#61
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Tom, the center raw veneer is the entire veneer sheet that gives us the four options. Cheers.
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#62
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Amazing, all the looks you can get out of one piece.
__________________
Tom '21 Martin D-18 Standard | '02 Taylor 814c | '18 Taylor 214ceDLX | '18 Taylor 150e-12 | '78 Ibanez Dread (First acoustic) | '08 CA Cargo | '02 Fender Strat American '57 RI My original songs |
#63
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Only possible with the AAA CS standard from Emerald.
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#64
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You're welcome Jimmy, I remembered the tests, but I'd have never got the spelling without Google !
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#65
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#66
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That's gonna be great Jim !
but won't the headstock end up with a hound between its eyes ? Or might they locate him nearer the centre this one time ? Or,,, even just on the 12th fret ?! That'd be very cool (IMHO) |
#67
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Yes Jon. That was another painful thinking/decision making process that I has to go through.....
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#68
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I love the combination of the grains in this veneer. It will be great!
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#69
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Wow that's so beautiful!
__________________
YUP.... Emerald: X-20, Center hole X-10 (Maple) and X-7 (redwood), Spalted Chen Chen X 10 level 3, CA: Early OX and Cargo McPherson: Early Kevin Michael Proto Some wood things by Epi, Harmony, Takamine, Good Time, PRS, Slick, Gypsy Music, keyboards, wind controllers.. etc |
#70
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Awesome! (and because I need to have more characters: )
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#71
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So ? Where is your hound gonna go Jimmy Koh ?
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#72
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Emerald makes such great guitars… but beyond that, I am always happy to recommend them because of what amazing folks they are. Experiences like yours, Jimmy, make it clear how much Irish Aloha they put into their work.
🤙🏽 ♥️ 🇮🇪 . |
#73
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I wonder if there is enough extra space on either end of the bridge?
That might look pretty decent! |
#74
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#75
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I think right in the centre of the lower four tuners at the widest part of the headstock, would be better than either of those.
Won't there be a truss rod hole where the lower one is ? |