#61
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Hope. Love. Music. Collings|Bourgeois |
#62
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Such as when the hand angles back for certain chords or notes on The First Fret after the capo? Does the hand touch the Wide more? I have little experience using a capo. But with the few times I have, there were occasions when my left hand felt constrained on certain positions when I was using one or more fingers on the first fret after the capo. Where is the best place to capo with the Heritage? Just before the fret? In the middle between two frets. Or in the middle of the middle between two frets(1/4 before the fret)? |
#63
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Barry My SoundCloud page Avalon L-320C, Guild D-120, Martin D-16GT, McIlroy A20, Pellerin SJ CW Cordobas - C5, Fusion 12 Orchestra, C12, Stage Traditional Alvarez AP66SB, Seagull Folk Aria {Johann Logy}: |
#64
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The wide capo shouldn't hinder you in any way. The Heritage is sleek and unobtrusive, while being one of the best capo's ever made.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#65
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My Heritage arrived today, and I’m a little on the fence...well, maybe I just need to get used to it and need some pointers.
How do you guys know when enough tension is applied? It is beautiful and works great, I just have never used a capo like this before. Right now I’m having trouble finding the sweet spot. It’s either too tight and pulls sharp or it buzzes. What’s the trick guys??? |
#66
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Is it happening the same way clamped against different frets around the neck?
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Taylor GS Mini Mahogany La Michoacana Classical (my Dad's guitar) Beat to heck Seagull S6 Ovation Celebrity 12 string Fender CD 60 dread that lives in Greece Harmonicas in a Farmer rack |
#67
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I tried it again and I think you are right. A couple of my strings were a touch sharp and I didn’t realize it. Seems to work great I just didn’t know when you stop tightening ? |
#68
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#69
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And I'm happy for you and await your response and review!
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#70
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I'll have to snag one of these models one of these days. They do beautiful work, and I've been impressed with their Performance Series models for many years.
sm |
#71
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The Heritage is growing on me. I am so used to clamp style capos that I find I’m fumbling a lot with quick changes with the yoke style.
It’s funny, but I put on my daughters $7 Amazon capo and it was perfectly in tune. However, when I switched back to the Heritage, the sound was SOOO much better with the Heritage. I ordered a Performance 3 to compare with the Heritage. If the Performance 3 gives me similar tuning stability, no buzzing, and good sound, I’ll probably keep the P3. |
#72
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I never thought I'd spend $150 on a capo, but after reading this entire thread I just ordered a G7th Heritage capo from Sweetwater.
Food for my family will just have to wait.
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Patrick 2012 Martin HD-28V 1984 Martin Shenandoah D-2832 2018 Gretsch G5420TG Oscar Schmidt Autoharp, unknown vintage ToneDexter Bugera V22 Infinium |
#73
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Your family will eventually forgive you.
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Hope. Love. Music. Collings|Bourgeois |
#74
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You would admit to anyone anywhere (family included, family in PARTICULAR) that you spent $150 on a capo? Or $30 on a pick?
My wife knows what my guitars cost. She claims not to care, but I feel obligated to let her know about the big stuff. The little stuff she might well be offended by and I don't need to do that to her or to me... I'm quite sure she buys stuff that I would think was kind of insane, but it's not my place to judge - neither of us has spent us into any sort of financial problems, so it's fine to make judgements about what to tell each other. She does NOT know anything about my Heritage capos except that she see's them sitting there just like the $15 Shubb... |
#75
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Yes, my P2 doesn't have a radius to match my D-18, meaning it really needs to be mashed down to avoid the D and G being damped, resulting in much re-tuning which sort of defeats the object. I reverted back to my Shubb for the Martin.
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