#1
|
|||
|
|||
Progress for singing/songwriting on the guitar
Hi all,
For four years now, I've been focusing on covering a lot of songs and writing some of my own. I feel like my performing skills have reached a good level, yet I feel that my guitar skills are still rudimentary. The following has been my approach to becoming a self-styled singer/songwriter/guitarist. My inspirations are the Beatles and James Taylor, to name a few. I'd like to hear any thoughts about what I should incorporate into my guitar practice. -maintenance of cover songs that I know, learning new cover songs -performing regularly for the public 4-5x/week -writing my own songs -learning new chords and progressions -new strum patterns, fingerpicking patterns, flatpicking -theory like circle of fifths to navigate fretboard -improvisation (no matter how weird) -experimenting with an electronic keyboard I'm really interested in busting things open and finding my own unique approach to guitar. I welcome any thoughts. Thank you!
__________________
2019 Martin D-28 Standard 2017 Gibson J-45 Standard 2020 Eastman E8 OM 2019 Emerald X20ele 2020 Martin D-15M 2002 Taylor 714 2021 Iris DF 2005 Breedlove Revival OM M https://www.youtube.com/@revelrove Last edited by highvibrational; 01-19-2021 at 10:08 AM. |
#2
|
|||
|
|||
As someone who has been writing songs for over 50 years, I've found that by improving my playing by learning, perfecting and incorporating different styles and techniques (strumming, flat picking, fingerstyle, etc) has led to greater freedom and creativity in my writing. By becoming a better guitarist, I've become a better songwriter.
I should mention that personally I like having the ability to write in many different genres. Other songwriters may prefer to focus on just one. I would suggest following your musical interests and try to become the best guitarist you can by working on those things that you are drawn to as a musician. By doing that you'll be assured of maintaining your interest, and putting in the time and effort to improve will come most easily.
__________________
AKA 'Screamin' Tooth Parker' You can listen to Walt's award winning songs with his acoustic band The Porch Pickers @ the Dixie Moon album or rock out electrically with Rock 'n' Roll Reliquary Bourgeois AT Mahogany D Gibson Hummingbird Martin J-15 Voyage Air VAD-04 Martin 000X1AE Squier Classic Vibe 50s Stratocaster Squier Classic Vibe Custom Telecaster PRS SE Standard 24 |
#3
|
||||
|
||||
Performing to an audience. No matter how good a bedroom musician becomes they still are novises when it comes to performing. Yet a novice musician can perform quit well with experience. There is an essence of guitar playing that can only be learned when performing. Otherwise it's all academic.
__________________
Waterloo WL-S, K & K mini Waterloo WL-S Deluxe, K & K mini Iris OG, 12 fret, slot head, K & K mini Follow The Yellow Brick Road |
#4
|
|||
|
|||
Quote:
__________________
2019 Martin D-28 Standard 2017 Gibson J-45 Standard 2020 Eastman E8 OM 2019 Emerald X20ele 2020 Martin D-15M 2002 Taylor 714 2021 Iris DF 2005 Breedlove Revival OM M https://www.youtube.com/@revelrove |
#5
|
|||
|
|||
Quote:
__________________
2019 Martin D-28 Standard 2017 Gibson J-45 Standard 2020 Eastman E8 OM 2019 Emerald X20ele 2020 Martin D-15M 2002 Taylor 714 2021 Iris DF 2005 Breedlove Revival OM M https://www.youtube.com/@revelrove Last edited by highvibrational; 01-19-2021 at 10:09 AM. |
#6
|
|||
|
|||
Quote:
Like you, The Beatles were a big influence on me and I really wanted to learn to be a songwriter more than anything else so I started to write songs before I could strum more than 3 chords on the guitar. I became a pretty decent writer with a Beatles music songbook providing valuable lessons on chord structure and melody composition. I was a trained vocalist so I could give a fair enough presentation of my songs with just simple strumming accompaniment. As time went by my musical interests expanded, and I started to explore different genres. While attending a music festival about 15 years ago I met blues guitarist Roy Bookbinder. He was teaching an open class on beginning finger style blues which I happened to sit in on. I loved the class and what I'd learned in a couple of hours, and Roy suggested that I purchase his video on beginning finger style blues which continued what he had been teaching at the festival. I purchased that video and really applied myself to becoming a competent fingerpicker, continued with his other videos and finally took an advanced in-person class with Roy at Fur Peace Ranch. Having enjoyed that experience I went on to take classes with Jorma Kaukonen, Chris Smither, Mary Flower, and others; picking up valuable playing techniques and insights from all of them. Today I improve my playing skills mostly by utilizing youtube instruction videos from various teachers/sources. At this point in my life I've become a lot more interested in becoming the best guitarist that I can be, giving it at least equal time with my continued pursuit of songwriting.
