The Acoustic Guitar Forum

Go Back   The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion

Reply
 
Thread Tools
  #16  
Old 06-19-2019, 11:38 AM
raysachs's Avatar
raysachs raysachs is offline
Charter Member
 
Join Date: Sep 2017
Location: Eugene, OR & Wilmington, NC
Posts: 4,781
Default

Quote:
Originally Posted by 4-string View Post
Quite happy with mine, except the top bar latch that drives me nuts with its play. No issue at all as long as the capo is tight and in use, but annoying as hell when moving the capo between frets.

I would have given it a top score if not for that flimsy latch. Really a shame on a capo that costs this much, and probably what will make me order an Elliott and sell the g7th.
I've never so much as noticed that. Mine is either on the guitar or off. When it's on, it's tightened down to the point that the latch isn't loose. When I loosen it to move between frets, it's loose enough not to affect that move, and then I tighten it again. When it's off the guitar, the latch is open.

I'm not being critical, just find it interesting that the same part that's objectively the same on my capo as on yours, didn't even cause me to notice it, let alone be bothered by it, and for you it bugs you enough that you're contemplating selling it. We're all different critters!
Reply With Quote
  #17  
Old 06-19-2019, 11:50 AM
4-string 4-string is offline
Registered User
 
Join Date: Apr 2016
Posts: 267
Default

Quote:
Originally Posted by raysachs View Post
I've never so much as noticed that. Mine is either on the guitar or off. When it's on, it's tightened down to the point that the latch isn't loose. When I loosen it to move between frets, it's loose enough not to affect that move, and then I tighten it again. When it's off the guitar, the latch is open.

I'm not being critical, just find it interesting that the same part that's objectively the same on my capo as on yours, didn't even cause me to notice it, let alone be bothered by it, and for you it bugs you enough that you're contemplating selling it. We're all different critters!
The devil's in the details.

I admit to being picky, but again that is what draws me to high quality and often expensive gear. And to me, that latch is a huge disappointment. Strange that you didn't even notice it, but hey, you and who ever constructed the thing are probably on the same page.

I also own a Shubb fine-tune capo, and I find the latch to be superior on that one. Unfortunately, everything else the Heritage does better.
__________________
There is geometry in the humming of the strings, there is music in the spacing of the spheres - Pythagoras

Martin OM-28V
Yamaha FSX3
Godin Arena Pro CW Bourbon Burst
Manuel Rodriguez Magistral D-C
EBS Stanley Clarke Sig. Acoustic Pre
Alto TX210 powered speaker
Reply With Quote
  #18  
Old 06-19-2019, 02:39 PM
Charmed Life Picks's Avatar
Charmed Life Picks Charmed Life Picks is offline
AGF Sponsor
 
Join Date: Jun 2014
Posts: 9,049
Default

Thanks for the review. Been thinking of one of these down the road.

One issue for me is my current fave player, an Eastman, has a volute right where you would part the capo when not using. So this is my hesitation.

Thanks,
Scott
__________________
CHARMED LIFE PICKS
[email protected]
Celebrating Seven Years in Business!
Reply With Quote
  #19  
Old 06-19-2019, 02:43 PM
Kh1967's Avatar
Kh1967 Kh1967 is offline
Charter Member
 
Join Date: Jul 2011
Location: Illinois - Chicago Suburbs
Posts: 4,481
Default

Quote:
Originally Posted by Charmed Life Picks View Post
Thanks for the review. Been thinking of one of these down the road.

One issue for me is my current fave player, an Eastman, has a volute right where you would part the capo when not using. So this is my hesitation.

Thanks,
Scott
Understand. I leave one guitar out on a Zither stand and because of the way the guitar hangs, I don't park the capo at the headstock. That said, it is an easy trade-off for me....the capo is that good.
__________________
Hope. Love. Music.
Collings|Bourgeois
Reply With Quote
  #20  
Old 06-19-2019, 02:47 PM
raysachs's Avatar
raysachs raysachs is offline
Charter Member
 
Join Date: Sep 2017
Location: Eugene, OR & Wilmington, NC
Posts: 4,781
Default

Quote:
Originally Posted by 4-string View Post
Strange that you didn't even notice it, but hey, you and who ever constructed the thing are probably on the same page.
Maybe "didn't even notice it" is the wrong description. I probably noticed it in passing, but it just didn't even occur to me that it was in any way a bad thing or, given my lack of experience with other yoke style capos, something that shouldn't be like that. I guess I was so thrilled with how well the whole thing WORKS, it just somehow seemed like a part of the awesome whole rather than a persnickety negative detail. If I'd used other yoke capos before, I might have had the same reaction as you. Sometimes, and I'm reminded of this every day, ignorance is bliss...
Reply With Quote
  #21  
Old 06-19-2019, 02:52 PM
4-string 4-string is offline
Registered User
 
Join Date: Apr 2016
Posts: 267
Default

Quote:
Originally Posted by Charmed Life Picks View Post
Thanks for the review. Been thinking of one of these down the road.



One issue for me is my current fave player, an Eastman, has a volute right where you would part the capo when not using. So this is my hesitation.



