#16
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The maple Dread model was the D30, flamed maple B/S and two piece neck, looks like a Sitka top. I got mine about 15 yeas ago used ($800 CDN w/ original case), plays great and is a stellar guitar (a real “looker” as well). I played a couple D25’s at the time, great all round guitars.
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Ian K. 2018 Michaud OO-R 2012 Webber Dreadnaught *SOLD* 2010 Eastman E20OM 1994 Guild D30 1979 Yamaha FG375S (retired) 1974 Norman B30 (retired) |
#17
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Taylor- DN8, GS Mini, XXX- KE Gibson - Gospel Reissue Takamine- GB7C |
#18
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The flatback D 25 was made for a few short years until 72 or so if I recall correctly. These were all mahogany. If yours has a real mahogany top it would be quite rare. Many were stained to look like mahogany. This is the norm.
If I needed a gigging workhorse I'd go looking for one. But my 70 D 35 serves me well, so I have no reason. Guilds have been saddled with the poor man's Martin tag for far too long. But in reality, many were sold to poor students back in the day. They also suffer from the not worth fixing tag because you can buy them for $1000 plus or minus, and people don't want to sink neck reset money into them. I bought my D 35 needing all the work, but got it cheap.
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2007 Martin D 35 Custom 1970 Guild D 35 1965 Epiphone Texan 2011 Santa Cruz D P/W Pono OP 30 D parlor Pono OP12-30 Pono MT uke Goldtone Paul Beard squareneck resophonic Fluke tenor ukulele Boatload of home rolled telecasters "Shut up and play ur guitar" Frank Zappa |
#19
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D-25
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1995 Taylor 412 1995 Taylor 612C Custom, Spruce over Flamed Maple 1997 Taylor 710 1968 Aria 6815 12 String, bought new |
#20
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I have my dad’s 1974 Guild D25M (made in Westerly, RI), which I believe my dad purchased in 1975, preowned. It is an absolutely beautiful instrument, but since it hasn’t been played in many years, I don’t even know what it sounds like. I’ve had the strings off because there’s a bit of a gap under the bridge, and I don’t want to string it up and play it only to risk damage.
I never noticed that before, but you are absolutely correct… It does not have any back bracing!! |
#21
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The first new guitar I ever bought was a 1970 D25. It had a brown rather than cherry stain and a flat back. It occupied that sweet spot in price between a Harmony Sovereign and a Martin D18.
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"You start off playing guitars to get girls & end up talking with middle-aged men about your fingernails" - Ed Gerhard |
#22
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Yeah this is a thread resurrection. I was looking into D25’s because I found a pretty good local deal and am considering it. I’m still undecided. I think I would rather have another G37… |
#23
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My 1987 Guild JF65-12 jumbo 12 string has a Sitka top / solid maple sides with a brace-less arched laminated maple back. Big, powerful voice.
Last edited by FingahPickah; 05-06-2024 at 08:27 PM. |
#24
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A Guild D25CH was the first decent guitar I ever bought around '78 from a tiny music shop in Reading called Biggles. Played everything in the shop but nothing took my fancy. The owner suggested the guitar hanging from the rafters I'd ignored as I wasn't keen on the colour. From the first stum I knew I was buying it.
That guitar travel with me for years and played many gigs in Berlin when I was stationed there with the RAF. I don't know why I got rid of it but it set me on the road to appreciating fine instruments. Been a life long Guild fan ever since and have ended up with my forever D55. |
#25
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I have a 79 Cherry stained D-25. They have a unique sound, closer to Gibson than Martin (at least with mine). The Brazilian bridge is nice.
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11 Eastman E6OM 61 Hofner Senator 79 Guild D-25 70 Yamaha FG-110 69 Ryoji Matsuoka no.20 (classical) 21 Marlon Navarro Studio (classical) 22 Martin 000-28EC 2019 Martin Style 28 Herringbone Adi ' 50s Magnatone Lap Steel '60s Decca DSP (Dept. Store Parlor) Late 30's Favilla Soprano Uke Electrics and more electrics Last edited by Tuberoast; 05-03-2024 at 07:35 AM. |
#26
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Back in the day, Guild used to make an incredible arch top called a Guild Artist Award. Very rare guitar. From what I can tell, only a few hundred were ever made. The one in the pic came to me when a buddy passed away in Austin a couple years ago. His older brother had been a collector and dealer and had a couple of Artist Awards and a few Martin 45s.
IMG_1798.jpg
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Gibson J-45 Koa Gibson LG-0 Larrivee OM-40R Martin D-41 Martin 000-18 |
#27
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I’ve played a couple at my local Guitar Center. They’ve always struck me as well built, solid guitars with plenty of volume and good tone. The only thing for me is the nut width is a little thin, but perhaps that varies by each guitar? For the lower end of their price range I’d seriously consider picking one up. The older all solid, all mahogany with back bracing looks really nice as well but usually commands a higher price.
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#28
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It's on folk (a.k.a. acoustic) guitars that you can hear some deadening. Guild's solution — the unbraced arched back — was an elegant solution. |
#29
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Yup. They're howitzers.
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#30
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PS re made in USA:
Not only that. It was union-made. Good provenence! I'm told the only other union-made American guitars are the ones from Gibson's old Boseman shop. |