#16
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Martin |
#17
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I don't know the details of the side construction, but based on what I've seen in his instruments, I wouldn't be surprised if Tom were doing something clever & creative there. I actually like the idea of Rocklite too! |
#18
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I came to look at the Myrtle, and I am not disappointed!
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#19
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Tom does three ply laminate sides with a kerfed core, or did a couple yrs ago.
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#20
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We're getting there!
The bracing is stunning: |
#21
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Tom's instruments
I love Tom's instruments...I've owned several and there's a magic to them that's seldom seen elsewhere.
The way he simultaneously makes his instrument look incredibly modern but still traditional speaks of how much he cares about the design and aesthetic. The attention to detail is without equal and his choice of materials is so unusual and effective. The excitement of waiting for it to be completed, delivered and played will keep you sitting on the edge of your seat and the excitement is wholly justified. You have something very special to look forward to!
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Current: Tom Sands OMc Sobell New World Martin OM-28 Authentic '31 Mear & Gray OM18 Martin 0-28vs Stephen Eden Crossover Hahn 228 Telecaster National Delphi Resonator YouTube Past guitars from: Mear & Gray, Tom Sands, Stefan Sobell, Dana Bourgeois, Marc Beneteau, Nigel Forster, Peter Abnett, Avalon, Lowden, Martin (vintage & modern), Gibson, Taylor, Yamaha, Fender and more... |
#22
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I'm having a couple of instruments built right now by the up-and-coming Scottish luthier, Oska Burman. He's a big fan of the so-called "double side construction" technique, which he uses on all his guitars, I believe. I'm not too informed on the ins and outs, but if Oska says it makes a difference, then I'm all for it. I'm sure the luthiers who are using double sides have put a great deal of thought into the reasoning and the process, so I don't think double sides are any fly-by-the-seat of-your-pants operation.
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#23
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My Sands is Swiss moon spruce (if I remember correctly) and Bog Oak. The bridge and fretboard are also bog oak. It is very dark with really pretty grain figure if you look closely. I think the bog oak is a good fretboard choice.
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#24
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The box is all closed up .
Sticking with Ziricote for the binding, fretboard, and headstock overlay/backstrap. Walnut neck. |
#25
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#26
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Added to the very long list of guitars I hope to own some day... |
#27
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I learned something new today: Went to dinner with my wife at a restaurant in San Francisco – New Laurel. We had "Bay Laurel ice cream" for dessert, and I said "You know, another name for Bay Laurel? Oregon Myrtle, which also happens to be the wood Tom Sands is using for my guitar."
She didn't believe me, so I looked it up. Turns out she was right (of course). Oregon Myrtle is the same tree as California Bay Laurel, or Pepperwood. [plain old] Bay Laurel (from which Bay Leaves are harvested) is native to the Mediterranean, and are not at all closely related to California Bay Laurel. Native Americans used California Bay Laurel leaves for seasoning, and the leaves are vaguely similar in appearance to Bay Laurel leaves, so early western settlers named the tree California Bay Laurel. Go figure. |
#28
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Anyhoo, apart from the expectation this will be the greatest guitar I'll ever play (no pressure Tom), one thing I'm really excited about is the secret humble material for the side dot inlay. Anyone care to take a guess?
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#29
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I know! I know! Won't spoil the game for others though - saw this on Tom's IG. Looking great so far.
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Martin |
#30
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Enjoying following the progress of this build!
What tuning machines did you select?
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Rob |