#1
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Barbera second source for percussion
Hi,
I’m going to install a Barbera soloist on one of my flamenco guitars. I decided to install it because of the samples I’ve listened and the superb reviews. I play both loud stages with drums, guitar amps, etc and on acoustic stages. For acoustic stages I use Dpa 4061 blended or not with a piezo and/or a stand microphone (it depends on the style/situation). For loud stages I think I can benefit from Barbera’s resistance to feedback but I’m concerned of losing all percussion on the top. Therefore I’m looking for a second source to combine with Barbera, preferably a soundboard transducer. I’m using a Boss ad-10 as a preamp. Any recommendations? Thank you! |
#2
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I might be going with a JJB Prestige 430 c or a Fishman SBT-E. Another option would be an internal mic positioned to avoid most of feedback problems. Any thoughts?
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#3
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You want percussive stuff played on your guitar amplified, right ? If so, a soundboard transducer would do the job better than any under saddle type pickup. I recommend Schatten HFN-C or James May's UltraTonic.
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Blazer & Henkes, vintage Martins & Gibsons, Altman, Martin 00016 Streetmaster mandolin family, Weissenborn, dobro, lap steel, pedal steel, 5-string banjo live gear: Dazzo, Schatten, K&K, Mimesis Kudos, Schoeps CMC6MK4, DPA4061, Neumann KM85, Grace Felix 2, SunnAudio, ToneDexter, RedEye https://www.youtube.com/@roberthasleder1526 |
#4
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Thanks fot the reply. I want percussive stuff but I also want high feedback rejection. That’s why I think of blending Barbera (low feedback) with another source, might be a lav mic or a sbt. I’ve read on other threads that UST and SBT don’t blend well.
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Tags |
barbera, dual source, flamenco, percussion, sbt |
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