Something called ****ing with faint praise. Also, new and innovative products often tend to be misunderstood, and then get reviewed with a negative aura about them. For example, when Taylor released it's Grand Orchestra (xy8) models, Acoustic Guitar magazine didn't have much good to say about them. One thing I noticed was a claim about being too 'boomy' (or something to that effect) for the 918 spruce over rosewood. Having searched for and played many spruce over rosewood Taylor Jumboes and not finding one I liked, this piqued my curiosity. So I played an 818e spruce over rosewood at a local shop and loved it; it was kind of just what I was looking for. As such it followed me home the same day. Was it boomy? Yes a bit. But the spruce over rosewood jumboes I previously played lacked a bit of punch. The 818e was shipped with Elixir medium strings, but I re-strung it with Elixir PB HD gauge (.013 - .053), and any boominess was easily tamed. I fingerpick everything using my nails, and for me this guitar is a great fingerpicking instrument. I guess my real point is that there is no accounting for taste. Which accounts for a lot of brand name bias. Just my 2 cents. Thanks for reading, Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo Last edited by donlyn; 12-11-2019 at 04:31 PM. |