__________________
AKA 'Screamin' Tooth Parker' You can listen to Walt's award winning songs with his acoustic band The Porch Pickers @ the Dixie Moon album or rock out electrically with Rock 'n' Roll Reliquary Bourgeois AT Mahogany D Gibson Hummingbird Martin J-15 Voyage Air VAD-04 Martin 000X1AE Squier Classic Vibe 50s Stratocaster Squier Classic Vibe Custom Telecaster PRS SE Standard 24 |
#7
|
|||
|
|||
Quote:
__________________
2019 Martin D-28 Standard 2017 Gibson J-45 Standard 2020 Eastman E8 OM 2019 Emerald X20ele 2020 Martin D-15M 2002 Taylor 714 2021 Iris DF 2005 Breedlove Revival OM M https://www.youtube.com/@revelrove |
#8
|
||||
|
||||
I listened to the first song on your soundcloud page, "Tous les garcons et les filles" I think your guitar playing is fine. It doesn't detract from your singing.
I have heard really good vocals, melodies and lyrics get killed by the terrible playing of the performer. As a finger style player I have found the best way to improve my guitar playing is to practice the sticky parts in super slow motion. You may want to try learning a few slow and easy finger style pieces. Your guitar playing won't be "hiding" behind your voice and your attention will be on just the guitar so you'll be able to pick up on little things to polish up. Record yourself as well. You hear more that way.
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#9
|
|||
|
|||
Quote:
__________________
2019 Martin D-28 Standard 2017 Gibson J-45 Standard 2020 Eastman E8 OM 2019 Emerald X20ele 2020 Martin D-15M 2002 Taylor 714 2021 Iris DF 2005 Breedlove Revival OM M https://www.youtube.com/@revelrove |
#10
|
|||
|
|||
Quote:
1) Learn to write a song (lyrics and melody) without a guitar. Arrange afterward. The song then leads to the arrangement, not the other way around. 2) Check out the book Writing Songs on Guitar, by Rikky Rooksby. Opposite approach as #1. Not my method but very informational. |
#11
|
|||
|
|||
Probably not much of a thought, but here goes....
I have quite the opposite problem. In fact it's probably far worse. I can't sing for toffee. It's the thing I'd love to be able to do more than anything but I'm either tone deaf or severely challenged in some other pitch-related way because my voice is terrible - absolutely awful. I can play most of the things I want to play on guitar. If I really want to learn a piece, I will just keep at it and things generally improve. The buzz from being able to play a bit more of a tune completes the feedback loop and makes me take on the next bar, verse, tune or whatever. However, my singing remains, as always, bad. No matter how long I try and sing along, I never get any better. The lack of positive reinforcement means that my motivation drops off far more quickly than with the guitar. I suppose what I'm saying is that the guitar is something that most of us will get better at with application and practice. If you're stuck with a knackered-out rangeless vocal whine, as I am, there doesn't seem to be a lot you can do! |
#12
|
|||
|
|||
Quote:
__________________
2019 Martin D-28 Standard 2017 Gibson J-45 Standard 2020 Eastman E8 OM 2019 Emerald X20ele 2020 Martin D-15M 2002 Taylor 714 2021 Iris DF 2005 Breedlove Revival OM M https://www.youtube.com/@revelrove |
#13
|
|||
|
|||
Quote:
I didn't want to sound arrogant by saying that I can play "most of the things I want to on guitar". A better way of phrasing it would be "I know that if I'm prepared to put the effort in, I will be rewarded by getting better at playing guitar and, slowly, get nearer to the standard I aspire to be". The key point being that my efforts will be rewarded in a tangible way - I can play a certain song or tune a bit better than I could the week before. I was just contrasting that with my innate inability to make any sort of consistently pitched vocal noise whatsoever! People often say to me things like "Ah yes, but listen to Bob Dylan, he can't sing very well..." etc. etc. As far as I'm concerned, ol' Bob is a wonderful singer and might as well be chief tenor at the Vienna State Opera compared to me. In fact that's probably not a fair comparison if you'd heard my attempt to "sing" through Tales of Yankee Power earlier this week. I'm genuinely not exaggerating. It's just not a gift I have and no amount of me weeping and wailing will ever change that. |
#14
|
||||
|
||||
Quote:
When in doubt use an arpeggio based on the notes of the underlying chord. Also, don't be afraid of the half note. Its ok to have notes ring out. A string does not have to be plucked on every single beat of the song. Think of the finger style guitar as another voice, with bass notes used to fill out the tone.
__________________
Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: Last edited by TBman; 01-21-2021 at 10:04 AM. |