Thanks,

Scott


FWIW, the Heritage capo sits beautifully on my Martin OM-28V, the volute is not a problem IME. I just sold another guitar that also had a volute, no problem with that one either.
__________________
There is geometry in the humming of the strings, there is music in the spacing of the spheres - Pythagoras

Martin OM-28V
Yamaha FSX3
Godin Arena Pro CW Bourbon Burst
Manuel Rodriguez Magistral D-C
EBS Stanley Clarke Sig. Acoustic Pre
Alto TX210 powered speaker
Reply With Quote
  #22  
Old 06-19-2019, 03:14 PM
The Kid! The Kid! is offline
Registered User
 
Join Date: Jul 2015
Location: Buffalo, NY
Posts: 1,649
Default

It's the best one I've used.
__________________
Current:
1952 Gibson J-45
- Schatten HFN passive / Fishman Matrix Infinity
1983 Washburn Timber Ridge Custom
- Fishman Onboard Prefix Premium Blend & - Schatten HFN passive
2016 Gibson J-45 Standard
- Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup
Tonedexter & Sunnaudio Stage DI
1990 Yamaha FS-310

Past:
1995 Martin D-28
2015 Eastman E10SS
Reply With Quote
  #23  
Old 06-19-2019, 03:34 PM
big jilm big jilm is offline
Registered User
 
Join Date: Nov 2013
Location: New York
Posts: 383
Default

I love my Heritage capo as well. Great piece of gear. I haven't noticed any issues with the latch on mine - and I park it above the nut and move it everywhere from the 1st fret to the 7th. Latch stays closed with no issues.
__________________

Taylor GS Mini Mahogany
La Michoacana Classical (my Dad's guitar)
Beat to heck Seagull S6
Ovation Celebrity 12 string
Fender CD 60 dread that lives in Greece
Harmonicas in a Farmer rack
Reply With Quote
  #24  
Old 06-19-2019, 03:42 PM
Goodallboy Goodallboy is offline
Registered User
 
Join Date: Feb 2010
Location: East TN
Posts: 6,847
Default

I'm always learning of a problem I didn't know existed, on AGF.

The latch on the G7th is under tension when in use, holding things firm and then slightly snug, above the nut, when not in use. No problem in either instance.

The latch is part of a superbly machined capo and performs, for most, in a way that causes it to not be noticed.
__________________
McCollum Grand Auditorum Euro Spruce/Brazilian
PRS Hollowbody Spruce
PRS SC58
Giffin Vikta
Gibson Custom Shop ES 335 '59 Historic RI
‘91 Les Paul Standard
‘52 AVRI Tele - Richie Baxt build
Fender American Deluxe Tele
Fender Fat Strat
Reply With Quote
  #25  
Old 06-19-2019, 03:45 PM
Gabby84 Gabby84 is offline
Registered User
 
Join Date: Aug 2017
Location: New England
Posts: 199
Default re:

I enjoyed the g7th heritage wide neck, full acanthus engraving (style 3), but found I keep going back to my elliott.

I'm thinking of selling the G7th, on the fence since I do like it.
__________________
2021 Iris CH sunburst with ivoriod binding
2018 Guild M 20
1996 MIJ 50th Ann. Tele Deluxe
Reply With Quote
  #26  
Old 06-19-2019, 04:26 PM
sjm1580 sjm1580 is offline
Charter Member
 
Join Date: Oct 2018
Location: Vero Beach, Florida
Posts: 338
Default

Quote:
Originally Posted by Gabby84 View Post
I enjoyed the g7th heritage wide neck, full acanthus engraving (style 3), but found I keep going back to my elliott.

I'm thinking of selling the G7th, on the fence since I do like it.
How much do you need for it?
Reply With Quote
  #27  
Old 06-19-2019, 04:37 PM
CitizenAudio CitizenAudio is offline
Registered User
 
Join Date: Jul 2005
Location: Portland, OR
Posts: 1,834
Default

Does the Heritage design offer better performance and tone over the performance 3? I have a p3 and I don't have any complaints. Love all of the G7th stuff.
Reply With Quote
  #28  
Old 06-19-2019, 05:09 PM
Buc-a-Roo Buc-a-Roo is offline
Registered User
 
Join Date: Jul 2016
Location: Texas!
Posts: 263
Default

Fine piece of kit. And it does deliver improved tone over other capos. The Kat Eyz is a good 'un too but this one takes the cake.

__________________
Gibson J-185 (my one and only.)
"Knowin' where you're goin' is mostly knowin' where you have been" Buc, from Me & Eddie
Reply With Quote
  #29  
Old 06-19-2019, 06:32 PM
auggie242 auggie242 is offline
Registered User
 
Join Date: Apr 2010
Posts: 232
Default

More than happy with my Heritage G7.
Expensive? Yep!
Worth it? To me, yes.
Why? It pulls my strings out of tune less than other capos and it makes my guitar sound better than other capos.
My second choice is an inexpensive Shubb.
Reply With Quote
  #30  
Old 06-19-2019, 06:40 PM
raysachs's Avatar
raysachs raysachs is offline
Charter Member
 
Join Date: Sep 2017
Location: Eugene, OR & Wilmington, NC
Posts: 4,781
Default

Quote:
Originally Posted by CitizenAudio View Post
Does the Heritage design offer better performance and tone over the performance 3? I have a p3 and I don't have any complaints. Love all of the G7th stuff.
I found I still needed to retune a few strings every time I used the Performance 3, despite the ART. With the Heritage, I almost never have to touch the tuning after I put it on, once in a while one string might be very slightly off, but often not by enough to even worry about and more often not at all. So, I didn't find the P3 all that great or other than other capos that didn't have the ART, but the Heritage, for me at least, is in another category.

If you're good with what you got, stay put. But if you find yourself having to tune up after you put the capo on, and if that bothers you, the Heritage is worth a shot.

-Ray
Reply With Quote
Reply

  The Acoustic Guitar Forum > General Acoustic Guitar and Amplification Discussion > General Acoustic Guitar Discussion






All times are GMT -6. The time now is 02:31 AM.


Powered by vBulletin® Version 3.8.11
Copyright ©2000 - 2024, vBulletin Solutions Inc.
Copyright ©2000 - 2022, The Acoustic Guitar Forum
vB Ad Management by =RedTyger=