#16
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I have antique wood flutes built in England 150 years ago & while they may respond or sound best when kept humidified in their cases, they've been pretty structurally stable in Southern California conditions.
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Kevin Krell, Executive Director, International Traditional Music Society, Inc. A non-profit 501c3 charity/educational public benefit corporation Wooden Flute Obsession CDs https://www.acousticguitarforum.com/...d.php?t=572579 Last edited by kkrell; 10-21-2018 at 09:10 AM. |
#17
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Thank you dneal for reminding about this important matter.
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#18
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When I was 8 years old, I used to ride my bike through very rough terrain, in an attempt to make it tougher and more stable. An older friend then explained to me the flawed ways of my thinking.
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"I've always thought of bluegrass players as the Marines of the music world" – (A rock guitar guy I once jammed with) Martin America 1 Martin 000-15sm Recording King Dirty 30s RPS-9 TS Taylor GS Mini Baton Rouge 12-string guitar Martin L1XR Little Martin 1933 Epiphone Olympic 1971 square neck Dobro |
#19
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So a solid top stringed instrument is "dead", is it?
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#20
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Can instrument get used to dry or humid environment?
Absolutely - I've seen 200+ year-old orchestral strings that have maintained their structural/sonic integrity, bearing in mind that for most of their lives they would have been in a far less climate-controlled (and potentially far more variable) playing/storage environment than we enjoy today...
The secret : Properly. Sawn. Seasoned. And. Aged. Air. Dried. Woods. - something every luthier worth his/her salt has known for the last six centuries or so... No reason whatsoever it can't be done today - unless of course brand-name market saturation (and enough discretionary cash to fund some very expensive hobbies) is one's primary goal...
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#21
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I have no empiric knowledge in this, and RH is less of an issue in the UK, but it is an issue which causes changes in action and set ups - I have this issue with two of my best guitars which are, I think, the lightest built. I don't know of anyone who has experienced a crack in the UK in/on a guitar built anywhere in the world. Anyway, that is my theory ... which is my own (cough).
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#22
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Talk with a violin maker/luthier
Hello, I had some years ago a talk with a violin maker/luthier and he said that instruments agreeable are well at temp. and humidity where humans are comfortable too.
Now I find troubles with my nostrils. They get dry and I get some blood out, dry boogers etc. I found that when I run the moisturizer, not only that it makes a noise and consumes electric current, I get a not that nice humidity in the room too. The sheets tend to stick to my body cold and uncomfy. Then there is 35% RH at 21C :-/ |
#23
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Wood is plastic to an extent, it can deform over time due to stress. That is why guitars need neck resets. Over time with many normal-dry humidity cycles I can see a guitar that might be able to tolerate dry environments better. But a lot has to do with the wood that the guitar is made of and the original amount of stress built into the guitar.
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Fred |
#24
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#25
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Orchestral instruments (including violins) are made of thicker wood than guitars/lutes, and most 300-400 yr old violins have fared fare better than guitars/citrons/lutes from the same time periods. And most of the ones we do have which are playable are kept in carefully humidity/temperature controlled environments in museums. |
#26
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Over my 55 years of owning guitars I'd say consistency is more important that RH. Dramatic and swift changes seem to cause the most humidity damage.
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#27
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It seems fairly obvious that an instrument that becomes accustomed to a particular climate/temp/humidity range would become more-or-less acclimatized to that spectrum...
That's been my experience. I live, currently, in Northwest-ish Oregon. it's WET here, a lot of the year... in my little home, humidity is generally between 50-60 %rh, but it can go much higher for periods, and sometimes even dip down into the high 20's for short periods in the winter. Once I had been in the area (actually came from a similar climate) for a bit, I check my guitars to "see how they're doing"... if the neck set (bow) has increased or decreased, I tend to that... I check out the tops and bridges and just general overall stability. When everything's set, then I just keep them around and play, maybe check them out once more to be sure nothing's shifted... and then, they'll pretty much stay right where they are, unless there's some radical shift in the weather... So, yeah, they get used to where I live. I keep them out on stands in my one-room tiny home and they get played when I want. Now, if you are asking if a guitar will ever be "okay" without any adjustment while living in 15%rh or 75#rh sort of numbers? Nope... wood is wood and it will react the way that wood does... gets overly dry and it cracks; gets overly wet and it swells... I guess what I mean to say is that NO ONE gets a "free pass" as an acoustic guitarist, unless you just don't give a darn about your guitar...
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"Home is where I hang my hat, but home is so much more than that. Home is where the ones and the things I hold dear are near... And I always find my way back home." "Home" (working title) J.S, Sherman |
#28
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Wood does not like extremes of RH no matter what - so avoid those. It also does not respond well to rapid changes in RH, which does not usually happen in a natural environment, but with heating and AC systems, they can occur too easily. But if the changes are gradual, and not extreme, most instruments should hold up pretty well. That said, this is one area where well chosen quartersawn wood can truly show its worth -
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More than a few Santa Cruz’s, a few Sexauers, a Patterson, a Larrivee, a Cumpiano, and a Klepper!! |
#29
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Your EARS get used to the sound....
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Mike My music: https://mikebirchmusic.bandcamp.com 2020 Taylor 324ceBE 2017 Taylor 114ce-N 2012 Taylor 310ce 2011 Fender CD140SCE Ibanez 12 string a/e 73(?) Epiphone 6830E 6 string 72 Fender Telecaster Epiphone Dot Studio Epiphone LP Jr Chinese Strat clone Kala baritone ukulele Seagull 'Merlin' Washburn Mandolin Luna 'tatoo' a/e ukulele antique banjolin Squire J bass |
#30
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Here in the mid-Atlantic states, we have a wide range of humidity conditions throughout the year. There is no way to "build to the climate" because the climate can be 90% RH on a summer day, and 20% on a cold, clear winter day.
Some guitars will sound like crap at 90%, others will sound OK. Some will crack at 20%, others won't. Best to keep them in the AC whenever possible during the summer and in a humidified room in the winter to reduce the swings in humidity. Having said that, I have guitars from the '30's and '40's that are somehow crack-free, from the days before AC and humidification.
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Neal A few nice ones, a few beaters, and a few I should probably sell... |