#16
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Quote:
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RM ----------------------------------------------------- Taylor 856, Taylor GC7, Martin 00-28, Breedlove Oregon Concertina, Breedlove Jeff Bridges Signature, Guild JF55-12, Guild D212, Larrivee OM3, Eastman E20 OM, Farida OT22w, Cordoba Fusion 12 Orchestra, Blueridge BR-361, Pono 0-15 mango, Journey OF-660, Tanglewood TWJP parlor (Nashville tuned), Paul Reed Smith SE Custom. |
#17
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trigger
I've tried just about everything out there, and have returned to the Dunlop trigger. For slightly better contact accuracy I filed a shallow slot for the large E string, and have practiced getting it positioned on that e string with a bit of a rolling motion before I let the clamp down. I also make sure its fairly close behind the fret, and a tweak or two usually gets me good intonation and all strings ringing clear.
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#18
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I own a couple of 12 strings, and use Shubb 12 string capos on them. I’ve never had any problems with them. As previously mentioned, the key thing is to make sure that you get a Shubb 12 string capo, and not try to make do with a Shubb 6 string capo.
Hope this helps. Wade Hampton Miller |
#19
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My goal is to use the capo without needing retuning. I had a Guild F212 that worked with lots of different capos - including all options suggested above. My current Furch and J45 work best with the G7th Heritage, Paige ETI, or D’Addario yoke style (the D’Addario has to be at the fret). The G7th Newport is OK with some loss of tone. The Dunlop Pivot is pretty good - sometimes the A buzzes.
If spacing is a problem, the ETI might work. Just move the plastic pieces to the right spot for 2nd and 3rd fret and carefully apply the capo for other positions. Other random thoughts: the Thalia can work with the Octave Touch pads. I also put a soft spacer on the side that clamps to the neck to increase pressure. A Shubb works sometimes but requires retuning. I replace the pad with thick soft latex tubing: https://a.co/d/2MgIqFt The D’Addario Pro Plus provides even clamping and good intonation and would be a winner, but it pushes the octaves together, so the strings buzz against each other from side to side. For better adjustment, I replaced the thumb screw with an all metal thumb screw from the first version NS capo.
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------------------------------- Gibson J45 12 string Gibson J45 Studio Walnut 6 string Furch D24 SR 12 string Rickenbacker 330w 6 string |
#20
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I have two 12 string guitars : a 1964 Martin D12-20 which was rebuilt by Martin 1998, and considerably modified with X35 trim and had an adjustable truss rod installed, and a rebuilt Harmony H1270 (2" nut).
The Harmony is more accurate, but I tendvto use the Martin more. Both have worked with Shubb12 string capos for some time but Last year (I think) Sir Robin of Wales sent me his D'addario Cradle capo which I have found works very well on the 1 & 7/8 nut width Martin,although it would never be used higher than the 4th fret. I use Ej37 strings tuned DGCFAD (1 tone down). I'm not saying this is the answer for all, but it really works for me.
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Silly Moustache, Just an old Limey acoustic guitarist, Dobrolist, mandolier and singer. I'm here to try to help and advise and I offer one to one lessons/meetings/mentoring via Zoom! |
#21
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One more upvote for the Shubb. I use an S3V Deluxe on my Taylor 652ce Builders Edition, and am delighted with it. Goes on in an instant, and even better, the guitar stays in tune before, during and after use.
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I own 41 guitars. Most are made of wood. Some are not. |
#22
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Yes, that's part of it. I often find it hard to get all the strings cleanly set on the frets without over-pressing some -- the same thing the sawtooth is designed to eliminate. But the other issue is that the location of the saw-tooth "teeth" have to match the string spacing of the guitar.
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----------------------------------- Creator of The Parlando Project Guitars: 20th Century Seagull S6-12, S6 Folk, Seagull M6; '00 Guild JF30-12, '01 Martin 00-15, '16 Martin 000-17, '07 Parkwood PW510, Epiphone Biscuit resonator, Merlin Dulcimer, and various electric guitars, basses.... |
#23
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12 string capo options
Quote:
I won't discount the radius issue as the problem out of hand, but my G7th 'sawtooth' capo works great with all four of my 12 string guitars. What they all have in common is a nut/neck width of 1+7/8", and the radius on each neck feels about the same. Taylor tends to use a standard size neck width throughout their line for 12 string guitars, and the same may be true of Guilds. (I have 2 of each). Or maybe it's a combination of the two things. Be well and play well, Don .
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*The Heard: 85 Gibson J-200 sitka/rosewood Jumbo 99 Taylor 355 sitka/sapele 12 string Jmbo 06 Alvarez AJ60S englmn/mpl lam med Jmbo 14 Taylor 818e sitka/rosewood Grand Orchestra 05 Taylor 512ce L10 all mahogany Grand Concert 09 Taylor all walnut Jmbo 16 Taylor 412e-R sitka/rw GC 16 Taylor 458e-R s/rw 12 string GO 21 Epiphone IBG J-200 sitka/maple Jmbo 22 Guild F-1512 s/rw 12 string Jmbo |
#24
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Quote:
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"Mistaking silence for weakness and contempt for fear is the final, fatal error of a fool" - Sicilian proverb (paraphrased) |
#25
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I got the Shubb and it works reasonably well. Due to the thickness of the neck on my Guild, the capo is at its maximum opening...which is surprising. I didn't think the neck was THAT big.
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#26
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SHUBB 12 string capo is very good ! in fact I like it so much I got one for a 12 fret Dread I own with a wider fret board.
Think I paid a couple of dollars more and got the stainless steel 12 string model . (worth the difference ) .
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--------------------------------- Wood things with Strings ! |