#46
|
|||
|
|||
Quote:
|
#47
|
|||
|
|||
Quote:
EDIT: To clarify, when I said "that's a company I don't want to patronize" in the earlier post, I meant the manufacturer, not the retailer. Last edited by nightchef; 11-12-2020 at 03:08 PM. |
#48
|
|||
|
|||
Quote:
|
#49
|
|||
|
|||
Quote:
I'm this guy: And this guy: I hate haggling, but everyone's at it |
#50
|
|||
|
|||
Figured I might as well update this thread....
I’ve upped my budget limit to $3K. This may be the last time I spend serious coin on an acoustic guitar, so I should not be in penny-pinching mode, within reason. So now the no-frills standard Martins, the Guild D-40 Traditional, and the J-45 are in play, though I’d still rather keep it under $2K if I can. I’ve also now played two different J-15s and a Yamaha Red Label (FG3, the Chinese no-electronics version). Hard no on the J-15. I don’t think I’ve ever taken such a strong dislike to a reasonably high-end guitar. The best way I can describe my reaction to it is that playing it feels like eating the shell of a nut rather than the meat. It’s hard and dry and it doesn’t agree with me. I liked the FG3 a lot. Perfect neck for my hands (action a tiny bit high above the 9th fret, but it looked like there was some excess relief in the neck, so nothing a good setup couldn’t fix). Lovely warm, balanced, lively tone. And it looks great in an understated, guitar-next-door way, with the semi-gloss finish and simple trim. No makeup or jewelry, just natural classic good looks. There were a couple of asterisks on the FG3, though: first, the bottom end, while certainly far from thin, is maybe a shade less big than I’m looking for. If this was going to be my only guitar, that would be less of a concern—it’s a perfect all-rounder—but since I’m looking for a dread specifically to complement an OM, I’d ideally like a guitar that brings a bit more booty. If I do go this route I’d probably hold out for an FGX5. |
#51
|
||||
|
||||
Exactly my experience as well. If I hadn't seen it and played it and was told it was some new luthier on the block's take on a sitka/mahogany dread I would be impressed.
|
#52
|
|||
|
|||
Can't currently speak for any of the guitars listed...but just purchased the yamaha A5R today to take advantage of blackfriday 15% off at musicians friend. Hoping that the reviews of the A5R that claim that it out performs dreads twice the price prove to be true. This will be my last purchase (I swear!!) In in the mid-price range before I give up and start saving for the 3K+ range.
|
#53
|
|||
|
|||
IMHO Larrivee every day
__________________
Custom Huss and Dalton 00-SP Custom Huss and Dalton CM CS Martin 000 12 fret Martin CEO-7 Custom Huss and Dalton DS 12 fret Cole-Clark FL3AC American standard strat |
#54
|
||||
|
||||
Quote:
|
#55
|
|||
|
|||
So, what exactly makes the D50 moribund? Is it possible a good luthier could revive it? Might cost a lot less than replacing it.
__________________
Guild F212: 1964 (Hoboken), Guild Mark V: 1975 (Westerly), Guild Artist Award: 1975 (Westerly), Guild F50: 1976 (Westerly), Guild F512: 2010 (New Hartford), Pawless Mesquite Special: 2012, 90s Epi HR Custom (Samick), 2014 Guild OOO 12-fret Orpheum (New Hartford), 2013 12 fret Orpheum Dread (New Hartford), Guild BT258E, 8 string baritone, 1994 Guild D55, Westerly, 2023 Cordoba GK Negra Pro. |
#56
|
|||
|
|||
Quote:
Out of your list, I'd pick a D28 or HD-28v with the slimmer mod v neck. |
#57
|
|||
|
|||
Oh... well since you upped the ante, and it’s your last big acoustic expenditure
for a lifetime dread, the D-28 would be my choice for sure. Period.
__________________
Martin D-35 Martin 000-18 |