#16
|
|||
|
|||
Quote:
I had been thinking of another Collings - a 002h would be ideal, but a used one (in good condition) would still be IRO £3000, and, of course people don't seem to be selling them. I don't have that degree of disposable now. The 00 or p would be just a late night noodling guitar - too small for performance. Huh, just listening to Sunday morning radio, and a chap is recommending that us "old folks" work to spend all our money before we die! I wonder if he's really thought that out!
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#17
|
||||
|
||||
Why not talk to the guys at Brook Guitars in Devon? They build some nice guitars in a small workshop and, for hand-built instruments, they aren’t bank-breakers. The have several parlour models, and I believe they will make a neck to your own size-specs.
https://www.brookguitars.com/guitars/guitars.html Just my two-penn’orth!
__________________
John Brook ‘Lamorna’ OM (European Spruce/EIR) (2019) Lowden F-23 (Red Cedar/Claro Walnut) (2017) Martin D-18 (2012) Martin HD-28V (2010) Fender Standard Strat (2017-MIM) |
#18
|
|||
|
|||
Huh, just listening to Sunday morning radio, and a chap is recommending that us "old folks" work to spend all our money before we die! I wonder if he's really thought that out!
He might have a point Andy, I'm not far off your age and I'm out in Vietnam at the moment playing a cheap Recording King OM and enjoying the warmth and the weather. Of course I would rather be playing the high quality guitars I have at home, but the experience of travelling the world more than makes up for it. |
#19
|
||||
|
||||
I've owned two E10Ps, and have played a couple of E20Ps.
These little guitars have a great big chunky neck, bigger than those on the 00s. I love them, and should have kept that first E10p. I'm keeping an eye out now for an E20P, hope one shows up locally. These are really good guitars in all respects. If you are looking for a "late night noodler" at a very reasonable price, you can't go wrong with an Eastman parlor. Especially if you like a big fat neck.
__________________
2002 Martin OM-18V 2012 Collings CJ Mh SS SB 2013 Taylor 516 Custom |
#20
|
||||
|
||||
I forgot to mention that both of the E10Ps I owned were sunburst. And the couple of 20s I played were too.
Eastman does an outstanding sunburst. If I buy either a 20 or another 10, it has to be a sunburst. Really pretty.
__________________
2002 Martin OM-18V 2012 Collings CJ Mh SS SB 2013 Taylor 516 Custom |
#21
|
|||
|
|||
Quote:
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#22
|
|||
|
|||
Quote:
I remember Billy Connolly's wife saying that he once said to her "I wish we knew when we were going to die, then maybe we could spend more!" Ironically, when you DO know - it's probably too late to bother about spending!
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#23
|
|||
|
|||
Quote:
Interestingly, I know a man who budgeted carefully so that he could live comfortably to a certain age. He is now approaching that age and he is in very good health, so he worries that his money will run out before he does. The only answer is as the old song says "one day at a time". 😀 |
#24
|
|||
|
|||
I've played both the rosewood and mahogany versions of the Eastman EP parlor. A local shop had one of each, so I was able to compare them back-to-back. I preferred the mahogany one by quite a stretch—it was lighter in weight and more balanced. The rosewood model was bass heavy and a bit harsh in the trebles. This was a small sample size of course. The nut was 1-13/16" but felt narrower with the shorter scale. Punchy, fun little guitars to play.
I have not played the OO model.
__________________
Collings • Paragon • Martin |
#25
|
|||
|
|||
Quote:
__________________
Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#26
|
|||
|
|||
Quote:
__________________
Faith Mars FRMG Faith Neptune FKN Epiphone Masterbilt Texan |
#27
|
|||
|
|||
Quote:
|
#28
|
|||
|
|||
To your OP, I've played an E10-00 that was, simply put, one of the top three loudest and most responsive guitars I've ever played. Had it not been for a kinda chunky neck, I would have owned it at pretty much any price. Really a great guitar.
After going through a couple different Eastman models I currently play an E20-OM. Similar qualities with a better neck and a little broader tonal range. It is, as has been noted above, like most of their RW models a touch heavy, but comparable to the Martin OM-21 that it replaced.
__________________
Taylor 717 BE WHB Eastman E6OM TC |
#29
|
|||
|
|||
I have the rosewood parlor, and that's what I like about it. When played in rotation with my other two rosewoods, a Martin D-35 and Eastman E20-OM, the Eastman E20-P rosewood parlor produces their volume when played hard with thumb or flat pick. Not the same quality or depth of sound, but the bass is strong, resonant, clean and pleasing.
__________________
https://soundcloud.com/user-871798293/sets/sound-cloud-playlist/s-29kw5 Eastman E20-OM Yamaha CSF3M |
#30
|
|||
|
|||
This is very wise advice, custom builds can be very tricky and huge loss makers if you want to sell on.
|