#16
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Quote:
As has been already stated, the right vocal mic is a personal thing. To get the best performance, the singer has to feel confident in front of the microphone. Often in a studio environment, the talent and the engineer will evaluate vocal mic choice together so that both feel the selection works for them. It may be possible to get to a place where you like by judicious use of eq, but if your mic isn't inspiring you to give your best performance, a change of vocal mics may be to your benefit. Besides, one of the goals of a personal recording setup should be to need as little eq as possible by choosing and positioning microphones in such a way as to require minimal equalization. That's not always possible in some studio situations where mic selection isn't optimal but for a personal studio, that should be a goal.
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Jim 2023 Iris ND-200 maple/adi 2017 Circle Strings 00 bastogne walnut/sinker redwood 2015 Circle Strings Parlor shedua/western red cedar 2009 Bamburg JSB Signature Baritone macassar ebony/carpathian spruce 2004 Taylor XXX-RS indian rosewood/sitka spruce 1988 Martin D-16 mahogany/sitka spruce along with some electrics, zouks, dulcimers, and banjos. YouTube |
#17
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Simple is good. I look forward to applying some of the suggestions mentioned in this thread, but I will also order and try out an SM7 on a couple of songs to see if its works for me . If not I will send it back.
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David Webber Round-Body Furch D32-LM MJ Franks Lagacy OM Rainsong H-WS1000N2T Stonebridge OM33-SR DB Stonebridge D22-SRA Tacoma Papoose Voyage Air VAD-2 1980 Fender Strat A few Partscaster Strats MIC 60s Classic Vib Strat |