#31
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I agree it is sometimes overrated but I do think it matters a fair amount of the time. We read from time to time re some instances where an AGF'er will report a guitar "coming back to life" with different strings. And I think the experience is real for those who hear it, but I don't expect to ever personally experience turning a "meh" guitar into a "wow" guitar with diff strings. However -like others have said- I do think there are noticeable differences in tone (and certainly differences in other factors like playability/feel, durability, etc.) from one brand/type to another. I believe round cores feel softer and do increase sustain (and perhaps some related natural reverb) to my ears. I have learned that I favor Phos Bronze over 80/20, but that most quality PB strings are going to give me similar results. I like some, but not all nickel strings. Of course not all "nickel/monel" strings are even close to being the same material; some only nickel plated and some solid, others use different nickel alloys, etc.
With more alloys, round cores, balanced tension, parabolic, etc., IMHO there's more technical reasons than ever for us to hear real differences from one string type to another. Still a good question, good discussion.
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#32
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I have always thought differences in string brands regarding tone is typically way over stated. I do however have certain
preferences in string gauges and prefer strings that last a long time.
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#33
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In my experience strings do more to change the tonal character of a guitar aside from the guitar itself. I also disagree that all strings regardless of manufacturer are essentially the same. An apples-to-apples comparison of phosphor bronze strings are going to give me different results on the same guitar; some are brighter, some louder, some are darker, have a favorable feel, or have more or less sustain, etc. And it isn't just alloy, it's gauge too. You have to find out what works for all your personal variables; what style, nails, fingerpicks, thumpicks, flesh only, top woods, b/s woods, body sizes, the signature flavor of the builder, etc.
I have had guitars that sound good with nearly anything I put on it, while others I've needed to hunt down the best pairing and stick with it. I had a guitar once that was the pickiest ever when it came to strings- Martin Retros were by far better than anything else I tried and I spent hundreds of dollars trying to find the best by recording them and writing down my thoughts so I wouldn't forget what I thought of them. Then again, good chance it just wasn't a great sounding guitar too. In my opinion strings make a significant difference, especially on carbon fiber. |
#34
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Strings are extremely important IMO. Difference in tone yes, but even more in feel.
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#35
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“All generalizations are false, including this one”
- Mark Twain |
#36
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Quote:
If “just about any string” works for your ears, great. The issue is, in fact “ finding the one that sounds best” for me. If to my ears Gibson Masterbuilts make my J45 sound angelic and all other strings fall short, it matters. That’s why I bought a bunch of them before they became extinct.
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#37
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I’m in the other camp. I used to think strings didn’t matter. For every guitar there is a small group of strings that sound terrible, a bunch that sound good and fairly similar, and a few that just seem to fit perfectly. I was ready to sell one guitar when I discovered the perfect match. Makes a big difference, especially on a picky guitar.
My old all hog 000-15SM just sounded soooo much better with Juber gauge Martin monels. As much as I wanted the monels to sound good on my 12-fret D-18, I was sort of disappointed to learn that guitar LOVES 80/20s (disappointing because monels last so long and 80/20s so short). Try as I might with all the different PBS on the J45, DAdd nickel bronze just FIT on that guitar. Then there’s feel and gauge and longevity and cost. Strings matter a lot. To be fair, some guitars are pickier than others. And some players more discerning than others. So many factors. Last edited by zoopeda; 09-28-2020 at 07:16 AM. |
#38
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In the past I would have agreed. I am lazy and just left Elixer on til I could not stand it. Then it was D’Addario EXP. but recently SantaCruz parabolic have bonded me back to my 1998 Taylor 414. I don’t think it has ever sounded this good!
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#39
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String choice is one of the most fundamental things for any guitar player. As I've gotten older (started playing at 13, am now 47), I've seen changes in my style, my technique, my body chemistry... my hands could kill a set of untreated PB's in an hour or two of normal playing. Now it takes a couple days LOL!!!
Some guitars like certain makes of strings, some like certain sizes. I had a Bourgeois CB Dread that liked whatever you put on it, regardless the material or size. Had a D18-GE that needed mediums to get the top moving and anything other than treated PB's made it too bright and stiff. Weird guitar. Had a CEO-7 that liked what you put on it, but really shined with Monels where no other guitar I have even sounds good with them. A Taylor 516E I had was particularly awful with them, light or medium. So, yeah... I'll never agree that string choice is overrated... but also don't hunt and peck forever. Don't allow yourself to be fooled by something that should be good, but just doesn't work for you and don't be afraid to go back to what works. |
#40
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You’re correct, any major string brand made of the same materials, will sound very much alike. The differences lie in what metals are used, not the name on the package.
I’ll also submit that there are many, many more topics constantly being debated that fall into the overrated category.
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#41
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Totally agree about feel
Quote:
So, for me, gauge and feel (PB) are the difference. Longevity definitely comes into play when deciding what brand of strings. To my ears, PB Gibson Masterbuilts, Martin SP or D'Addario tonewise, ain't much difference. IMO MGF |
#42
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"Strings are like underwear. Many different kinds, but it only matters to you."
I don't remember whom I am (mis)quoting here. I have long preferred the sound and feel of 80/20 (which also last longer for me). There are some brands I like more than others, but I buy sets according to how they are gauged and whether I want uncoated or coated strings. |
#43
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Look, if a pick preference can make a difference, certainly a string choice can, too. Of course, which brand or alloy and gauge sounds best depends on the guitar itself, the player, the player's ears and preferences, along his/her playing style, ability, pick and/or fingers. Now, whether the variations are important enough for an individual to endlessly search for a favorite among the pack is a personal matter, but I don't believe all strings with "identical" alloys are, in fact, identical.
In my experience, a sampling of brands, alloy choices, windings and gauges usually demonstrate noticeable and obvious tonal changes. Most brands, even when supposedly offering the same alloys and gauges, will sound different from one another. For eg, I use uncoated Martin PB strings (now called Authentic, but, whatever...) and have never been happy with D'Addario PBs with the same gauge. This is not a slap at D'Addario; I only use D'Addario nickel on my electrics and was surprised to conclude I just don't like their acoustic PBs, at least on my current acoustic guitars. Personally, I think string choices mirror guitar choices - whatever tonal differences there are between brands and body shapes that draw us toward one or the other are very similar to why we prefer certain strings over others. Once you've figured out what sound(s) you like coming from your guitar(s), string choices, like guitar choices, narrow down considerably. |
#44
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Not that I don't care. I prefer John Pearse and GHS strings. I feel that D'Addario are high quality and come in so many gauges that I won't hesitate to play them as well.
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#45
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Excellent Assessment
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MGF |