#16
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I'm not being critical, just find it interesting that the same part that's objectively the same on my capo as on yours, didn't even cause me to notice it, let alone be bothered by it, and for you it bugs you enough that you're contemplating selling it. We're all different critters! |
#17
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I admit to being picky, but again that is what draws me to high quality and often expensive gear. And to me, that latch is a huge disappointment. Strange that you didn't even notice it, but hey, you and who ever constructed the thing are probably on the same page. I also own a Shubb fine-tune capo, and I find the latch to be superior on that one. Unfortunately, everything else the Heritage does better.
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There is geometry in the humming of the strings, there is music in the spacing of the spheres - Pythagoras Martin OM-28V Yamaha FSX3 Godin Arena Pro CW Bourbon Burst Manuel Rodriguez Magistral D-C EBS Stanley Clarke Sig. Acoustic Pre Alto TX210 powered speaker |
#18
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Thanks for the review. Been thinking of one of these down the road.
One issue for me is my current fave player, an Eastman, has a volute right where you would part the capo when not using. So this is my hesitation. Thanks, Scott |
#19
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Understand. I leave one guitar out on a Zither stand and because of the way the guitar hangs, I don't park the capo at the headstock. That said, it is an easy trade-off for me....the capo is that good.
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Hope. Love. Music. Collings|Bourgeois |
#20
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Maybe "didn't even notice it" is the wrong description. I probably noticed it in passing, but it just didn't even occur to me that it was in any way a bad thing or, given my lack of experience with other yoke style capos, something that shouldn't be like that. I guess I was so thrilled with how well the whole thing WORKS, it just somehow seemed like a part of the awesome whole rather than a persnickety negative detail. If I'd used other yoke capos before, I might have had the same reaction as you. Sometimes, and I'm reminded of this every day, ignorance is bliss...
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#21
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FWIW, the Heritage capo sits beautifully on my Martin OM-28V, the volute is not a problem IME. I just sold another guitar that also had a volute, no problem with that one either.
__________________
There is geometry in the humming of the strings, there is music in the spacing of the spheres - Pythagoras Martin OM-28V Yamaha FSX3 Godin Arena Pro CW Bourbon Burst Manuel Rodriguez Magistral D-C EBS Stanley Clarke Sig. Acoustic Pre Alto TX210 powered speaker |
#22
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It's the best one I've used.
__________________
Current: 1952 Gibson J-45 - Schatten HFN passive / Fishman Matrix Infinity 1983 Washburn Timber Ridge Custom - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive 2016 Gibson J-45 Standard - Fishman Onboard Prefix Premium Blend & - Schatten HFN passive backup Tonedexter & Sunnaudio Stage DI 1990 Yamaha FS-310 Past: 1995 Martin D-28 2015 Eastman E10SS |
#23
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I love my Heritage capo as well. Great piece of gear. I haven't noticed any issues with the latch on mine - and I park it above the nut and move it everywhere from the 1st fret to the 7th. Latch stays closed with no issues.
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Taylor GS Mini Mahogany La Michoacana Classical (my Dad's guitar) Beat to heck Seagull S6 Ovation Celebrity 12 string Fender CD 60 dread that lives in Greece Harmonicas in a Farmer rack |
#24
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I'm always learning of a problem I didn't know existed, on AGF.
The latch on the G7th is under tension when in use, holding things firm and then slightly snug, above the nut, when not in use. No problem in either instance. The latch is part of a superbly machined capo and performs, for most, in a way that causes it to not be noticed.
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McCollum Grand Auditorum Euro Spruce/Brazilian PRS Hollowbody Spruce PRS SC58 Giffin Vikta Gibson Custom Shop ES 335 '59 Historic RI ‘91 Les Paul Standard ‘52 AVRI Tele - Richie Baxt build Fender American Deluxe Tele Fender Fat Strat |
#25
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re:
I enjoyed the g7th heritage wide neck, full acanthus engraving (style 3), but found I keep going back to my elliott.
I'm thinking of selling the G7th, on the fence since I do like it.
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2021 Iris CH sunburst with ivoriod binding 2018 Guild M 20 1996 MIJ 50th Ann. Tele Deluxe |
#26
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How much do you need for it?
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#27
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Does the Heritage design offer better performance and tone over the performance 3? I have a p3 and I don't have any complaints. Love all of the G7th stuff.
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#28
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Fine piece of kit. And it does deliver improved tone over other capos. The Kat Eyz is a good 'un too but this one takes the cake.
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Gibson J-185 (my one and only.) "Knowin' where you're goin' is mostly knowin' where you have been" Buc, from Me & Eddie |
#29
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More than happy with my Heritage G7.
Expensive? Yep! Worth it? To me, yes. Why? It pulls my strings out of tune less than other capos and it makes my guitar sound better than other capos. My second choice is an inexpensive Shubb. |
#30
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Quote:
If you're good with what you got, stay put. But if you find yourself having to tune up after you put the capo on, and if that bothers you, the Heritage is worth a shot. -Ray |