#16
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It's amazing how many complex parts you can play without looking if you actually practice them that way. I started doing this years ago for stage presentation when I noticed how much I liked watching other players who were good at it and with enough work it just gets easier. Such a breakthrough feeling when you can start nailing changes that take you all over the neck.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#17
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I think it's kinda interesting that in this production, where everything is worked out and choreographed to the nth degree, there seems to be 100% No Looking Allowed... except for the lead guitar player.
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#18
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Apparently Mark Knopfler and John Mayer missed the 'note' about that…especially the importance of not looking so-as to connect with the audience. |
#19
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I'm an okay singer and player and a slightly better songwriter and nobody knows me from Adam, so if I want another gig at the same place there are certain things I need to do. But I guess when you play like those two guys and have a bunch of hit records, it's not as big a deal to grab your audience and sell your songs. And as with all General Rules, there are plenty of exceptions. For example, you can tell that on the Lawrence Welk Show, General Rule #1 was "sparkly smile with eyes on the camera at all times." But there's a surprising amount of peek-sneaking going on, even with the red-haired accordion guy.
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#20
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Quote:
the bassist even. Not the best video example of not looking at the instrument.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#21
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I'm saying that based on what the makers of the video seem to want us to see (and not see).
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#22
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Confident musicians tend to look great on stage and while the audience does appreciate some eye contact and players who look away from their instrument on a regular basis, especially when singing, as long as the show is good they're going to like it.
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#23
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Ok. And all this has what to do with practising with your eyes closed?
Back in the 70s, the John W. Schaum piano method included a sheet of paper you were supposed to wear like a bib over your head to cover your hands, so you wouldn't look at them when playing. I like the idea of validating what you are doing with your fingers just by listening a lot. |
#24
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Practicing with your eyes closed can free you from the necessity of watching your hands. You can also look around the room instead, but closing your eyes allows you to focus internally on the music, with less distractions, hopefully. 'See' the connection yet?
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Journey OF660, Adamas 1581, 1587, 1881, SMT - PRS Cu22, Ibanez JEM-FP, S540, RG550, Fender Stratocaster Heil PR-35 : Audio Technica AE-6100, ATM5R : Beyer TG-V90r : Sennheiser 441, 609, 845, 906 : ElectroVoice ND767 HK 608i Friedman WW Smallbox, Marshall 4212 |
#25
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I used to practice with my eyes closed but then it became such a habit that I had a lot of trouble performing with my eyes open.
One of my favorite singer/songwriters is Townes Van Zandt and many of his live videos show him to appear to be performing with his eyes closed. It wasn't until years later after I read a couple of biographies did I learn that he pretended to have his eyes closed but was actually watching the audience through the cracks in his eyelids. Apparently he played some seedy bars in his early days and learned some survival skills. After a few years I changed my habits and began practicing not only with my eyes open but also standing up. IMHO practice should be the closest thing to performance as possible so I stand while practicing. Nowadays I can't even write a song while in the seated position. Believe it or not, it is completely possible to play while not looking at your guitar and keep your eyes open at the same time. I prefer to look out the window.
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#26
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I suggest to any of my clients that have difficulties making smooth chord changes To practice with eyes closed and/or in a darkened room.
My theory is that it becomes a matter of muscle memory rather than a visual memory. I was reminded recently by one of my club regulars when playing at my club that I always close my eyes when I take a solo break. He asked what I "saw" in my mind, and I genuinely find it difficult to explain: I don't see frets, strings, fingers, or fret markers, and I don't see tablature (ugh!) or notation. My best answer was that I "see" the notes. "So .... you "see" the "sounds" ?? "Erm, yup!"
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#27
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I tried this in a genuine fashion for the first time last night and quickly realized the value of it. I will definitely develop this as a routine going forward!
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#28
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I believe you! I do it all the time, except I have to look at the music.
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#29
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While I am 4 years into the guitar, am a longtime jazz horn player - 50 plus years on the sax and clarinet. I currently play lead tenor in a 17 piece big band, tenor in a cover band and in occasional ensembles.
In the big band setting, you read charts. So, closing the eyes while practicing with the group is more than a bit unhelpful. That said, when it is time to solo, I close my eyes as I stand. To be sure, many (perhaps most) musicians in this situation keep them open so they can see the changes on the chart. I close my eyes so I can hear them. When I remember, I do try closing my eyes while playing guitar. And what happens is that I sort of "see" where my fingers are at, in my imagination. I can not help but think that is very useful, if for no other reason that it is builds confidence. David
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I took up the guitar at 62 as penance for a youth well-spent. |
#30
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I find that I almost involuntarily close my eyes, at least at times, when I am singing. For me, it's part of the concentration that I need to sing at my best. I am thinking about a lot of things when I sing, and I think that closing my eyes eliminates a lot of distractions.
I don't tend to close my eyes when playing an instrumental piece unless it's just putting me to sleep. When I was first learning to play at age 16, my father, a NASA rocket scientist, was rather unhappy with my obsession with the guitar. To avoid conflicts with him over this, I would go into a storage closet under the eaves on the top floor where the boys' bedroom was, and close the door and play in there, sitting on the floor. It would get warm in there with the light on, so I would turn the light off and play in the dark. Ironically, that helped me develop a little better as a guitar player. Regarding videos and players watching the camera constantly: I think staring into a video camera looks rather creepy to viewers. When I perform, I only occasionally look at the camera. My own experience is that the best way to perform is to ignore the camera. - Glenn
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