#1
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Which Crossover to buy?
Looking for a little advice on what out there people really like.
I'm mostly a Steel String Player but have owned a few Nylon Godin's in the past. In a full band these worked well and really I don't have any real complaints about them for how I was using them. Now days I play in a more acoustic set-up and sit on a stool for the gigs so I'd rather have a more real sized guitar for this. This guitar would need to sound great plugged in for the most part. What I have played in stores mostly is the Taylor stuff but I sure was not blown away with the ES system plugged into a Fishman amp. I mean my Godin had it all over it. The one complaint I do have about most of them is output volume. I know that a Nylon strung guitar is not going to have the same volume as a steel string but some of what I've played has had pretty low output. Things I've been curious about are the Martin oooc, Takamine, Breedlove, Yamaha etc. And crossover sized necks not true classical. I would just like to be able to use this on a few songs throughout the night for a different voice. Any help would be great for what to go look at. As always thanks for your input!
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Emerald X20 Cocobolo Woody Emerald X20 Opus 6 String Baritone Iris ND-200 Hand Painted By Sarah Ryan Iris OG Model Tuxedo Finish Iris AB Model Big Leaf Maple B/S Many Takamine Pro series Godin A8 Mandolin |
#2
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I've owned and played Takamine, Breedlove, and Cordoba crossovers. All have been excellent and I wouldn't hesitate to recommend any of them -- for plugged-in or unplugged work. Been long enough now that I don't remember the width of the Takamine neck, but the Breedloves have very comfortable necks -- much closer to steel string necks than most other nylons. Of my current Cordobas, two seem to have necks closer to regular classicals (the thin-bodied FWCE and 55FCE models), and two of their necks seem slightly smaller (GK Pro, and GK Studio) -- closer to the Breedlove crossovers' necks.
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http://soundcloud.com/jwflamenco |
#3
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depends on how much you want to spend, what neck width you want, and your definition of "sounding great".
Bang for the buck it's still hard to beat an older, used, upper end Ovation nylon. You can often find them absolutely dirt cheap at GCs, and craiglist. 1 7/8th neck. I often hesitate to mention Ovation here due to biases for all wood guitars, but looking at your list of composites, I figured you wouldn't snort derisively when you read the name
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#4
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Sounds like some good suggestions.
I'm mostly looking for a nice plugged in tone with good even output and some onboard EQ. Thanks!
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Emerald X20 Cocobolo Woody Emerald X20 Opus 6 String Baritone Iris ND-200 Hand Painted By Sarah Ryan Iris OG Model Tuxedo Finish Iris AB Model Big Leaf Maple B/S Many Takamine Pro series Godin A8 Mandolin |
#5
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Which Crossover to Buy?
I own a Martin 000C Nylon, and was really impressed with the volume unplugged, right out of the case. When I run it through a small practice amp (Marshall MG15 DFX) plenty of volume to spare with the onboard EQ. 1 7/8" (48mm) nut. If I ever played it through my Marshall MG100 DFX, I'm sure most of my neighbors would enjoy it, too!
Glen
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Yamaha FG-375S Jumbo Martin DXME/D-35E/DC Aura/000-14 Custom/D-16E Custom/ 000C Nylon/0000-28HE/Concept IV Jumbo/00-16C/D-4132SE Gibson LP Deluxe/ES-347 TD/Chet Atkins CE Fender MIA Deluxe Strat Art & Lutherie 12-string Bellucci Concert Sigma CR-7 Recording King ROS-06 FE3/RPH-05 D'Angelico "New Yorker" New Masters "Esperance SP" Hermosa AH-20 “I never met a guitar I didn't like.” Last edited by scottishrogue; 08-01-2013 at 01:53 PM. |
#6
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from what you are telling I'd give consideration to the Cervantes PE crossover and have a K and K classical installed (using the external K and K pure XLR preamp)
Probably can't do much better for the money. http://gryphonstrings.com/instpix/40534/ To enhance that an external small diaphragm condenser would help out as well.
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"One small heart, and a great big soul that's driving" |
#7
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Bender,
May I recommend one our sponsors here, Mark Hatcher. He built my crossover and I LOVE it. His website is www.hatcherguitars.com Here's a photo of mine. Kindly, Danny |
#8
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Quote:
What a gorgeous guitar! Headstock shape... Pegs... Nothing falls short! And what a magnificent photograph!
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I only play technologically cutting edge instruments. Parker Flys and National Resonators |
#9
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Plus 1 on the cervantes PE crossover. Plus 1 on Gryphon.
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#10
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Quote:
Fred |
#11
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Quote:
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Emerald X20 Cocobolo Woody Emerald X20 Opus 6 String Baritone Iris ND-200 Hand Painted By Sarah Ryan Iris OG Model Tuxedo Finish Iris AB Model Big Leaf Maple B/S Many Takamine Pro series Godin A8 Mandolin |
#12
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#13
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I have a two year old Cervantes Crossover 1 with Cedar/EIR which I listed 2 days ago on the classifieds. I'm not getting any action so I'm motivated. Send me a hollar if you have any interest. This guitar sounds incredible. It is mature and is a workhorse. I just got a much pricier crossover which really doesnt sound better, just looks prettier. You will not find a better sounding crossover period. They just dont look fancy but they play as well as anything out there.
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#14
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Hi benderman,
I had very similar requirements as far as a nylon crossover and ended up with the Yamaha NTX700. Plugged-in sound is great, and the onboard controls offer a lot of flexibility. I've read that some find the string spacing at the bridge a little cramped for fingerpicking, but it's comfortable for me. Here's mine, plugged into a Zoom handheld recorder: https://soundcloud.com/eric_m/chet-merle-etc |
#15
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Quote:
Thanks!
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Emerald X20 Cocobolo Woody Emerald X20 Opus 6 String Baritone Iris ND-200 Hand Painted By Sarah Ryan Iris OG Model Tuxedo Finish Iris AB Model Big Leaf Maple B/S Many Takamine Pro series Godin A8 Mandolin |