#16
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I have to say that I have been really appreciating the 18:1 tuners I have on one of my guitars. They're the only ones that don't hurt my fingers to turn. My old Martin D-35 with sealed Grovers from 1967 are the hardest darn things to turn. I think Wade told me they were 13:1.
Wade is a fountain of knowledge! - Glenn PS: I have a son-in-law who was raised in Japan. I will write to him and ask him about the Gotoh vs 510. |
#17
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Quote:
whm |
#18
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Thanks Wade, Glenn |
#19
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Yes, Ju or Juu
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Slightly off key, and a little bit late, but definitely in tune... "Now these three remain, Faith, Hope, and Love, but the greatest of these is Love" <>< McPherson 4.5W RW/ZI Taylor 812ce - Taylor 514ce - NS32-ce Adamas W-597, Epi John Lee Hooker Sig #23 of 220, Squire Black Strat Jay Turser Maple OM Taylor W14ce / 422-R Babies x 3 Fishman 130W Tri-Amped Performer Acoustic Amp |
#20
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Okay, I stand corrected on Gotoh meaning "510," then. The manager of Allparts must be misinformed, as well.
whm |
#21
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Well at least you are not misinformed that they are the best tuner bang-for-the-buck in the market, and the smoothest tuners ever. |
#22
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Thanks All!
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#23
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Gotoh Tuners.
Quote:
The founder was Masao Gotoh. President: Masaki Gotoh. Director: Takao Gotoh. General Manager: Itsuko Gotoh.
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Martin 000-28 12 fret Adirondack Custom |
#24
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Thanks for the clarification Peter, but you did revive a 9-1/2 year old thread. That’s ok..... you added actual information. At least you weren’t responding about a guitar model for something long out of production now.
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#25
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Actually, I was looking for information about there gear ratio thing and "bumped" into the Gotoh translation thing.
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Martin 000-28 12 fret Adirondack Custom |
#26
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Anything that isn't banjo tuners makes me happy. I don't love the 10:1 Rickards on my Circa, to be honest, but 16:1 works well enough for me in most circumstances. I've always felt that 21:1 was just a bit too high resolution for me. I can see Wade's point about them being useful on a baritone, though.
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Circa OM-30/34 (Adi/Mad) | 000-12 (Ger/Maple) | OM-28 (Adi/Brz) | OM-18/21 (Adi/Hog) | OM-42 (Adi/Braz) Fairbanks SJ (Adi/Hog) | Schoenberg/Klepper 000-12c (Adi/Hog) | LeGeyt CLM (Swiss/Amzn) | LeGeyt CLM (Carp/Koa) Brondel A-2 (Carp/Mad) |
#27
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I think tuner gear ratio preference can be influenced if you play sets in multiple tunings where strings are being adjusted between them.
Higher gear ratios (18-21:1) can result in many turns of a button to achieve it. Myself, I play in standard tuning 99% of the time. There are a few tunes where I drop the low E to D. I have tuners that are 15:1, 16:1, 18:1 and 21:1 by Gilbert, Gotoh, Rodgers, Robson, Schaller, Schertler and Waverly and all function beautifully. I am much more concerned in how well the posts are supported to resist deflection from the string load and how they minimize backlash. This gets into the nits and grits of how they are engineered which is more difficult to promote than numeric gear ratios.
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A bunch of nice archtops, flattops, a gypsy & nylon strings… |
#28
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Quote:
'Go' is indeed 'five' in Japanese. 'Ju' is 'ten' - as in 1,2,3,4, go, 6, 7, 8, 9, ju. But 'toh' also means ten, but as a 'counter' word - as in ten of something. Rather like we use a dozen for 12. So the relationship to 510 is real, although perhaps more by chance than design.
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Martin 0-16NY Emerald Amicus Emerald X20 Cordoba Stage Some of my tunes: https://youtube.com/user/eatswodo |