#151
|
||||
|
||||
I got to finally play this guitar on Saturday morning and as much as I could thereafter. I'm always a little nervous the day I receive commissions. Though most of the luthiers I have worked with over the years have been great at delivering consistency, every new guitar is a leap of faith, and there are always unknowns about the final sound. Even luthiers like John with exceptional consistency will have some doubt about the final outcome, within some range of course.
John's task was to duplicate a Circa guitar I played at Schoenberg in every regard, but with the addition of a cutaway. Luckily for John, I've long since forgotten the details of that guitar's sound. I just remember it was exceptional. At this point it's a little irrelevant, I suppose, since an exceptional guitar is an exceptional guitar, regardless of whether is has this or that tiny nuance. I believe it's pretty darn close to that original inspiration, but I would certainly be guessing to say it's dead-on. But without a doubt this guitar is simply exceptional. When I picked it up, I knew it was going to be loud. It has to be somewhere close to the weight of my Schoenberg (i.e. featherweight). It has a ton of volume and headroom which, I must say, is something I find really satisfying in any guitar. Because I play with picks and because I play pretty hard, I really love the feedback of a loud, responsive guitar. I get tired of guitars that flub out when I pick hard. The ultra stiff German spruce John used (and slightly taller X brace) certainly delivered what I wanted. As with my other Circas, this one is explosive on the attack and has just about as much volume as you could want. It's evenly balanced across the spectrum. It has pronounced mids, which I like. John and I are both "mids junkies." Trebles are sparkly and brilliant and well proportioned with the mids. The bass isn't huge or anemic. It's just . . . right. I hate to say it's balanced because most people say that about new guitars, but that's the right word nevertheless. It's a drier, more powerful guitar than my Brazilian 000-12. Where the Brazilian has overtone and touch sensitivity, the maple has a bit more heft and fundamental. The maple lends a terrific brilliance to the high mids and trebles, and the guitar absolutely shimmers . . . which is crazy because it's still new. I don't feel like it will need the break-in time that my OM required (about 30 hours, if I remember correctly). It's fantastic right out of the gate. Truly a dream guitar. Nice sustain. Nice subtle overtones. Just a beautiful, vintage voice and another Slobod heartbreaker. Now that I've been through the process with John, he knows my setup and the kind of neck I like. It feels like "my" guitar. The 55090 EVO frets are a joy, as usual. Action and nut slot height are right where they need to be, as is the relief. Did I mention it's perhaps the lightest guitar I own? It sits right on the lap with perfect balance. I'm glad I went with the mahogany neck. Frankly, I like the dark contrast against the white of the maple and appreciate the light weight. After I played it, I took some time to admire the craftsmanship. There isn't a molecule on this guitar that's out of place. John is well known for his woodworking chops, and it's hard to appreciate the absurd level of precision until you see on in person. This build just proves to me that, once again, I put my trust in the right place with John.
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#152
|
||||
|
||||
There ya go then....congrats
__________________
A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#153
|
|||
|
|||
Awesome looking instrument with a tone to match it seems!
Congrats!!! |
#154
|
||||
|
||||
It sounds awesome, congratulations!!
__________________
Martin OM28 (European Spruce/EIR) Collings OM3A (Adirondack/EIR) Greven OOO (Lutz/Brazilian) Greven OO (Lutz/Maple) ARK Senorita S6-12 (Adirondack/Mahogany) Circa OOO-12 (European Spruce/Mun Ebony) |
#155
|
||||
|
||||
The scale length is too long and does not lend itself to bucephalic overtones. A
|
#156
|
||||
|
||||
I agree it doesn’t compete with Busyphallus in the overtime compartment.
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#157
|
||||
|
||||
This guitar is a beast and at the same time has beautiful sustain and overtones and a wonderful bloom to the sound. This guitar made me a believer in Circa guitars!
__________________
PS. I love guitars! |
#158
|
||||
|
||||
Quote:
Here are two photos of the three Circas together. In a few months, we'll add the OM-18/21.
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#159
|
|||
|
|||
Congrats on the new Maple git!
Ever since I discovered the magic of maple, I get super excited when other people share their maple builds. Yours is no exception! John loves working with maple and it really shows in his builds. Play those guitars in good health!!! |
#160
|
||||
|
||||
Great news and great report, Juston! Congratulations!
It's a stunner in the photos, I can't even imagine how awesome it must be in person. I played a maple Circa 000 at TAMCO once upon a time, and it almost came home with me, but I gave my heart to another instead that day. I can see why this one could be the perfect fit for your playing style, dry, ringing and LOUD! Enjoy, my friend.
__________________
____________________________________________ 1922 Martin 0-28 1933 Martin 0-17 1974 Alvarez/Yairi CY120 2010 Baranik Parlor 2013 Circa OM-18 2014 Claxton OM Traditional 2014 Blackbird Rider |
#161
|
||||
|
||||
Quote:
Quote:
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#162
|
||||
|
||||
This is my first maple guitar. Maple seems to share a bit in common with mahogany, though the mid hump isn’t quite so pronounced. Mids and trebles have more sparkle to them and the bass is more pronounced. The response seems very even from low E to high E. It’s not clear to me how much of that is John’s building style and how much is the wood itself.
The whole guitar resonates like crazy when played, as you would expect from something built so lightly. I will try to post some sound clips soon, perhaps with some comparisons to my other Circas. I’m working on getting some better microphones.
__________________
Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#163
|
||||
|
||||
As you stated, this confounding factor is always the case Juston. Maple in the hands of a skilled builder who knows how to work with it, is no doubt one of the great guitar tonewoods... I’m glad to hear that you are enjoying playing your new Circa.
__________________
A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#164
|
|||
|
|||
I'm still lusting for this guitar, Juston. Stunning in every way. One of my favorite guitars I've ever encountered.
__________________
John |
#165
|
||||
|
||||
Yummy
I got to play this at B. I. G.
Light as a feather and super resonant! Beautiful too!!! And I enjoyed your fingerpicking a LOT!!! Enjoy it and have FUN Paul
__________________
4 John Kinnaird SS 12c CUSTOMS: Big Maple/WRC Dread(ish) Jumbo Spanish Cedar/WRC Jumbo OLD Brazilian RW/WRC Big Tunnel 14 RW/Bubinga Dread(ish) R.T 2 12c sinker RW/Claro 96 422ce bought new! 96 LKSM 12 552ce 12x12 J. Stepick Bari Weissy WRC/Walnut More |