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Old 09-21-2019, 07:02 PM
Kinda Old Kinda Old is offline
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Default Fake finger picking

In the last couple of years I've stopped using a pick. As I get older and my voice has weakened, I find it difficult to hear myself singing when using a pick. Instead of learning to finger pick (cause I'm lazy) I have figured out a way to use my thumb only, down stroking, hitting the root note first then alternately picking out some other notes in the chord and back to the root note. I can hang on a chord and it almost sounds like I'm using my fingers too. I've grown my thumbnail out enough to stroke the strings with just the right combination of flesh and nail to make a pleasing tone. This simplified way of playing has helped my singing and made my overall performance better and more balanced. When I recored myself using this method it actually sounds very closed to finger picking. I may someday start to incorporate my fingers into the act and actually learn to finger pick but for now playing this way seems very satisfying and it feels like I have more control of both my singing and playing.

I was wondering if anyone else plays this way?
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Old 09-21-2019, 08:01 PM
whvick whvick is offline
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I alternate between thumb strumming and finger picking
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Old 09-21-2019, 08:12 PM
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rick-slo rick-slo is offline
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Old 09-22-2019, 05:59 AM
catdaddy catdaddy is offline
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I don't play that way, but I think it's great that you've developed a technique that suits your style. Congrats!
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Old 09-22-2019, 11:59 AM
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Quote:
Originally Posted by Kinda Old View Post
In the last couple of years I've stopped using a pick. As I get older and my voice has weakened, I find it difficult to hear myself singing when using a pick. Instead of learning to finger pick (cause I'm lazy) I have figured out a way to use my thumb only, down stroking, hitting the root note first then alternately picking out some other notes in the chord and back to the root note. I can hang on a chord and it almost sounds like I'm using my fingers too. I've grown my thumbnail out enough to stroke the strings with just the right combination of flesh and nail to make a pleasing tone. This simplified way of playing has helped my singing and made my overall performance better and more balanced. When I recored myself using this method it actually sounds very closed to finger picking. I may someday start to incorporate my fingers into the act and actually learn to finger pick but for now playing this way seems very satisfying and it feels like I have more control of both my singing and playing.

I was wondering if anyone else plays this way?
Hi KO…

First of all, did I miss a law or rule that says we must use picks?

Second, good on you for creating a way to communicate your music. (I'd stop calling it lazy)



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Old 09-22-2019, 02:41 PM
DukeX DukeX is offline
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I do all kinds of stuff that isn't traditional. It's part of discovering your own thing.

I think you are on the right track. Enjoy the journey.
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  #7  
Old 09-25-2019, 05:58 AM
Sean0913 Sean0913 is offline
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I agree with the rest of these people. There really isn't one right way. I think as long as you have found something that works for you, and it sounds good to you, and it isn't going to cause some negative issues because of strains, or something like tendonitis, have at it.

I think I personally developed what to a technician, would be a "lazy form" of Travis picking, for a lot of the songs I play. From one bar to the next, I can switch to a basic downward arpeggio, and sometimes, a chord pinch similar to a Jazz Drop 2 voicing, back to a Travis Picked hybrid where I'm not even using the "proper" finger assignment on the high E string in that context, all in the same song. But to me, I'm just moving air around, deciding to give life to that chord the way I feel in that moment. It might appear loosey goosey, but to my ears, it sounds liberated and cool, relaxed and unaffected.

Best,

Sean

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