#1
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Is lots of practice enough to play like this or is it ultimately down to talent?
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2020 Taylor 814ce DLX 2017 Taylor 414ce-R (Sold) 2015 Taylor 114ce (Sold) |
#2
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An "and" choice, not an "or" choice, plus doing a fair amount of listening.
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Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#3
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For most people, practice would get you to this level.
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https://www.mcmakinmusic.com |
#4
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I see a beautiful song and nice playing but no talent here. The only one to judge this guy’s talent is himself, thinking about how long he plays and practiced this song. In my opinion 99% is practice, regardless what it is about.
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#5
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well now
Its really a bit of both and how much time you can dedicate to playing.
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#6
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I sometimes wonder if 'talent' doesn't simply boil down to 'whatever it takes to motivate lots of practice'.
Keep in mind that there's a difference between 'play' and 'practice'. |
#7
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Quote:
Also I am curious if many people on this forum have achieved mastery like this.
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2020 Taylor 814ce DLX 2017 Taylor 414ce-R (Sold) 2015 Taylor 114ce (Sold) |
#8
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I am constantly amazed at the folks who insist it is just practice.
Practice, practice, practice they say. I could practice basketball from sun up to sun down. I will never play in the NBA. Natural born talent and god given skills are a huge factor in everything we do. |
#9
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He plays pretty well, especially for a young guy. The double-time stretch around 2:00 was a little disjointed. That tune has been beaten to death as a jazz standard, it's a simpler one that many people learn when starting out on jazz.
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#10
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As talented as Larry Bird was as a basketball he was also the first person to the gym and the last to leave.
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Martin D18 Gibson J45 Martin 00015sm Gibson J200 Furch MC Yellow Gc-CR SPA Guild G212 Eastman E2OM-CD |
#11
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Talent often motivates practice - the reward factor - part of the "ten thousand hours" fallacy.
__________________
Derek Coombs Youtube -> Website -> Music -> Tabs Guitars by Mark Blanchard, Albert&Mueller, Paul Woolson, Collings, Composite Acoustics, and Derek Coombs "Reality is that which when you stop believing in it, doesn't go away." Woods hands pick by eye and ear
Made to one with pride and love To be that we hold so dear A voice from heavens above |
#12
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Quote:
Quote:
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#13
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Totally agree with this. But with an emphasis on practice.
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Barry 1969 Martin D-35 (Brazilian Rosewood/Sitka Spruce) 2002 Taylor 355 12-string (Sapele/Sitka Spruce) 2014 Taylor 914ce (Indian Rosewood/Sitka Spruce) 2016 Breedlove Oregon Concert (Myrtlewood) 2018 Taylor GS Mini (Walnut/Spruce) 2021 Taylor 326ce (Urban Ash/Mahogany) 2021 Kevin Ryan Paradiso (The Tree/Sinker Redwood) 2022 KaAloha KTM-10RP Ukulele (Koa) |
#14
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Can you practice acquiring musical rhythm? In this case Jazz but there are many other rhythms that might not come natural to a player. Can you practice chord fingerings? There are just some chord fingerings that don't come naturally and will never be achieved (I'm strictly talking about myself here) Having talent can motivate practice. Not having talent can motivate not trying to overreach your natural abilities. Be happy (and enjoy the music you produce) where your talent and practice lands you in playing guitar is my humble advice. MGF |
#15
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Wow, a bit harsh. I see tons of talent. It depends how old you are. I practice several hours everyday and I’ll never be that fluid with jazz chords. I practice hard in 4 or 5 30 minute very focused, very slow, methodical methods like all great teachers say, but no, I’m too old to jump on a jazz train and knock out Autumn Leaves like that. If you’re in high school, you’ll get it pretty quickly.
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