#46
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In my opinion in-ear monitors should be a last resort, unless you don't need to connect with the audience at all. They remove all background noise and produce a closed and sterile environment - you lose the vibe of the room. A small stand-mounted monitor would be better.
Please don't be tempted to use ear buds connected to your mixer headphone out jacks. Chances are that those outputs don't have sound limiters and you could truly permanently damage your hearing if you get into a feedback situation. |
#47
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I use a small stand-mounted monitor because it is essential to me to hear the balance between the guitar and voice.
I second all the comments about doing what the venue wants, even if they are full of crap. I am also kind of insulted when asked to turn it down (but I do it). Finally, I have many times been in venues where the amps were just too loud, and it is a reminder that is is often quite hard to tell from the point of view of the player just how loud you actually are and you need to be told to turn it up or down. That just seems to be the nature of the beast.
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2003 Martin OM-42, K&K's 1932 National Style O, K&K's 1930 National Style 1 tricone Square-neck 1951 Rickenbacker Panda lap steel 2014 Gibson Roy Smeck Stage Deluxe Ltd, Custom Shop, K&K's 1957 Kay K-27 X-braced jumbo, K&K's 1967 Gretsch 6120 Chet Atkins Nashville 2014 Gold Tone WL-250, Whyte Lade banjo 2024 Mahogany Weissenborn, Jack Stepick Ear Trumpet Labs Edwina Tonedexter |
#48
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I usually wear one all the way in and one barely in, so I can still hear the crowd.
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As my username suggests, huge fan of Yamaha products. Own many acoustic-electric models from 2009-present and a couple electric. Lots of PA too. |
#49
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Quote:
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Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan Last edited by Kerbie; 11-05-2019 at 07:14 PM. Reason: Quote edited |
#50
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Quote:
Last edited by russchapman; 11-06-2019 at 08:33 AM. |
#51
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That tells me the function of the musician in that situation is one of providing sonic wallpaper.
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#52
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I met that woman. She came up to the stage and complained about volume before we played a note. I guess she was intimidated by all the gear in stage for our 5 piece band.
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"Vintage taste, reissue budget" |
#53
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Chalk it up to nerves, I guess. |
#54
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Next time in this situation, I am going to try positioning my speaker directly behind me at ear level. If that doesn't do the trick, I'll try a monitor next.
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Gear: PRS Hollowbody II Piezo, Martin HPL 000, PRS Angelus A60E, Martin 000-15M |
#55
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#56
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When this happens to me, I reach for the master volume knob, turn it down and then back to the same spot. I play the next song and ask the person if that was better. They always seem to think it made all the difference.
Now having said that, I always try to manage my volume. The audience should be able to talk at their tables without straining. |
#57
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You know, I've spent my adult life playing music for hire. Before that part of my life was youth gatherings, often unplugged. If you can't sing over your guitar, you guitar or your right hand is too big. You can turn practically anything down. I've even done electric gigs that were turned down. I plugged my modeler into a '70s Fender Champ sitting under my chair where my feet and legs blocked the speaker. And sang.
If you want to keep playing these gigs you've got to please the venue. I eventually began playing sessions. That pushed all my buttons and has led to a hiatus on playing out. I'd go back to playing out if I had a partner. Bob
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"It is said, 'Go not to the elves for counsel for they will say both no and yes.' " Frodo Baggins to Gildor Inglorion, The Fellowship of the Ring THE MUSICIAN'S ROOM (my website) |
#58
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Very salient point!
Last edited by russchapman; 11-06-2019 at 08:34 AM. Reason: Rule #1 |
#59
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this^^^^^^
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HFox Life is a journey...not a guided tour... |
#60
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Last edited by russchapman; 11-06-2019 at 08:34 AM. |