#16
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#17
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fwiw, i might suggest trying to bend up a whole step at first because imo discerning between whole notes is a bit easier then half notes for a beginner. once you get the whole notes down then go for 1/2's. |
#18
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#19
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A couple of things about bending...
As a few have replied, there really are "no rules" about bending strings; however, there ARE things that can facilitate that endeavor. There is quite a difference if you are playing a fingerstyle piece that employs a string bend or when you are playing single note "lead" passages... true that a bend with more than one finger can totally take you out of a fingerstyle piece, but for the other application, I use however many fingers are "behind" the fretted note for support in the bend... If my initial note is fretted with my pinky, then I will use the other three fingers to support that bend by placing them on the same string and using all the fingers for support... similarly, if the initial note is played with the ring finger, I'll use the first and second fingers as well. When bending a note (especially at first) it helps a lot if you actually have a concept of "what note am I trying to play". Certainly, playing the end note without bending, then going to the fret or frets below it and bending up to that note is a good way to get a sense of "how much" it takes to get to a whole step or a half step or just a slight gliss or tremor... When bending notes, I try to fret the starting note solidly and very close to the fretwire of the next higher fret, the fretwire closer to the bridge of the guitar... then USE that fretwire as a "bridge" to travel to the desired note. Once you get the hang of it, you may find that bending (especially a trill or a half-step) can be done easily from a different location within that fret. Starting the bend with a slight (or more pronounced) gliss or slide up to the starting note can give a bit of momentum to the bend. I will employ this technique, especially on an acoustic guitar (strung with 12's), to get the sound of a whole step when I'm really only "bending" a half step in reality. Just keep practicing, listening as you go, getting the feel of it... that's what it takes, really, to become comfortable with bending strings intentionally...
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#20
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Jack
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http://www.youtube.com/user/JCGuitar?feature=mhee |
#21
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Bend the 3rd string at the 5th fret, up until it matches the pitch of the 2nd string which you hold down at the 3rd fret, and play both of these notes together...should sound familiar as it's a good old blues and rock technique. Move this bend up and down the neck and you'll hear another common riff.
I'm just not as strong as lots of great rock / blues guitarists are. To get those huge blues bends on one string (check Buddy Guy or Stevie Ray Vaughn out), I do the bend (three fingers inside one fret, push up using the wrist to get the bend started, and then slide up a fret to two, and continue the bend at the higher position. I can get more than a whole step up doing this, although it doesn't quite get the same feeling as the great players can. Many great guitarists tune the guitar down a half or whole step, which enables bending with less effort. Finally, a tremolo ("whammy") bar or pedal, can get you bending notes quite easily, although the feeling of the note might be a bit different than what you want to project. Practice bending a lot. I couldn't do the vibrato thing at all in the beginning. After years of practicing it...I can do quite well now. There are several techniques to get that but that's another thread.
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Neil M, Ottawa, Ontario, Canada |
#22
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bending on the acoustic is certainly more work than an electric for sure.
There are three things I try to get students to do when bending on the acoustic. * always use the fingers that are available, ie. if your 1/2/3 or 2/3/4 fingers are free, use them, pushing with equal strength, one on each fret of the string being bent. * stay as close to the top of the fret wire of the note being bent as possible, makes for an easier bend * think of it as lifting a set of weights, the initial push is the most critical to reach the desired pitch. and I feel semi tone bends ( one fret) are better to learn technique and build hand strength, before attempting those full tone bends. and again, most important is your ear, listen to the pitch as you raise to the target note Lower action and a light gauge set of strings also add to the ease of bending |